A fearless, wide-ranging book on the state of poetry and American literary culture by Tony Hoagland, the author of What Narcissism Means to Me Live American poetry is absent from our public schools. The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak. —from "Twenty Poems That Could Save America" Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.

Poetry. African American Studies. "The publication of Amiri Baraka's SOMEBODY BLEW UP AMERICA & OTHER POEMS makes one more mark in the development in modern Black radical & revolutionary cultural reconstruction... Readers of course will want as quick as possible to read for them-self the now controversial title poem..., but check-out, among the others, "In Town"--pure-pure dark post-Plantation molasses..."--Kamau Brathwaite.

It's Hard to Be a Black Man in America and Other African American Poems By: Elroy Alister Esdaille This book examines the African-American experience from multiple perspectives and cannot be nailed down to any singular thematic presentation. By peering through the pages of time to current day, the book attempts to disclose the African-American experience in The United States, and it can be applied to other countries as well that once had former colonial designs and slave labor. Modern day America, for many Black people, can be said to be a sum total of its messy history of slavery and segregation, and the recalcitrant roots that still persist today. Life for many black men and women in America is extremely challenging for we have to negotiate systemic, and institutionalize racism on a daily basis, while simultaneously wrestling with issues of colorism and microaggressions that continue to pervade society. It’s difficult to understand the perspective of a black man or black woman in America without getting at least a glimpse into his or her insight about race relations and its impact on him or her. Many African Americans feel that the system is designed against them, but their racial concerns often fall on deaf ears. This book gives in-depth examinations about race in America and it asks questions about accountability through the stylist forms of the poems. As a Caribbean immigrant who migrated to The United States, Elroy Alister Esdaille’s experiences as a black man with race relations has at times been painful as he has experienced firsthand the ugliness of racism and how the system so often makes it extremely hard for many black men to strive and live with dignity and pride. He has watched how the stereotype of criminality has informed decisions made against black men like him, and how one must develop a will stronger than iron in order to survive. As he envisions his readers, it is his desire to speak to all truth seekers and world changers. Race is a messy topic that many people avoid, but it is his aim to confront the issues head-on and lay the foundation for honest and controversial conversations that could inspire meaningful change in society. He would not say he is attempting to enlighten anyone, but rather for people to find their true selves and push hard for the future that they want and deserve.

America and Other Poems (1853) is a book of poems by J.M. Whitfield. Published while the poet was working as a barber in Buffalo, New York, America and Other Poems captures his sense of poetic form while expressing his belief in the abolition of slavery. In these odes, hymns, and prayers, Whitfield established his reputation as a pioneering African American poet, an impassioned voice for his people who tirelessly sought to change the course of history with his words. “The North Star,” which concludes the collection, was written for Frederick Douglass’ abolitionist newspaper The North Star, that “guard of truth and liberty” for all. “The writer of the following pages is a poor colored man of this city, engaged in the humble, yet honorable and useful occupation of a barber.” In the introduction to his debut book of poems, J.M. Whitfield proudly and directly asserts his identity. Although he does not fit in with the traditional figure of the poet, Whitfield proves his mastery of form while condemning slavery in the strongest terms. “America” opens the collection with a direct address to the nation “from whence has issued many a band / To tear the black man from his soil, / And force him here to delve and toil”: “America, it is to thee, / Thou boasted land of liberty,— / It is to thee I raise my song, / Thou land of blood, and crime, and wrong.” Without fear, Whitfield questions the moral and political promise of a nation built by slaves. He demands through song and prayer the advent of a day when to “north and south, and east and west, / The wrongs we bear shall be redressed.” With a beautifully designed cover and professionally typeset manuscript, this edition of J.M Whitfield’s America and Other Poems is a classic of African American literature reimagined for modern readers.

An anthology of poems translated into English presents traditional pre-Columbian work alongside contemporary poetry collected from nineteen Latin American countries, ranging from nature and nonsense to politics and magic.

A collection of poems about America at war from the Revolution to the Iraq war.

Poetry occupied a complex position in the social life of nineteenth-century America. While some readers found in poems a resource for aesthetic pleasure and the enjoyment of linguistic complexity, many others turned to poems for spiritual and psychic wellbeing, adapted popular musical settings of poems to spread scandal and satire, or used poems as a medium for asserting personal and family memories as well as local and national affiliations. Poetry was not only read but memorized and quoted, rewritten and parodied, collected, anthologized, edited, and exchanged. Michael C. Cohen here explores the multiplicity of imaginative relationships forged between poems and those who made use of them from the post-Revolutionary era to the turn of the twentieth century. Organized along a careful genealogy of ballads in the Atlantic world, The Social Lives of Poems in Nineteenth-Century America demonstrates how the circulation of texts in songs, broadsides, letters, and newsprint as well as in books, anthologies, and critical essays enabled poetry to perform its many different tasks. Considering the media and modes of reading through which people encountered and made sense of poems, Cohen traces the lines of critical interpretations and tracks the emergence and disappearance of poetic genres in American literary culture. Examining well-known works by John Greenleaf Whittier and Walt Whitman as well as popular ballads, minstrel songs, and spirituals, Cohen shows how discourses on poetry served as sites for debates over history, literary culture, citizenship, and racial identity.