One of the most gifted literary essayists of his generation defends stylistic boldness and intellectual daring in American letters. Over the last decade William Giraldi has established himself as a charismatic and uncompromising literary essayist, “a literature-besotted Midas of prose” (Cynthia Ozick). Now, American Audacity gathers a selection of his most powerful considerations of American writers and themes—a “gorgeous fury of language and sensibility” (Walter Kirn)—including an introductory call to arms for twenty-first-century American literature, and a new appreciation of James Baldwin’s genius for nonfiction. With potent insights into the storied tradition of American letters, and written with a “commitment to the dynamism and dimensions of language,” American Audacity considers giants from the past (Herman Melville, Edgar Allan Poe, Harper Lee, Denis Johnson), some of our most well-known living critics and novelists (Harold Bloom, Stanley Fish, Katie Roiphe, Cormac McCarthy, Allan Gurganus, Elizabeth Spencer), as well as those cultural-literary themes that have concerned Giraldi as an American novelist (bestsellers, the “problem” of Catholic fiction, the art of hate mail, and his viral essay on bibliophilia). Demanding that literature be audacious, and urgent in its convictions, American Audacity is itself an act of intellectual daring, a compendium shot through with Giraldi’s “emboldened and emboldening critical voice” (Sven Birkerts). At a time when literature is threatened by ceaseless electronic bombardment, Giraldi argues that literature “must do what literature has always done: facilitate those silent spaces, remain steadfastly itself in its employment of slowness, interiority, grace, and in its marshaling of aesthetic sophistication and complexity.” American Audacity is ultimately an assertion of intelligence and discernment from a maker of “perfectly paced prose” (The New Yorker), a book that reaffirms the pleasure and wisdom of the deepest literary values.

One of the most gifted literary essayists of his generation defends stylistic boldness and intellectual daring in American letters. Over the last decade William Giraldi has established himself as a charismatic and uncompromising literary essayist, “a literature-besotted Midas of prose” (Cynthia Ozick). Now, American Audacity gathers a selection of his most powerful considerations of American writers and themes—a “gorgeous fury of language and sensibility” (Walter Kirn)—including an introductory call to arms for twenty-first-century American literature, and a new appreciation of James Baldwin’s genius for nonfiction. With potent insights into the storied tradition of American letters, and written with a “commitment to the dynamism and dimensions of language,” American Audacity considers giants from the past (Herman Melville, Edgar Allan Poe, Harper Lee, Denis Johnson), some of our most well-known living critics and novelists (Harold Bloom, Stanley Fish, Katie Roiphe, Cormac McCarthy, Allan Gurganus, Elizabeth Spencer), as well as those cultural-literary themes that have concerned Giraldi as an American novelist (bestsellers, the “problem” of Catholic fiction, the art of hate mail, and his viral essay on bibliophilia). Demanding that literature be audacious, and urgent in its convictions, American Audacity is itself an act of intellectual daring, a compendium shot through with Giraldi’s “emboldened and emboldening critical voice” (Sven Birkerts). At a time when literature is threatened by ceaseless electronic bombardment, Giraldi argues that literature “must do what literature has always done: facilitate those silent spaces, remain steadfastly itself in its employment of slowness, interiority, grace, and in its marshaling of aesthetic sophistication and complexity.” American Audacity is ultimately an assertion of intelligence and discernment from a maker of “perfectly paced prose” (The New Yorker), a book that reaffirms the pleasure and wisdom of the deepest literary values.

Preachers Dare is adapted from Will Willimon’s Lyman Beecher Lectures on Preaching at Yale and is inspired by a quote from the great theologian Karl Barth. In a world in which sermons too often become hackneyed conventional wisdom or tame common sense, preachers dare to speak about the God who speaks to us as Jesus Christ. Willimon draws upon his decades of preaching, as well as his many books on the practice of homiletics, to present a bold theology of preaching. This work emphasizes preaching as a distinctively theological endeavor that begins with and is enabled by God. God speaks, preachers dare to speak the speech of God, and the church dares to listen. By moving from the biblical text to the contemporary context, preachers dare to speak up for God so that God might speak today. With fresh biblical insights, creativity and pointed humor, Willimon gives today’s preachers and congregations encouragement to speak with the God who has so graciously and effusively spoken to us.

