Arrangement for Woodwind Quartet (intermediate) by Francesco Leone . Set of parts (5): Flute, Oboe, Bb Clarinet and Bassoon, included Bb Bass Clarinet instead Bassoon (score available separately). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

"This book presents music titles in which the organ is part of a chamber ensemble. Alphabetized by composer, entries contain the bibliographical information for each title and a brief commentary or description, as well as information on the level of difficulty, timing, mood, fingerings/pedalings, and other performance aids. The selections are suitable for concerts and religious services and are written in a variety of styles, from Baroque to contemporary." "This catalogue will be of interest to church organists searching for a piece for organ and brass appropriate for Easter, visiting instrumentalists choosing music for a Sunday service, teachers introducing their organ students to the experience of accompanying a violin, and instrumentalists seeking a composition to play with the organ, among many others."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Captivating syncopations, mixed meters, and rhythmic vitality spark this refreshing work that incorporated both Latin and English lyrics. This joyous minor-mode piece is effective for concert and festival use and is also a fantastic choice for an opening number.

A comprehensive instruction manual for learning to play the Native American flute, including information on tunings, fingerings, performance technique, tablature, style, history, standard notation, traditional ornaments, and a section on the care and maintenance of the flute. Also features sixteen transcriptions of songs from Nakai's recordings, and an analysis of his career as a recording artist and performer by the ethnomusicologist David P. McAllester.

Written for developing voices, this straight-forward concert setting of Philip Hayes's classic vocal canon is full of teachable moments in phrasing, vowel placement, breath support, and the use of solfège. The melody is presented in unison, breaking next into the canon, and closing with a short unison coda. Charming in its natural choral beauty, the piece is supported by a light Baroque-like accompaniment, adding musical interest.