After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb’s moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill. Wealthy and bookish Randall Dawson, out of place in this rugged and violent country, is begrudgingly chasing after the Bentley brothers. With little sense of how to survive, much less how to take his revenge, Randall meets Charlotte, a woman experienced in the deadly ways of life in the West. Together they navigate the murky values of vigilante justice. Powerful and atmospheric, lyrical and fast-paced, All Things Left Wild is a coming-of-age for one man, a midlife odyssey for the other, and an illustration of the violence and corruption prevalent in our fast-expanding country. It artfully sketches the magnificence of the American West as mirrored in the human soul.

Attempting to escape his abusive father and generations of cyclical poverty, young Jonah Hargrove joins the mysterious River—a teenage girl carrying thousands of dollars in stolen meth—and embarks on a southern gothic odyssey through the East Texas river bottoms. They are pursued by local drug kingpin John Curtis and his murderous enforcer, Dakota Cade, with whom River was romantically involved. But Cade and Curtis have their own enemies, as their relationship with the cartel controlling their meth supply begins to sour. Keeping tabs on everyone is the Thin Man, a silent assassin who values consequence over mercy. Each person is keeping secrets from the others—deadly secrets that will be exposed in savage fashion as their final paths collide and all are forced to come to terms with their choices, their circumstances, and their own definition of God. With a colorful cast of supporting characters and an unflinching violence juxtaposed against lyrical prose, River, Sing Out dives deep into a sinister and sanguinary world, where oppressive poverty is pitted against the need to believe in something greater than the self.

Fiction. Deep in the mountains of British Columbia, across an unforgiving landscape, one man's pursuit of a fabled mountain lion leads him into the furthest reaches of himself. As he struggles to confront the wilderness surrounding him--from the baying hounds to the relentless northern snows--he journeys into his own haunted memories: a life of wild horses and ballet, fishing skiffs and blizzards, tropical seas and dolphins. Through wind, snow, and the depths of grief, he asks what price he is willing to exact on a world that ravages what we love, and whether redemption awaits those who learn to forgive. A tender story of love and a modern-day parable, The Dark Heart of Every Wild Thing, the debut novel from acclaimed poet Joseph Fasano, guides us into the deepest territories of the human heart. "Joseph Fasano has the heart and the ear and he puts them to magnificent use in THE DARK HEART OF EVERY WILD THING. By turns mournful and thrilling, this story, told in precise and glorious prose, traverses the wild heights of grief, vengeance, tenderness, and love. It pierces."--Sam Lipsyte "A father, a boy, and a mountain lion. If it sounds like the start of a parable, that's because THE DARK HEART OF EVERY WILD THING has wisdom to share. But that wisdom is complicated, surprising, and at times even vicious. What seems at first like a quiet book is actually quite fierce, not unlike the big cat at the center of its story. This elegiac novel is a moving meditation on grief, love, and obsession."--Erica Wright "Joseph Fasano is a wonderfully gifted writer. He writes evocatively, lyrically, and never fails to surprise us with his revelations and illuminations. His insights are deep, his delineation of character and place immensely satisfying. He gives us a story that keeps resonating long after we have finished reading."--Nicholas Christopher

James Wade, whose first two novels were praised as “rhapsodic” and “haunting,” delivers his most powerful work to date—a chilling parable about the impossible demands of hate and love, trauma and goodness, vividly set in the landscapes of Texas and Louisiana. Beasts of the Earth tells the story of Harlen LeBlanc, a dependable if quiet employee of the Carter Hills High School’s grounds department whose carefully maintained routine is overthrown by an act of violence. As the town searches for answers, LeBlanc strikes out on his own to exonerate a friend while drawing the eyes of the law to himself and fending off unwelcome voices that call for a sterner form of justice. Twenty years earlier, young Michael Fischer dreads the return of his father from prison. He spends his days stealing from trap lines in the Louisiana bayou to feed his fanatically religious mother and his cherished younger sister, Doreen. When his father eventually returns, an evil arrives in Michael’s life that sends him running from everything he has ever known. He is rescued by a dying poet and his lover, who extract from him a promise: to be a good man, whatever that may require. Beasts of the Earth deftly intertwines these stories, exploring themes of time, fate, and free will, to produce a revelatory conclusion that is both beautiful and heartbreaking.

