The history and construction of 18th century American furniture is examined in this critical evaluation that looks at the topic both from an aesthetic and technical point of view

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FURNITURE FOR THE GENERATIONS As a woodworker, you've no doubt admired examples of classic furniture. You know, the stuff that makes you go, "Wow! I wish I could build that." Now you can. Glen Huey, senior editor at Popular Woodworking magazine, takes you through each and every step of how to build 18th-Century furniture. And when you're done, the projects will last for generations. Complete plans, cutting lists and step-by-step photos with captions are included with each project. Here are some of the furniture pieces you will learn how to build: Massachusetts Block-Front Chest Pennsylvania Chest-on-Chest Chippendale Entertainment Center New England Chest & Bookcase Townsend Newport High Chest Federal Inlaid Table Shaker Small Chest of Drawers Massachusetts High Chest (highboy)

Presenting 10 projects -- from shaping the surface through layout to rough carving and detailed carving -- this guide explains the process of carving authentic motifs found on the most treasured pieces of 18th-century American furniture. Written with a two-pronged approach, the book first emphasises that these are learned skills and offers guidance while, secondly, providing all the complex details that serious carvers need to reproduce each element with confidence. Selected for their importance and popularity on museum-quality pieces, projects include the cabriole leg, Philadelphia-style ball and claw foot, carved foliage on knee, Philadelphia rosette, and Newport flame finial, among others.

Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.