“Suspenseful . . . startling plot twists and incisive commentary on the social unrest of a coal-mining town during the Great Depression . . . a breathtaking ending.” —Publishers Weekly In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister, Lily, from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum’s physician is involved in eugenics and experimenting on girls with various sterilization techniques. Five years later, Lily and Violet are back in Scranton, one married, one about to be, each finding her own way in a place where a woman’s worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other. The follow-up to Barbara J. Taylor’s debut, Sing in the Morning, Cry at Night—named one of the Best Summer Books of 2014 by Publishers Weekly—All Waiting is Long continues her Dickensian exploration of the Morgan family. “Taylor’s characters—a cast of nuns and prostitutes, mobsters and miners, social activists and church busybodies—reflect the varying pressures and expectations of small-town life with rich, insightful prose and dialogue that rings true to each character’s voice. Will the web of lies the two sisters weave around themselves survive? You’ll have to read it yourself to find out. Recommended.” —Historical Novel Review “Powerful . . . Every page is saturated with the 1930s milieu as the sisters navigate the adversities of their reality . . . The overall result is a thought-provoking book club discussion cornucopia.” —Booklist (starred review)

Nominated for a 2014 Lime Award for Excellence in Fiction Named a Best Book of Summer 2014 by Publishers Weekly Named a Pick of the Week for the week of June 30th by Publishers Weekly "An earnest, well-done historical novel that skillfully blends fact and fiction." --Publishers Weekly "A profound story of how one unforeseen event may tear a family apart, but another can just as unexpectedly bring them back together again." --Publishers Weekly, Best Book of Summer 2014 Pick "Solomon enticingly described the novel Sing in the Morning, Cry at Night by Barbara J. Taylor (Akashic), set in a coal-mining town in 1913, as 'one of those sit on the couch and don't bother me' reads." --Shelf Awareness, NCIBA Spring Rep Picks "An absolute gem of a book filled with beautiful characters and classical writing techniques rarely seen in modern literature." --The Christian Manifesto, Top Fiction Pick of 2014 "This story is at once poignant and hopeful, spiced up by such characters as Billy Sunday, the revivalist, and Grief, the specter who haunts Grace to the very edge of sanity. A rich debut." --Historical Novel Society "Like Dickens, the novel faces family tragedy, in this case the town blaming 8-year-old Violet Morgan for her older sister's death. As her parents fall victim to their own vices, Violet learns how to form her own friendships to survive." --Arts.Mic "A fantastic novel worthy of the greatest accolades. Writing a book about a historical event can be difficult, as is crafting a bestseller, but Barbara J. Taylor is successful at both." --Downtown Magazine "Taylor's careful attention to detail and her deep knowledge of the community and its people give the novel a welcome gravity." --The Columbus Dispatch "One of the most compelling books I've ever read...a haunting story that will stay with the reader long after reading this novel." --Story Circle Book Reviews "Rave reviews are pouring in for this historical novel of a family tragedy." --The Halifax Reader, "6 New Books to Look for in July" "This well-written book is peopled with characters the reader can really care about and captures the feeling of a gritty twentieth century coal mining community." --Breakthrough, newsletter of the Osteogenesis Imperfecta Foundation "Like all good historical fiction, I learned from this novel." --Time 2 Read "This book has...prizewinner written all over it....Worth the read!" --I've Read This "This haunting story of tragedy and hope in an early twentieth century mining town is...an expertly crafted arrow that shoots straight for the heart. Reminiscent of classics such as How Green Was My Valley...this book is a must-read for fans of character-driven, authentic historical fiction." --Amy Drown Blog Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in the Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls' father, "turns to drink" and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is "off being saved" at a Billy Sunday Revival. Inspired by a haunting family story, Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.

All I ever wanted was a home-stability, hard walls, and roots so deep they could withstand the strongest storm. Through long hours and determination, I was finally on my way, signing contracts for my brick and mortar shop, and beginning to feel settled for the first time in my life. But the night I met John Eaton, I felt that stability crumble. His smile was a mixture of little boy and pure devil at the same time. I knew his type, knew the sort of games that came with men like him. So I pushed. But he pulled harder. I tried to fight it, to shove away the connection that clawed at my heart, but it was too late. Roots dug in, grew deep, and twisted. John fell for me, and I for him. He was impossible to resist. I was his. But a secret is a dangerous thing. Held too long, it can rip a life apart. Destroy the man I loved. Destroy us.

What if God wants you to wait? Most of us know what it’s like to wait for God to change our circumstances. But, whether we’re waiting for physical healing, emotional breakthrough, or better relationships, waiting is something we usually try to avoid. Why? Because waiting is painful and hard. The truth is, it’s also inevitable. In Still Waiting, Ann Swindell explores the depths of why God wants us to wait by chronicling her own compelling story of waiting for healing from an incurable condition. She offers a vibrant retelling of the biblical account of the Bleeding Woman that parallels her story—and yours, too. Let Ann help you see the promise that is hidden in the ache of waiting and the hope of what God can—and will—do as you wait on him.

Squirrel, Hedgehog, and Bear have never seen it snow, so when Deer predicts an early snowfall, they attempt to stay awake to see the snow.

Living in the small Florida town where his father was killed under suspicious circumstances, Roy Collier grows up the mirror image of his father while the secrets of the past come back to haunt him.

“The Waiting Room is both haunted, and haunting.”—Geraldine Brooks, Pulitzer Prize-winning author of March The Waiting Room unfolds over the course of a single, life-changing day, but the story it tells spans five decades, three continents, and one family’s compelling history of love, war, and survival As the daughter of Holocaust survivors, Dina’s present has always been haunted by her parents’ pasts. She becomes a doctor, emigrates, and builds a family of her own, yet no matter how hard she tries to move on, their ghosts keep pulling her back. A dark, wry sense of humor helps Dina maintain her sanity amid the constant challenges of motherhood and medicine, but when a terror alert is issued in her adopted city, her coping skills are pushed to the limit. Interlacing the present and the past over a span of twenty-four hours, The Waiting Room is an intense exploration of what it means to endure a day-to-day existence defined by conflict and trauma, and a powerful reminder of just how fragile life can be. As the clock counts down to a shocking climax, Dina must confront her parents’ history and decide whether she will surrender to fear, or fight for love.