In All Things Wild and Wonderful, Kobie Krüger brings us further stories of her life in the Kruger National Park, where her husband was a game ranger. After eleven years in the remote Mahlangeni region they are transferred, first to Crocodile Bridge and then to Pretorius Kop. Fully at peace in the wild and lonely landscapes of the north, Kobie fears she will never adapt to the relatively people-populated southern area. It takes time, but eventually she is able to acknowledge that the move has shown her 'other Edens' and has given her a store of new adn precious memories. Foremost among her memories is the unique experience of raising Leo, an abandoned lion cub. It is a fascinating and emotional encounter with the king of the beasts, which brings her and her family equal measures of joy and sorrow. Written with her usual warmth and humour, and imbued with her love of the wilderness and all its inhabitants, this new book is truly a celebration of all things wild and wonderful.

"Propulsive . . . . Good books sometimes cut to the bone, and this one feels like a scythe." —The New York Times Book Review "This wise, brilliant novel is so special, so overflowing with honesty and love—about motherhood, sisterhood, what it’s like to be a woman—that every paragraph feels like an epiphany. Hanna Halperin knows the fierce love that can exist especially among broken things. Something Wild moved me deeply." —Glennon Doyle, #1 New York Times bestselling author of Untamed A searing novel about the love and contradictions of sisterhood, the intoxicating desires of adolescence, and the traumas that trap mothers and daughters in cycles of violence One weekend, sisters Tanya and Nessa Bloom pause their respective adult lives and travel to the Boston suburbs to help their mother pack up and move out of their childhood home. For the first time since they were teenagers sharing a bunk bed over a decade ago, they find themselves in the place where long-kept secrets were born, where jealousy, comfort, anger, forgiveness, and repulsion coexist with the fiercest love and loyalty. What they don't expect is for their visit to expose a new, horrifying truth: their mother, Lorraine, is in a violent relationship. As Tanya urges Lorraine to get a restraining order, Nessa struggles to reconcile her fondness for their stepfather with his capacity for brutality. Their differing responses to the abuse bring up the sisters' shared secret—a traumatic, unspoken experience from their adolescence has shaped their lives, their sense of selves, and their relationship with each other and the men in their life. In the midst of this family crisis, they have no choice but to reckon with the past and face each other in the present, in the hope that there's a way out of the violence so deeply ingrained in the Bloom family. Told in alternating perspectives that deftly interweave past and present, Something Wild is a magnetic, unflinching portrait of the bond between sisters, as well as a psychologically acute exploration of the legacy of divorce, the ways trauma reverberates over generations, and how it might be possible to overcome the past.

A NEW YORK TIMES BESTSELLER • "A memoir in essays about so many things—growing up in an abusive cult, coming of age as a lesbian in the military, forced out by homophobia, living on the margins as a working class woman and what it’s like to grow into the person you are meant to be. Hough’s writing will break your heart." —Roxane Gay, author of Bad Feminist Searing and extremely personal essays, shot through with the darkest elements America can manifest, while discovering light and humor in unexpected corners. As an adult, Lauren Hough has had many identities: an airman in the U.S. Air Force, a cable guy, a bouncer at a gay club. As a child, however, she had none. Growing up as a member of the infamous cult The Children of God, Hough had her own self robbed from her. The cult took her all over the globe--to Germany, Japan, Texas, Chile—but it wasn't until she finally left for good that Lauren understood she could have a life beyond "The Family." Along the way, she's loaded up her car and started over, trading one life for the next. She's taken pilgrimages to the sights of her youth, been kept in solitary confinement, dated a lot of women, dabbled in drugs, and eventually found herself as what she always wanted to be: a writer. Here, as she sweeps through the underbelly of America—relying on friends, family, and strangers alike—she begins to excavate a new identity even as her past continues to trail her and color her world, relationships, and perceptions of self. At once razor-sharp, profoundly brave, and often very, very funny, the essays in Leaving Isn't the Hardest Thing interrogate our notions of ecstasy, queerness, and what it means to live freely. Each piece is a reckoning: of survival, identity, and how to reclaim one's past when carving out a future. A VINTAGE ORIGINAL