Alone on the Ridgeway is the inner journey of the author's solo 87 mile walking adventure along one of England's National Trails in 2016. This book is ideal for walkers who are new to doing a long distance trail, as it includes practical information and how to prepare for such a journey. The main focus, however, is the inner journey of the author as she reconnects with herself on the trail. This is not a guidebook or a book full of cultural and historical details. It's designed to help you decide whether the Ridgeway is the right trail for you, and if so, how to start planning for it.More than just a walking travelogue or memoirs of a walking holiday, this book contains Holly's reflections on walking the Ridgeway, including lessons learned and practical information to help you plan your Ridgeway hiking adventure. It includes a suggested packing list, gear recommendations, and other useful tips, such as when to walk the Ridgeway, where to stay, and how much you'll need to budget.

At the beginning of his memoir Life Lived Wild, Adventures at the Edge of the Map, Rick Ridgeway tells us that if you add up all his many expeditions, he’s spent over five years of his life sleeping in tents: “And most of that in small tents pitched in the world’s most remote regions.” It’s not a boast so much as an explanation. Whether at elevation or raising a family back at sea level, those years taught him, he writes, “to distinguish matters of consequence from matters of inconsequence.” He leaves it to his readers, though, to do the final sort of which is which."--Amazon.

Ever since Keith Ridgway published his landmark cult novel Hawthorn & Child, his ardent fans have yearned for more Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel. Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations. A deft, high-wire act, full of imprecise yet sharp dialog as well as witchy sleights of hand reminiscent of Muriel Spark, A Shock delivers a knockout punch of an ending. Perhaps Ridgway’s most breathtaking quality is his scintillating stealthiness: you can never quite put your finger on how he casts his spell—he delivers the shock of a master jewel thief (already far-off and scot-free) stealing your watch: when at some point you look down at your wrist, all you see is that in more than one way you don’t know what time it is…

“An unforgettable look at the peculiar horrors and humiliations involved in solitary confinement” from the prisoners who have survived it (New York Review of Books). On any given day, the United States holds more than eighty-thousand people in solitary confinement, a punishment that—beyond fifteen days—has been denounced as a form of cruel and degrading treatment by the UN Special Rapporteur on Torture. Now, in a book that will add a startling new dimension to the debates around human rights and prison reform, former and current prisoners describe the devastating effects of isolation on their minds and bodies, the solidarity expressed between individuals who live side by side for years without ever meeting one another face to face, the ever-present specters of madness and suicide, and the struggle to maintain hope and humanity. As Chelsea Manning wrote from her own solitary confinement cell, “The personal accounts by prisoners are some of the most disturbing that I have ever read.” These firsthand accounts are supplemented by the writing of noted experts, exploring the psychological, legal, ethical, and political dimensions of solitary confinement. “Do we really think it makes sense to lock so many people alone in tiny cells for twenty-three hours a day, for months, sometimes for years at a time? That is not going to make us safer. That’s not going to make us stronger.” —President Barack Obama “Elegant but harrowing.” —San Francisco Chronicle “A potent cry of anguish from men and women buried way down in the hole.” —Kirkus Reviews

[Siren Publishing: The Lynn Hagen ManLove Collection: Erotic Romance, Contemporary, Alternative, Paranormal, Werewolves, Vampires, Suspense, MM, HEA] Nixon has gotten in way over his head when he agrees to do a few odd jobs with his brother. He has no clue that he’s been working for Cash, a cutthroat man with no remorse. Nixon doesn’t want anything to do with him, but Cash leaves him no choice. He’s tasked with finding a guy named Joaquin and gathering intel. What intel, Nixon has no clue. When he visits Club Lure to find the guy, he discovers just how deadly Joaquin truly is. Joaquin is the team leader of Eleazar’s protection detail. He’s deadly, precise, and has no mercy for those who dare to cross him. On his one night off, Joaquin goes to Club Lure, looking to score. He finds Nixon, a cute little human that he takes home, only to find out that Nixon is his mate, and that the human was sent to spy on him. The stakes grow higher when Cash comes after Nixon. The line is drawn in the sand, and Joaquin is determined to win. Lynn Hagen is a Siren-exclusive author.

Evidence of Things Not Seen is an interdisciplinary study of blackness in genre literature of the Americas. When mystery, romance, fantasy, mixed-genre, and science fiction writers center fantastical blackness, they make this expressive quality available to a broad audience that uses pop fictions' imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres' imaginable possibilities help us strategize ways that the made up can be made real.

The Lonely Other chronicles the life of a woman constantly facing new amazements. In Wound Chevy at Wounded Knee (Best of the Best American Essays (1994)) Diana Hume Georgia recounts how she lived a trapped and futile life as a white teenage bride on an Indian reservation. As an adult she confronts drunken hunters outside her isolated cabin; she faces her fear of heights by climbing in the White Mountains; she unflinchingly delves into her long-standing engagement with Anne Sexton's poetry, and into her own father's suicide. Always she wonders: Can women learn to travel alone, on roads and in their daily lives, without fear.