Using the enemy's own portals, King Arik sends the elite forces of Alcea to Zara to crush the Federation. Woefully outnumbered, the Alceans join forces with the indigenous rebels to battle the massive armies of Emperor Jaar while the Knights of Alcea scheme from within the enemy's leadership to foil the Federation's ability to respond. While the world focuses on the battle between King Arik and the Federation, Fakir Aziz gathers the most powerful mages in Zara to carry his own battle directly to Alutar, the Great Demon. Should the Mage fail, all is lost. Alutar: the Great Demon is the seventh and final volume of the Demonstone Chronicles.

In ancient days, the mightiest of dragons were fearless in battle against the foes of Kaltara. Those special dragons were called Winged Warriors, and they were revered by the elves. In Winged Warrior, the Torak meets a Winged Warrior and learns that she is to become his battlesteed. The Time of Cleansing fast approaches as the Motangans plant a spy deep within the ruling circle of the Sakovans. The mage-spy Aakuta is discovered on the Island of Darkness and condemned to death, while rebellious Khadoran lords conspire to overthrow Emperor Marak. The elven nation is beset by plotting from antiwar factions, while the Jiadin of Fakara threaten to abandon their defensive positions. With the whole world on the brink of a war where there will be no surrenders, no prisoners, and no negotiations, Vand's minions sow the seeds of destruction as they prepare to launch the invasion that will destroy all life.

A hundred-thousand man Lanoirian army is poised outside the walls of Melbin in a bid to attack Alcea from the south. Meanwhile an enormous army of goblins, yaki, ogres, and Black Devils are heading towards Tagaret, the capital of Alcea, from the north. King Arik and his Alcea Knights must defeat these two armies to complete the Ancient Prophecy. The immortal Mage has gathered six of the world's greatest magician to embark upon a mysterious mission that appears to be at odds with King Arik's fulfillment of the prophecy. The stakes have never been higher, nor the situation ever so dire. Amethyst of the Gods is the final volume of the Sword of Heavens series.

Ages ago the continent was invaded by massive armies intent on creating a new home for themselves. The peaceful indigenous peoples fled before the marauding hordes and hid defiantly in the mountain peaks awaiting a signal from god. They learned the arts of magic and warfare as they hid from the intruders, who divided the land amongst themselves and set up a civilization where the many toil and slave for the elite few. The Forgotten Legacy series begins with Young Lord of Khadora as Marak, a young soldier in the service of one of the clans of Khadora, is chosen as a sacrifice for the benefit of his lord. Marak is sent on a fool's mission to defeat one of the small bands of indigenous people known as the Chula, a race of dreaded cat-people. Volume 1 of Forgotten Legacy.

Using the enemy's own portals, King Arik sends the elite forces of Alcea to Zara to crush the Federation. Woefully outnumbered, the Alceans join forces with the indigenous rebels to battle the massive armies of Emperor Jaar while the Knights of Alcea scheme from within the enemy's leadership to foil the Federation's ability to respond. While the world focuses on the battle between King Arik and the Federation, Fakir Aziz gathers the most powerful mages in Zara to carry his own battle directly to Alutar, the Great Demon. Should the Mage fail, all is lost.

The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today

A survey of works by leading contemporary artists made in residency at Dieu Donné. The Dieu Donné Studio is the site of unparalleled creative exploration and experimentation in paper-based art, where resident artists create innovative works that employ traditional materials and 21st-century technology. This collection highlights residents since 2000 who are known for their work in sculpture, painting, photography, performance, and conceptual art. Collecting the work of 20 acclaimed artists, this book includes a statement from each artist, essays about the residency program, and conversations with the studio collaborators.