"Chronicles the life and career of the acerbic author, from his youth, through his experiences during the Civil War, to his 1913 disappearance in revolution-torn Mexico"-OCLC

Sixteen dark and vivid tales by great satirist: "A Horseman in the Sky," "An Occurrence at Owl Creek Bridge," "Chicakamauga," "A Son of the Gods," "What I Saw of Shiloh," more. Note.

In 1893, Ambrose Bierce declared "I am for preserving the ancient, primitive distinction between right and wrong." In Write it Right, originally published in 1909, Bierce turned this considerable zeal on the English language. The result revealed that the satirical author of The Devil's Dictionary had a keen ear for the vernacular--and that he hated it. This slim volume of his 300 or so reviled words and expressions contains many we use today with no hesitation at all. (Of "electrocution" he says, "To one having even an elementary knowledge of Latin grammar this word is no less than disgusting, and the thing meant by it is felt to be altogether too good for the word's inventor.") Jan Freeman, author of the weekly column "The Word" for the Boston Globe, annotates Bierce's rulings with style, humor, and in-depth research, revealing what Bierce got right--and what he didn't--and giving insight into how the language has changed over the past century. Write it Right, with its incisive wit and insight into the history of American English, is the perfect gift for word curmudgeons everywhere.

-While biographers have made much of the influence of the Civil War on Bierce and his work, none have undertaken to write a detailed account of his war experience. Likewise, among literary critics, Bierce's status in nineteenth-century American realism has led critics to explore the relationship of his wartime experiences to his output, but they have often done so without a deep understanding of his wartime experience. This manuscript concentrates closely on that experience, examining Bierce's few autobiographical writings, official records, secondary sources, and his works to come up with a portrait of the Ambrose Bierce during the Civil War era---

“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

The Morton Street Slasher has been leaving the corpses of his victims around San Francisco's Union Square. On the women's naked bodies are spade playing cards. The city's infamous newspaperman, Ambrose Bierce, blames the rash of murders on his old enemy, the Southern Pacific Railroad. A naive reporter at Bierce's Hornet pursues the case, uncovering conspiracy at every turn. In a fast-paced novel that is a combination of murder mystery, historical fiction, and quirky biography, Oakley Hall draws the reader into 1880s San Francisco and the changing world that was California in the latter part of the nineteenth century. Local and state politics, the exploitation of the Chinese, the power of the mining and railroad barons, and San Francisco's colorful history provide a backdrop for this irresistible thriller. The novel's chapters are introduced by appropriate excerpts from Bierce's The Devil's Dictionary and narrated by the young reporter Tom Redmond. Redmond is interested in the murders because of his attraction to a woman threatened by the Slasher, and Bierce encourages him because of his personal vendetta against the Big Four of the Railroad. Bierce's misogyny is an influence as well, which Hall uses to advantage in portraying the enigmatic journalist. Hall knows his territory and his characters well. The sights and smells of late-nineteenth-century California are cleverly evoked, and the story's key players are refreshingly authentic. Bierce brandishes his famed cynicism with all the aplomb of the sharp-eyed, sharp-witted newspaperman he was. Cameo appearances by such California worthies as Ina Coolbrith and Joaquin Miller add to the novel's historical richness. Intelligent, gripping, and often quite funny, Ambrose Bierce and the Queen of Spades will satisfy any reader who craves adventure, mystery, romance, and fine writing.