Shortlisted for the International Prize of Arabic Fiction Surviving a cold childhood, overshadowed by her parents’ unhappiness and their distant relationship to her, Sahar expects to escape through marriage when she meets the compelling and charming Sami, who is interested in every detail of her life. But what seemed at first to be his loving interest rapidly becomes controlling and ultimately abusive. Sahar yearns for a way out of her intertwined experiences of loss and loneliness. In All the Women Inside Me, Jana Elhassan presents an intricate psychological portrait of a woman, as well as the complexities of interpersonal relationships. The novel’s innovative structure allows it to plumb psychological and philosophical depths beyond the specific characters revealing a profound humanity. Sahar’s father is the lapsed leftist who masks his boredom by busying himself with great causes. Her depressed mother’s nerves are as delicate as the crystal she keeps immaculately polished in her home. A charlatan sheikh trades in religious magic, making a profit off of people’s misery. A boyfriend leaves his great love to marry a “more appropriate” good girl. Sahar navigates her way through so many relationships, ill-prepared by her parents and unhappy childhood home. Her imagination is what allows her to act out all of the desires she has been denied throughout her whole life, from her childhood to her abusive marriage. But she also finds solace in her best friend, Hala, who has faced her own difficult childhood and adolescence and later a series of destructive relationships. At the same time that this novel is able to capture the intensity of emotions and experiences in women’s lives, it is not merely a story about the power of imagination to enrich the lives of oppressed women. Elhassan’s novel is a stark appraisal of how far women are pushed and the length to which women will go to escape a reality that is rotten at the core.

After multiple abortions and deep depression, Shellie Warren found healing and recovery in God. She draws young women who are dealing with sexual misuse to a place where they can be real and find wholeness and healing.

ALL THE TRUTH THAT'S IN ME is many things. It is a true romance, a story of desperate yearning and unrequited love. It's a page-turning mystery full of twists and turns that will keep you guessing until the very end. But most of all, it's an empowering drama about a girl's journey from victim to hero. Judith can't speak. Ever since the horrifying trauma that left her best friend dead and Judith without her tongue, she's been a pariah in her close-knit community of Roswell Station; even her own mother won't look her in the eye. All Judith can do is silently pour out her thoughts and feelings to the love of her life, the boy who's owned her heart as long as she can remember - even if he doesn't know it - her childhood friend, Lucas. But when Roswell Station is attacked by enemies, long-buried secrets come to light . . . and Judith's world starts to shift on its axis. Before she knows it, Judith is forced to choose: continue to live in silence, or recover her voice, even if what she has to say might change her world, and the lives around her, forever.

“A marital saga so pitch-black it makes Gone Girl look like the romance of the decade... [The Woman Inside] resembles past smashes like Big Little Lies and The Woman in the Window.”—Entertainment Weekly An impossible-to-put-down domestic thriller about secrets and revenge, told from the perspectives of a husband and wife who are the most perfect, and the most dangerous, match for each other. Paul and Rebecca are drowning as the passion that first ignited their love has morphed into duplicitous secrecy, threatening to end their marriage, freedom, and sanity. Rebecca, in the throes of opioid addiction, uncovers not only her husband’s affair but also his plan to build a new life with the other woman. Spiraling desperately, she concocts a devious plot of her own—one that could destroy absolutely everything. The Woman Inside is a shockingly twisty story of deceit, an unforgettable portrait of a marriage imploding from within, and a cautionary tale about how love can morph into something far more sinister. It’s a novel about how people grow apart and how those closest to us can be harboring the most shocking of secrets.

Jae Escoto is a Filipino trans man who has performed spoken word poetry and competed in poetry slam competitions since 2006. Jae holds a bachelor's degree from California State University San Marcos, double-majoring in Literature and Writing and Women's Studies, and minoring in Philosophy. Jae also holds a master's degree in Women's Studies from San Diego State University. The voices in this book are representative of the author and the woman who lives inside of him (narrated in italics) as they journey through their transition from woman to man."The Woman Inside Of Me" is Jae Escoto's daring narrative to take us into the struggles of becoming our fiercest selves. Everything that I have witnessed in Escoto's spoken word work on stage is in this collection, an epic slam poem with an insightful self-probing that moves the reader to haunting depths and breathtaking heights. Here is a literary work that enfolds with layers of poetic passages and dialogue that are sharp as truth, a truly Filipinx work that explodes the foundation of genders and what it means to love and its fragility. A stunning piece of art from beginning to end, intense and full of glorious epiphanies." -Regie Cabico, Poet & Publisher Capturing Fire Press "In this multigenre work, Jae Escoto chronicles the year he comes out as a trans man and prepares himself for hormone treatments. The dual and dueling voices in The Woman Inside of Me speak with uncertainty, fear, anger, pain, determination, compassion, and love. Escoto's language, tonal shifts, and multiple genres evoke an immediacy that positions the reader as witness unable and unwilling to look away from his wonderfully terrible struggle to be 'unapologetically' he/him." --- Catherine Cucinella, Ph.D., Assistant Professor (retired) California State University San Marcos; author, Poetics of the Body: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker (Palgrave). "In his electrifying debut book, Jae Escoto plunges the reader deep into the personal dialogue underlying his journey to live as his fullest self. He makes it impossible for us to see our world as separate from his story, or from the many complicated stories that follow us every day. Escoto's genius is his emotional accuracy. He pens a stunningly authentic voyage all his own. In this, he empowers all of us to breathe more of our own air into our own lives, regardless of what already sits inside of us." -- Matt Storm, transgender artist and curator, leadership team member of the LGBTQ Caucus of the Society for Photographic Education, inaugural fellow of STABLE Arts

The "USA Today" bestselling author of "People of the Moon" spins a prehistorical tale of erotic passion in which a Native American High Chieftess struggles with the spirit of her greatest lover.

For any woman who has experienced illness, chronic pain, or endometriosis comes an inspiring memoir advocating for recognition of women's health issues In the fall of 2010, Abby Norman's strong dancer's body dropped forty pounds and gray hairs began to sprout from her temples. She was repeatedly hospitalized in excruciating pain, but the doctors insisted it was a urinary tract infection and sent her home with antibiotics. Unable to get out of bed, much less attend class, Norman dropped out of college and embarked on what would become a years-long journey to discover what was wrong with her. It wasn't until she took matters into her own hands -- securing a job in a hospital and educating herself over lunchtime reading in the medical library -- that she found an accurate diagnosis of endometriosis. In Ask Me About My Uterus, Norman describes what it was like to have her pain dismissed, to be told it was all in her head, only to be taken seriously when she was accompanied by a boyfriend who confirmed that her sexual performance was, indeed, compromised. Putting her own trials into a broader historical, sociocultural, and political context, Norman shows that women's bodies have long been the battleground of a never-ending war for power, control, medical knowledge, and truth. It's time to refute the belief that being a woman is a preexisting condition.