This book chronicles the deliverance of a young woman--who lived in Detroit, Michigan--from the clutches of Satan and witchcraft as Jesus Christ became more real to her than life itself. She always knew she had psychic abilities and thought the use of it in witchcraft was the right way, but God opened her eyes to see that gifts and callings are without repentance from God. He made her and gifted her uniquely for a specific purpose of deliverance for herself and others through the Word of God. Alleys of your Mind delves into the nooks and crannies of our minds that hold the silent thoughts, the unkempt, forgotten, damp, and dark places, those back-and-forth places of sin that we do not discuss or share with others or ever hope they find out about us. The author desires to "save with fear while pulling them out of the fire, hating even the garment stained by the flesh" (Jude 23 MEV). The book unfolds as she travels across the Pacific and Atlantic Oceans in search of a better life and freedom from past hurts to fall into the arms of Jesus Christ while living in a pagan and foreign land. Sometimes, God must take us from what we know to places that are unknown to capture the heart and the alleys of the mind for his glory!

It is said that by thought, we attract the thing. By taking action, we receive the thing. We decide what our thoughts should be. As a man thinks in his heart, so is he (Prov. 23:7). The book encourages us to think using the mind of God (Phil 2:5). Thinking with the mind of God makes success inevitable because God knows all things. The book encourages readers to let go of many things, including the past. But to never give up on the power of believing in oneself. Readers are encouraged to allow their higher self to control the inner conversations. Many people rent out their mind to sources void of credibility but get no compensation in return. Furthermore, they have no “rental clause” to protect them from their mind being highjacked. More often than not, even if their mind is returned to them, it is under the control of envy, jealousy, fear, worry, and “can’t do.” Before the mind is returned to its original owner, it would have forged an intimate relationship with “lack,” “procrastination,” and “the past.” Who is controlling your mind?

BOOKS BY DR. JOSEPH MURPHY The Amazing Laws of Cosmic Mind Power The Cosmic Energizer: Miracle Power of the Universe The Cosmic Power Within You Great Bible Truths for Human Problems The Healing Power of Love How to Attract Money How to Pray with a Deck of Cards How to Use the Power of Prayer How to Use Your Healing Power Infinite Power for Richer Living Living Without Strain Love is Freedom Magic of Faith Mental Poisons and Their Antidotes The Miracle of Mind Dynamics Miracle Power for Infinite Riches Peace Within Yourself The Power Of Your Subconscious Mind Pray Your Way Through It Prayer is the Answer Psychic Perception: The Meaning of Extrasensory Power Quiet Moments with God Secrets of the I Ching Songs of God Special Meditations for Health, Wealth, Love, and Expression Stay Young Forever Supreme Mastery of Fear Telepsychics: The Magic Power of Perfect Living Why Did This Happen to Me? Within You is the Power Write Your Name in the Book of Life Your Infinite Power to be Rich

From the co-authors of the classic Last Night a DJ Saved My Life: A fascinating oral history of record spinning told by the groundbreaking DJs themselves. Acclaimed authors and music historians Bill Brewster and Frank Broughton have spent years traveling across the world to interview the revolutionary and outrageous DJs who shaped the last half-century of pop music. The Record Players is the fun and revealing result—a collection of firsthand accounts from the obsessives, the playboys, and the eccentrics that dominated the music scene and contributed to the evolution of DJ culture. In the sixties, radio tastemakers brought their sound to the masses, while early trendsetters birthed the role of the club DJ at temples of hip like the Peppermint Lounge. By the seventies, DJs were changing the course of popular music; and in the eighties, young innovators wore out their cross-faders developing techniques that turned their craft into its own form of music. With discographies, favorite songs, and amazing photos of all the DJs as young firebrands, The Record Players offers an unparalleled music education: from records to synthesizers, from disco to techno, and from influential cliques to arenas packed with thousands of dancing fans.

Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.