The prize-winning author of Fire Season returns with the heartrending story of his troubled years before finding solace in the wilderness. In his debut Fire Season, Philip Connors recounted with lyricism, wisdom, and grace his decade as a fire lookout high above remote New Mexico. Now he tells the story of what made solitude on the mountain so attractive: the years he spent reeling in the wake of a family tragedy. At the age of twenty-three, Connors was a young man on the make. He'd left behind the Minnesota pig farm on which he'd grown up and the brother with whom he'd never been especially close. He had a magazine job lined up in New York City and a future unfolding exactly as he’d hoped. Then one phone call out of the blue changed everything. All the Wrong Places is a searingly honest account of the aftermath of his brother's shocking death, exploring both the pathos and the unlikely humor of a life unmoored by loss. Beginning with the otherworldly beauty of a hot-air-balloon ride over the skies of Albuquerque and ending in the wilderness of the American borderlands, this is the story of a man paying tribute to the dead by unconsciously willing himself into all the wrong places, whether at the copy desk of the Wall Street Journal, the gritty streets of Bed-Stuy in the 1990s, or the smoking rubble of the World Trade Center. With ruthless clarity and a keen sense of the absurd, Connors slowly unmasks the truth about his brother and himself, to devastating effect. Like Cheryl Strayed's Wild, this is a powerful look back at wayward years—and a redemptive story about finding one's rightful home in the world.

The prize-winning author of Fire Season returns with the heartrending story of his troubled years before finding solace in the wilderness. In his debut Fire Season, Philip Connors recounted with lyricism, wisdom, and grace his decade as a fire lookout high above remote New Mexico. Now he tells the story of what made solitude on the mountain so attractive: the years he spent reeling in the wake of a family tragedy. At the age of twenty-three, Connors was a young man on the make. He'd left behind the Minnesota pig farm on which he'd grown up and the brother with whom he'd never been especially close. He had a magazine job lined up in New York City and a future unfolding exactly as he’d hoped. Then one phone call out of the blue changed everything. All the Wrong Places is a searingly honest account of the aftermath of his brother's shocking death, exploring both the pathos and the unlikely humor of a life unmoored by loss. Beginning with the otherworldly beauty of a hot-air-balloon ride over the skies of Albuquerque and ending in the wilderness of the American borderlands, this is the story of a man paying tribute to the dead by unconsciously willing himself into all the wrong places, whether at the copy desk of the Wall Street Journal, the gritty streets of Bed-Stuy in the 1990s, or the smoking rubble of the World Trade Center. With ruthless clarity and a keen sense of the absurd, Connors slowly unmasks the truth about his brother and himself, to devastating effect. Like Cheryl Strayed's Wild, this is a powerful look back at wayward years—and a redemptive story about finding one's rightful home in the world.

"Terry Painted enjoys her quiet life in tranquil Delray, Florida, where the single, forty-year-old nurse lives alone in the house she inherited from her mother. When young, vibrant Alison Simms rents the cottage on her property, the two women strike up a fast friendship--and Terry is swept into a fantastic new life: dinners out, shopping, makeovers, even flirting with the handsome son of one of her elderly patients. But nothing about her newfound companion is as it appears, as Terry discovers when Alison's closely guarded past comes to light. Now Terry is locked in a race to reclaim her own life--before she opens the door any further to the stranger she thought she knew ..."--Back cover

“Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau—and I loved it.” —J.R. Moehringer, author of The Tender Bar “[Connors’s] adventures in radical solitude make for profoundly absorbing, restorative reading.” —Walter Kirn, author of Up in the Air Phillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season, is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford’s bestselling Shop Class as Soulcraft, and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.

Four women—friends, family, rivals—turn to online dating for companionship, only to find themselves in the crosshairs of a tech-savvy killer using an app to target his victims in this harrowing thriller from the New York Times bestselling author of See Jane Run and The Bad Daughter. Online dating is risky—will that message be a sweet greeting or an unsolicited lewd photo? Will he be as handsome in real life as he is in his photos, or were they taken ten years and twenty pounds ago? And when he asks you to go home with him, how do you know it’s safe? The man calling himself “Mr. Right Now” in his profile knows that his perfect hair, winning smile, and charming banter put women at ease, silencing any doubts they might have about going back to his apartment. There, he has a special evening all planned out: steaks, wine, candlelight . . . and, by the end of the night, pain and a slow, agonizing death. Driven to desperation—by divorce, boredom, infidelity, a beloved husband’s death—a young woman named Paige, her cousin and rival Heather, her best friend, Chloe, and her mother, Joan, all decide to try their hand at online dating. They each download an app, hoping to right-swipe their way to love and happiness. But one of them unwittingly makes a date with the killer, starting the clock on a race to save her life. New York Times bestselling author Joy Fielding has written a complex, electrifying thriller about friendship, jealousy, and passion—a deadly combination.

Southwest Book Award, BRLA Notable Book, Sigurd Olson Nature Writing Award Amazon Book Review Best Nonfiction of 2018 2018 Publisher's Weekly Best Books of the Year, Nonfiction 2018 Southwest Books of the Year Outside Magazine Pick for Best Adventure Books of the Season NPR Summer Reading List Pick From one of the last fire lookouts in America comes this sequel to the award-winning Fire Season—a story of calamity and resilience in the world’s first Wilderness. A dozen years into his dream job keeping watch over the Gila Wilderness of New Mexico, Philip Connors bore witness to the wildfire he had always feared: a conflagration that forced him off his mountain by helicopter, and changed forever the forest and watershed he loved. It was merely one of many transformations that arrived in quick succession, not just fire and flood but illness, divorce, the death of a fellow lookout in a freak accident, and a tragic plane crash that rocked the community he called home. At its core an elegy for a friend he cherished like a brother, A Song for the River opens into celebration of a landscape redolent with meaning—and the river that runs through it. Connors channels the voices of the voiceless in a praise song of great urgency, and makes a plea to save a vital piece of our natural and cultural heritage: the wild Gila River, whose waters are threatened by a potential dam. Brimming with vivid characters and beautiful evocations of the landscape, A Song for the River carries the story of the Gila Wilderness forward to the present precarious moment, and manages to find green shoots everywhere sprouting from the ash. Its argument on behalf of things wild and free could not be more timely, and its goal is nothing less than permanent protection for that rarest of things in the American West, a free-flowing river—the sinuous and gorgeous Gila. It must not perish.