This 120-page Luella Journal features: 120 wide-ruled lined pages 6 x 9 inches in size - big enough for your daily writings and also small enough to take with you smooth white-color paper, perfect for ink, gel pens, pencils or even colored pencils a black matte-finish cover for an elegant, professional look and feel This (Always Be Yourself Unless You Can Be Luella Then Always Be Luella) journal can be used for writing poetry, jotting down your brilliant ideas, recording your accomplishments and much more. Use it as a diary or gratitude journal, a travel journal or to record your food intake or progress toward your fitness and life goals. The simple lined pages allow you to use it however you wish. Our journals to write in offer a wide variety of journals, so keep one by your bedside as a dream journal, one in your car to record mileage and expenses, one by your computer for login names and passwords, and one in your purse or backpack to jot down random thoughts and inspirations throughout the day. Paper journals never need to be charged and of course no batteries are required! You only need your thoughts and dreams and something to write with. This Luella journal makes a wonderful present, so put a smile on someone's face today!

Into the Darkness stands as a seminal anthology, bringing together an exceptional array of tales that traverse the spectral corridors of gothic horror, mystery, and the supernatural. This collection boasts an impressive diversity in literary styles, juxtaposing the macabre with the psychological, the fantastic with the eerily realistic. Its range spans from the deep, existential fears tapped by Edgar Allan Poe to the pioneering science fiction horror of H.G. Wells. Noteworthy are the haunted landscapes of Algernon Blackwood and the psychological depths explored by Henry James, which stand as testimonies to the anthologys rich, thematic tapestry and its significant contribution to the literary canon. The anthology does not merely compile stories; it orchestrates a nuanced exploration of the human psyche across different epochs and locales. The contributing authors read like a whos who of the 19th and early 20th centuries literary giants, each bringing their unique voice to the theme of confrontation with the unknown. Collectively, their backgroundsranging from the literary brilliance of Oscar Wilde to the grim realism of Thomas Hardymirror the anthologys overarching investigations into horror and mystery. Their works, ingrained in various cultural and literary movements from Romanticism to the Edwardian ghost story, provide a panoramic view of the evolution of horror and speculative fiction. Through the confluence of these diverse voices, the collection offers a comprehensive historical and cultural context, enriching the readers understanding of the genre. Into the Darkness invites readers on an unparalleled literary journey, providing a unique opportunity to engage with the collective genius of authors whose works have defined and transcended the boundaries of their genres. This anthology is not merely a compendium of tales meant to thrill and chill; it's an educational odyssey through the evolution of horror and suspense literature. Readers are encouraged to delve deep into this collection for its unparalleled insight, the rich dialogue it fosters between epochs and ideologies, and the timeless thrill of exploring humanitys darker inclinations.

Beware The Silence stands as a testament to the enduring allure and inherent mystery of the unsaid, the unexplained, and the eerily quiet moments that precede a storm. Spanning an impressive range of literary styles, from the gothic to the speculative, the realist to the supernatural, this collection delves into the silence that speaks volumes, exploring themes of isolation, the unknown, and the uncanny. This anthology is notable not just for its breadth but also for its depth, featuring standout pieces that showcase the unique intersections of culture, time, and psychology, marking a significant contribution to the literary landscape. The authors and editors represented in Beware The Silence collectively bring a rich mosaic of backgrounds, from the well-trodden halls of classic literature by Jane Austen and Charles Dickens to the shadowy corners explored by H. P. Lovecraft and Edgar Allan Poe. These authors, hailing from varied eras and regions, contribute to a multifaceted exploration of the anthology's theme, each drawing from their unique personal, historical, and cultural contexts. Their works reflect the diverse literary movements they belonged to, from Romanticism to Victorian literature, from realism to the birth of modern horror and speculative fiction, enriching the reader's understanding of how silence can signify across different temporal and cultural landscapes. Beware The Silence invites readers into a rich tapestry of narratives that promise to captivate, haunt, and challenge. It stands as a unique opportunity to traverse a wide spectrum of human emotion and experience, offering insights into the often underexplored themes of silence and the unsaid. For scholars, students, and enthusiasts of literature, this collection provides not only a voyage into the many facets of silence but also fosters a dialogue between the past and present, the said and the unsaid, making it a must-read for anyone intrigued by the complexities that define the human condition.

The Heart that Knows is a poignant romance novel penned by Canadian author Charles George Douglas Roberts. Roberts masterfully explores themes of love, heartbreak, and redemption. His poetic prose and profound understanding of human emotions make this a touching and memorable story.

Mary Wilkins Freeman (1852–1930), born in Randolph, Massachusetts, began to publish stories about New England in the early 1880s. In the following decades, Freeman drew widespread praise for her intimate portraits of women and her realistic depictions of rural New England life. She published short stories, essays, novels, plays, and children’s books. Her stories, written in a clear and direct prose, are remarkable for their unpretentious, sympathetic portrayals of the lives of ordinary New Englanders of Freeman’s era. Many of the stories depict rebellion against oppressive social and private conditions. Others describe conflicting desires for independence and lasting relationships. This volume of twenty-eight stories is the first to provide a representative sample of Freeman’s finest work, from all phases of her career. It makes plain why Freeman (in the words of editor Mary R. Reichardt) is widely recognized as an important figure “in the history of American women’s fiction . . . and the development of the American short story.”