Law's Imagined Republic shows how the American Revolution was marked by the rapid proliferation of law talk across the colonies. This legal language was both elite and popular, spanned different forms of expression from words to rituals, and included simultaneously real and imagined law. Since it was employed to mobilize resistance against England, the proliferation of revolutionary legal language became intimately intertwined with politics. Drawing on a wealth of material from criminal cases, Steven Wilf reconstructs the intertextual ways Americans from the 1760s through the 1790s read law: reading one case against another and often self-consciously comparing transatlantic legal systems as they thought about how they might construct their own legal system in a new republic. What transformed extraordinary tales of crime into a political forum? How did different ways of reading or speaking about law shape our legal origins? And, ultimately, how might excavating innovative approaches to law in this formative period, which were constructed in the street as well as in the courtroom, alter our usual understanding of contemporary American legal institutions? Law's Imagined Republic tells the story of the untidy beginnings of American law.

In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War--the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children's stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war's political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the conflict and helped shape new modes of imagining the relationships of diverse individuals to the nation. Works that explored the war's devastating impact on white women's lives, for example, proclaimed the importance of their experiences on the home front, while popular writings that celebrated black manhood and heroism in the wake of emancipation helped readers begin to envision new roles for blacks in American life. Recovering a lost world of popular literature, The Imagined Civil War adds immeasurably to our understanding of American life and letters at a pivotal point in our history.

How did the nationalisms of Latin America's many countries - elaborated in everything from history and fiction to cookery - arise from their common backgrounds in the Spanish and Portuguese empires and their similar populations of mixed European, native and African origins? This book discards one answer and provides a rich collection of others. highly influential book Imagined Communities: Reflections on the Origin and Spread of Nationalism. Anderson traces Latin American nationalisms to local circulation of colonial newspapers and tours of duty of colonial administrators, but this book shows the limited validity of these arguments. influences shaped Latin American nationalisms. Four historians examine social situations: Francois-Xavier Guerra studies various forms of political communication; Tulio Halperin Doghi, political parties; Sarah C. Chambers, the feminine world of salons; and Andrew Kirkendall, the institutions of higher education that trained the new administrators. Next, four critics examine production of cultural objects: Fernando Unzueta investigates novels; Sara Castro Klaren, archeology and folklore; Gustavo Verdesio, suppression of unwanted archeological evidence; and Beatriz Gonzalez Stephan, national literary histories and international expositions.

This collection of essays by twenty-one distinguished American historians reflects on a peculiarly American way of imagining the past. At a time when history-writing has changed dramatically, the authors discuss the birth and evolution of historiography in this country, from its origins in the late nineteenth century through its present, more cosmopolitan character. In the book's first part, concerning recent historiography, are chapters on exceptionalism, gender, economic history, social theory, race, and immigration and multiculturalism. Authors are Daniel Rodgers, Linda Kerber, Naomi Lamoreaux, Dorothy Ross, Thomas Holt, and Philip Gleason. The three American centuries are discussed in the second part, with chapters by Gordon Wood, George Fredrickson, and James Patterson. The third part is a chronological survey of non-American histories, including that of Western civilization, ancient history, the middle ages, early modern and modern Europe, Russia, and Asia. Contributors are Eugen Weber, Richard Saller, Gabrielle Spiegel, Anthony Molho, Philip Benedict, Richard Kagan, Keith Baker, Joseph Zizak, Volker Berghahn, Charles Maier, Martin Malia, and Carol Gluck. Together, these scholars reveal the unique perspective American historians have brought to the past of their own nation as well as that of the world. Formerly writing from a conviction that America had a singular destiny, American historians have gradually come to share viewpoints of historians in other countries about which they write. The result is the virtual disappearance of what was a distinctive American voice. That voice is the subject of this book.

What are the imagined communities that compel men to kill or to die for an idea of a nation? This notion of nationhood had its origins in the founding of the Americas, but was then adopted and transformed by populist movements in nineteenth-century Europe. It became the rallying cry for anti-Imperialism as well as the abiding explanation for colonialism. In this scintillating, groundbreaking work of intellectual history Anderson explores how ideas are formed and reformulated at every level, from high politics to popular culture, and the way that they can make people do extraordinary things. In the twenty-first century, these debates on the nature of the nation state are even more urgent. As new nations rise, vying for influence, and old empires decline, we must understand who we are as a community in the face of history, and change.

"When Nathaniel Currier started his publishing business in 1834, the mass production of visual images was almost unknown. Currier and his partner, James Ives, literally changed the American landscape by mass-producing inexpensive lithographs and selling millions of copies that adorned countless homes, businesses, and even barns. The Currier and Ives catalog included some 7,000 works by dozens of artists, accounting for 95 percent of all lithographs purchased nationwide. Bryan F. Le Beau provides the first in-depth study of the sweeping range of Currier and Ives images produced until the end of the century, placing them in historical context as meaningful representations and reflections of American values, beliefs, hopes, and dreams."--Jacket.

America’s Imagined Revolution explores the Reconstruction period after the Civil War to ask narratological, historiographical, and theoretical questions about how slave emancipation has (and has not) been theorized as revolution. Reading historical fiction by authors such as George Washington Cable, Albion Tourgée, Charles Chesnutt, Frances Harper, and W. E. B. Du Bois in dialogue with nineteenth-century historical writing—and the era’s legal, political, and print culture—Tomos Wallbank-Hughes excavates an evanescent form of historicist writing sensitive to the revolutionary changes that shaped life in the emancipation-era South. As an aesthetic form, the historical novel of Reconstruction poses questions about revolutionary experience in plantation societies, and in the process challenges critical assumptions about historical time in the nineteenth century: How do authors narrate epochal change that also feels like retrenchment? In what direction does history travel if it does not progress? What narratives of race, class, and region encompass both continued domination and ruptured power? By plumbing the situations that give it form, the historical novel of Reconstruction provides a window into the literary culture of the South’s long nineteenth century in which, rather than a storehouse of tradition, the region became a terrain for interpreting social revolution and uncovering slavery’s revolutionary afterlives. America’s Imagined Revolution offers a new interpretation of the literary and historiographical significance of the Reconstruction period and its relationship to American literary history.