Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi.

Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi.

Between the two world wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public, artistic and intellectual life. Many of these women--including Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller--made lasting contributions to art and literature.

Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public's appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public's understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume's overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.

Arthur Ransome's 'Swallows & Amazons' series is a collection of 12 adventure novels that follow the exciting escapades of the Walker and Blackett children during their summer holidays in the English Lake District. Ransome's vivid and descriptive writing style brings to life the beauty of the setting and the imaginative adventures of the young characters. The books are filled with sailing expeditions, treasure hunts, and daring missions, making them a delightful read for both children and adults alike. Set in the early 20th century, the series provides a nostalgic glimpse into a bygone era of childhood adventure and camaraderie. Arthur Ransome, a former journalist and foreign correspondent, drew inspiration from his own experiences sailing and exploring the Lake District when writing the 'Swallows & Amazons' series. His love for the outdoors and his deep understanding of children's perspectives shine through in his storytelling, capturing the essence of childhood wonder and exploration. I highly recommend 'Swallows & Amazons' to readers of all ages who enjoy timeless adventure stories with a nostalgic charm. Ransome's classic series is sure to captivate and inspire the imagination of anyone who embarks on this literary journey.