A LOCUS AWARD FINALIST ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017 A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin. Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion. Intending to stay just a short while, Vanja falls in love with her housemate, Nina, and prolongs her visit. But when she stumbles on evidence of a growing threat to the colony, and a cover-up by its administration, she embarks on an investigation that puts her at tremendous risk. In Karin Tidbeck’s world, everyone is suspect, no one is safe, and nothing—not even language, nor the very fabric of reality—can be taken for granted. Amatka is a beguiling and wholly original novel about freedom, love, and artistic creation by a captivating new voice.

Books 1-4 of The Chained Adept. 1: The Chained Adept. MEET A POWERFUL WIZARD WITH UNANSWERED QUESTION--AND AN UNBREAKABLE CHIN AROUND HER NECK. Have you ever wondered how you might rise to a dangerous situation and become the hero that was needed? The wizard Penrys has barely gained her footing in the country where she was found three years ago, chained around the neck and wiped of all knowledge. And now, an ill-planned experiment has sent her a quarter of the way around her world. One magic working has called to another and landed Penrys in the middle of an ugly war between neighboring countries, half a world away. No one has any reason to trust her amid rumors of wizards where they don’t belong. And she fears to let them know just what she can do--especially since she can't explain herself to them and she doesn't know everything about herself either. Penrys has her own problems, and she doesn't have any place in this conflict. But they need her, whether they realize it or not. And so she's determined to try and lend a hand, if she can. Whatever it takes. And once she discovers there's another chained adept, even stronger than she is, she's hooked. Friend or foe, she has questions for him -- oh, yes, she does. All she wants is a firm foundation for the rest of her life, with a side helping of retribution, and if she has to fix things along the way, well, so be it. 2: Mistress of Animals. AN ERRANT CHILD WITH DISASTROUS POWERS AND NO ONE TO STAND IN HER WAY. Penrys, the wizard with a chain and an unknown past, is drafted to find out what has happened to an entire clan of the nomadic Zannib. Nothing but their empty tents remain, abandoned on the autumn steppe with their herds. This wasn’t a detour she’d planned on making, but there’s little choice. Winter is coming, and hundreds are missing. The locals don’t trust her, but that’s nothing new. The question is, can she trust herself, when she discovers what her life might have been? Assuming, of course, that the price of so many dead was worth paying for it. 3: Broken Devices. CHAINS WITHOUT WIZARDS AND A RISING COUNT OF THE DEAD. The largest city in the world has just discovered its missing wizards. It seems the Kigali empire has ignited a panic that threatens internal ruin and the only chained wizard it knows that’s still alive is Penrys. The living wizards and the dead are not her people, not unless she makes them so. All they have in common is a heavy chain and a dead past -- the lives that were stolen from them are beyond recall. What remains are unanswered questions about who made them this way. And why. And what Penrys plans to do to find out. 4: On a Crooked Track. SETTING A TRAP TO CATCH THE MAKERS OF CHAINED WIZARDS. A clue has sent Penrys back to Ellech, the country where she first appeared four short years ago with her mind wiped, her body stripped, and her neck chained. It's time to enlist the help of the Collegium of Wizards which sheltered her then. Things don't work out that way, and she finds herself retracing a dead scholar's crooked track and setting herself up as a target to confirm her growing suspicions. But what happens to bait when the prey shows its teeth? In this conclusion to the series, tracking old crimes brings new dangers, and a chance for redemption.

The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.

Book 4 of The Chained Adept. SETTING A TRAP TO CATCH THE MAKERS OF CHAINED WIZARDS. A clue has sent Penrys back to Ellech, the country where she first appeared four short years ago with her mind wiped, her body stripped, and her neck chained. It's time to enlist the help of the Collegium of Wizards which sheltered her then. Things don't work out that way, and she finds herself retracing a dead scholar's crooked track and setting herself up as a target to confirm her growing suspicions. But what happens to bait when the prey shows its teeth? In this conclusion to the series, tracking old crimes brings new dangers, and a chance for redemption.

This volume makes available the papers delivered at the Second Annual Symposium of the Melammu Project in Paris.

An award-winning debut story collection by Karin Tidbeck, author of Amatka and heir to Borges, Le Guin, and Lovecraft. A child is born in a tin can. A switchboard operator finds himself in hell. Three corpulent women float somewhere beyond time. Welcome to the weird world of Karin Tidbeck, the visionary Swedish author of literary sci-fi, speculative fiction, and mind-bending fantasy who has captivated readers around the world. Originally published by the tiny press Cheeky Frawg--the passion project of Ann and Jeff VanderMeer--Jagannath has been celebrated by readers and critics alike, with rave reviews from major outlets and support from lauded peers like China Miéville and even Ursula K. Le Guin herself. These are stories in which fairies haunt quiet towns, and an immortal being discovers the nature of time--stories in which anything is possible.

Ellipsis is the non-expression of one or more sentence elements whose meaning can be reconstructed either from the context or from a person's knowledge of the world. In speech and writing, ellipsis is pervasive, contributing in various ways to the economy, speed, and style of communication. Resolving ellipsis is a particularly challenging issue in natural language processing, since not only must meaning be gleaned from missing elements but the fact that something meaningful is missing must be detected in the first place. Marjorie McShane presents a comprehensive theory of ellipsis that supports the formal, cross-linguistic description of elliptical phenomena taking into account the various factors that affect the use of ellipsis. A methodology is suggested for creating a parameter space describing and treating ellipsis in any language. Such "ellipsis profiles" of languages will serve a wide range of practical applications, including but not limited to natural language processing. In contrast to earlier work, this theory focuses not only on what can, in principle, be elided but in what circumstances a given category actually would or would not be elided--that is, what renders ellipsis mandatory or infelicitous. A theory of ellipsis has been elusive because to produce an adequate account of this ubiquitous phenomenon one needs to address and integrate data from a wide variety of linguistic research areas. Using data primarily from Russian, English, and Polish, McShane looks at the big picture of ellipsis, integrating the syntactic, semantic, morphological, and pragmatic heuristics and bridges work on ellipsis with the larger study of reference. This is groundbreaking linguistic scholarship that bridges the theoretical and the applied, and will interest scholars in the fields of computational, descriptive, and theoretical linguistics.