The local pastor’s go-to resource for weekly sermon and worship planning. Each week’s entry consists of two pages, face-to-face. The pages include: 1. Preaching Themes -Fleshed out with brief, pithy nuggets of thought, idea jump-starters, or questions •These are designed to spur the preacher’s imagination and sermon development process •They will offer fresh, intriguing ideas •They will point the reader/preacher in a good direction; the reader takes it from there 2. Secondary or Parallel Themes -2 or 3 themes or streams of thought that are related to but separate from the primary theme offered. These might arise from different parts of the lectionary text. This may also include questions, or alternative ways of thinking about the primary theme. 3. Worship Helps •Gathering Prayer •Collect, Pastoral Prayer, Congregational Prayer, Responsive Reading, or some other liturgical element •Closing Prayer or Benediction Homiletical Topic Essays (3) These 700-word essays cover a variety of current and critical topics for the preacher. Each essay focuses on one particular topic. Topics could include the practice of preaching, sermon writing, current issues for the preacher, emerging trends in preaching, and emerging ideas or cultural trends that are important for the church and preacher. Essays are contributed by leading homileticians. Sermon Series Ideas This section will briefly outline and describe ideas for unique sermon series based on lectionary readings. Most if not all of these will come from non-NT texts, helping preachers to include a wider range of scripture in their preaching. (Many pastors preach primarily from NT passages almost exclusively.)

The American President is an enthralling account of American presidential actions from the assassination of William McKinley in 1901 to Bill Clinton's last night in office in January 2001. William Leuchtenburg, one of the great presidential historians of the century, portrays each of the presidents in a chronicle sparkling with anecdote and wit. Leuchtenburg offers a nuanced assessment of their conduct in office, preoccupations, and temperament. His book presents countless moments of high drama: FDR hurling defiance at the "economic royalists" who exploited the poor; ratcheting tension for JFK as Soviet vessels approach an American naval blockade; a grievously wounded Reagan joking with nurses while fighting for his life. This book charts the enormous growth of presidential power from its lowly state in the late nineteenth century to the imperial presidency of the twentieth. That striking change was manifested both at home in periods of progressive reform and abroad, notably in two world wars, Vietnam, and the war on terror. Leuchtenburg sheds light on presidents battling with contradictory forces. Caught between maintaining their reputation and executing their goals, many practiced deceits that shape their image today. But he also reveals how the country's leaders pulled off magnificent achievements worthy of the nation's pride.

We are where we’ve been and what we’ve read, aren’t we? Where else do we get the experience we need to evocatively live? At once a memoir, a reading journal, and a novel, Fragments of a Mortal Mind is a daring, contemporary commonplace book. Donald Anderson, critically acclaimed author of Gathering Noise from My Life and Below Freezing, shows us how the disparate elements of our lives collect to construct our deepest selves and help us to make sense of it all. Anderson layers his personal experiences and reflections with those of others who have wrestled with inner and outer social, cultural, and political memories that are not as accurate as history might suggest but that each of us believe nonetheless. He challenges the reader’s sense of memory and fact, downplaying the latter in explaining how each of us crafts our own personal histories. As Anderson weaves his voice among numerous other voices and ideas that rest upon other ideas, we are faced with larger issues of human existence: war, memory, trauma, mortality, religion, fear, joy, ugliness, and occasional beauty. What we have here is a meditation on living in America. We are shown how the world we consume becomes us as we metabolize it. How we, as humans, through our own fragments of memories, influences, and experiences become our true selves. By charting fragments of thoughts over a lifetime, Anderson exposes a way of thinking and perceiving the world that is refreshingly intuitive and desperately needed. Fragments of a Mortal Mind is a powerful masterpiece that closely resembles our lived experiences and is a vivid reflection of our time.

Our biannual Buzz Books captures all the excitement of the American Booksellers Association’s Winter Institute and takes it much further. Start off a year of new reading discoveries with substantial excerpts from 40 talked about Buzz Books due to be published in the months ahead. Be among the first to get a taste of new fiction from major bestselling authors including Allison Pearson’s follow up to I Don’t Know How She Does It and beloved romance writer Kristan Higgins’ work of general fiction, Good Luck with That. Samples from award-winning literary authors include Chris Offutt, with his first novel in 20 years, Country Dark; Ottessa Moshfegh with My Year of Rest and Relaxation; bestselling nonfiction author Sheila Heti’s Motherhood, and Peter Swanson’s thriller All the Beautiful Lies. The new Buzz Books shines a light on 11 promising debuts. Bestselling nonfiction author Aimee Molloy’s forthcoming novel The Perfect Mother already has been optioned for film by Kerry Washington. Accomplished comic book writer Charles Soule writes a novel that is part comedy, part thriller, The Oracle Year. Other featured debut authors include Luke Allnutt, Alice Feeney, Jane Rosenberg LaForge, and Zoje Stage. Our fascinating nonfiction section is filled with memoir this time around. In The Fox Hunt, Mohammed Al Samawi describes fighting in the Yemeni Civil War before fleeing to the United States while Tessa Fontaine’s The Electric Woman is about running away to join the circus. Regular readers know that each Buzz Books collection is filled with early looks at titles that will go on to top the bestseller lists and critics' "best of the year" lists. And our comprehensive seasonal preview starts the book off with a curated overview of hundreds of notable books on the way later this year. For still more great previews, check out our separate Buzz Books 2018: Young Adult Spring/Summer as well. For complete download links, lists and more, just visit buzz.publishersmarketplace.com.