Krishna—widely venerated and adored in the Hindu tradition—is a deity of many aspects. An ancient manifestation of the Supreme God Vishnu, or the Godhead itself, Krishna is the bringer of Yoga philosophy and the creator of the universe, the destroyer of evil tyrants, and the hero of the epic Mahabharata. He is also described in classical Sanskrit texts as having human characteristics and enjoying very human pursuits: Krishna is the butter thief, cowherd, philanderer, and flute player. Yet even these playful depictions are based upon descriptions found in the Sanskrit canon, and mostly reflect familiar, classical Pan-Indian images. In this book, contributors examine the alternative, or unconventional, Krishnas, offering examples from more localized Krishna traditions found in different regions among various ethnic groups, vernacular language traditions, and remote branches of Indian religions. These wide-ranging, alternative visions of Krishna include the Tantric Krishna of Bengal, Krishna in urban women's rituals, Krishna as monogamous husband and younger brother in Braj, Krishna in Jainism, Krishna in Marathi tradition, Krishna in South India, and the Krishna of nineteenth-century reformed Hinduism.

Most widely known for its adherents chanting “Hare Krishna” and distributing religious literature on the streets of American cities, the Hare Krishna movement was founded in New York City in 1965 by A. C. Bhaktivedanta Swami Prabhupada. Formally known as the International Society for Krishna Consciousness, or ISKCON, it is based on the Hindu Vedic scriptures and is a Western outgrowth of a popular yoga tradition which began in the 16th century. In its first generation ISKCON actively deterred marriage and the nuclear family, denigrated women, and viewed the raising of children as a distraction from devotees' spiritual responsibilities. Yet since the death of its founder in 1977, there has been a growing women’s rights movement and also a highly publicized child abuse scandal. Most strikingly, this movement has transformed into one that now embraces the nuclear family and is more accepting of both women and children, steps taken out of necessity to sustain itself as a religious movement into the next generation. At the same time, it is now struggling to contend with the consequences of its recent outreach into the India-born American Hindu community. Based on three decades of in-depth research and participant observation, Hare Krishna Transformed explores dramatic changes in this new religious movement over the course of two generations from its founding.

An engrossing and definitive narrative account of history and myth that offers a new way of understanding one of the world's oldest major religions, The Hindus elucidates the relationship between recorded history and imaginary worlds. Hinduism does not lend itself easily to a strictly chronological account: many of its central texts cannot be reliably dated even within a century; its central tenets karma, dharma, to name just two arise at particular moments in Indian history and differ in each era, between genders, and caste to caste; and what is shared among Hindus is overwhelmingly outnumbered by the things that are unique to one group or another. Yet the greatness of Hinduism - its vitality, its earthiness, its vividness - lies precisely in many of those idiosyncratic qualities that continue to inspire debate today. Wendy Doniger is one of the foremost scholars of Hinduism in the world. With her inimitable insight and expertise Doniger illuminates those moments within the tradition that resist forces that would standardize or establish a canon. Without reversing or misrepresenting the historical hierarchies, she reveals how Sanskrit and vernacular sources are rich in knowledge of and compassion toward women and lower castes; how they debate tensions surrounding religion, violence, and tolerance; and how animals are the key to important shifts in attitudes toward different social classes. The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers - many of them far removed from Brahmin authors of Sanskrit texts - have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms from which to consider the ironies, and overlooked epiphanies, of history.

Explores the significance of levity and humor in South Asian religious traditions.

The costs of industrial agriculture are astonishing in terms of damage to the environment, human health, animal suffering, and social equity, and the situation demands that we expand our ecological imagination to meet this crisis. In response to growing dissatisfaction with the existing food system, farmers and consumers are creating alternate models of production and consumption that are both sustainable and equitable. In Growing Stories from India: Religion and the Fate of Agriculture, author A. Whitney Sanford uses the story of the deity Balaram and the Yamuna River as a foundation for discussing the global food crisis and illustrating the Hindu origins of agrarian thought. By employing narrative as a means of assessing modern agriculture, Sanford encourages us to reconsider our relationship with the earth. Merely creating new stories is not enough -- she asserts that each story must lead to changed practices. Growing Stories from India demonstrates that conventional agribusiness is only one of many options and engages the work of modern agrarian luminaries to explore how alternative agricultural methods can be implemented.

The Hindu sect the Vallabha Sampradaya was founded in India in the 15th century by a devotional saint, Vallabhacharya. Their bhakti tradition worships a variety of forms of Krishna as a seven-year-old child. Following U.S. immigration reforms in 1965, members of the sect established a spiritual headquarters for the faith in Pennsylvania and began to construct temples across the United States. Since then, the growth has continued as this 500-year-old faith becomes an American religion, as this work demonstrates.