A native of Lincoln, Nebraska, Loren Eiseley began his lifelong exploration of nature in the salt flats and ponds around his hometown and in the mammoth bone collection hoarded in the old red brick museum at the University of Nebraska, where heøconducted his studies in anthropology. It was in pursuit of this interest, and in the expression of his natural curiosity and wonder, that Eiseley sprang to national fame with the publication of such works as The Immense Journey and The Firmament of Time. In All the Strange Hours, Eiseley turns his considerable powers of reflection and discovery on his own life to weave a compelling story, related with the modesty, grace, and keen eye for a telling anecdote that distinguish his work. His story begins with his childhood experiences as a sickly afterthought, weighed down by the loveless union of his parents. From there he traces the odyssey that led to his search for early postglacial man?and into inspiriting philosophical territory?culminating in his uneasy achievement of world renown. Eiseley crafts an absorbing self-portrait of a man who has thought deeply about his place in society as well as humanity?s place in the natural world.

Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.

First published in 1975 by Scribner, anthropologist Loren C. Eiseley (1907-1977) presents an unconventional and only roughly chronological intellectual account of himself. Eiseley focuses not on the facts and linear details of his life but on how his ideas were formed and developed on class, identity, human tendencies, and relationships between humans and animals. Includes a new introduction by Kathleen A. Boardman (writing, U. of Nevada-Reno). Annotation copyrighted by Book News Inc., Portland, OR

The Great Recession has shuffled Clay Jannon out of his life as a web-design drone, and serendipity, sheer curiosity and the ability to climb a ladder like a monkey have landed him a new gig working the night shift at Mr. Penumbra’s 24-Hour Bookstore. But Clay begins to realize that this store is even more curious than its name suggests. There are only a few customers, but they come in repeatedly and never seem to actually buy anything. Instead they “check out” impossibly obscure volumes from strange corners of the store, all according to some elaborate, long-standing arrangement with the gnomic Mr. Penumbra. The store must be a front for something larger, Clay concludes, and soon he has embarked on a complex analysis of the customers’ behaviour and roped his friends into helping him figure out just what’s going on. But once they take their findings to Mr. Penumbra, they discover the secrets extend far beyond the walls of the bookstore. Evoking both the fairy-tale charm of Haruki Murakami and the enthusiastic novel-of-ideas wizardry of Neal Stephenson or Umberto Eco, Mr. Penumbra’s 24-Hour Bookstore is exactly what it sounds like—an establishment you have to enter and will never want to leave.

From the imagination of blink-182’s award-winning author Tom DeLonge, the Strange Times crew first debuted in the graphic novel Strange Times: The Curse of Superstition Mountain. Now teamed-up with Geoff Herbach, also an award-winning author of the Felton Reinstein Trilogy, DeLonge tells the hilarious and haunting adventure that originally forced five outcast jerks to band together or give up the ghost. Charlie Wilkins has it all. Pitcher on the baseball team, point guard on the basketball team, good jock friends and girls who just love him. Then his U.S. Air Force dad goes M.I.A. during a secret mission and Charlie falls into darkness. He quits basketball, pushes away his old friends who all seem so stupid. He stops talking. Nobody knows what he’s going through, because the government has forbidden the family from disclosing Dad’s predicament. Charlie turns into a loner, until an Earth Science assignment forces him to join a new, messed-up team. Wiz has a brain for science, a love for steampunk, and a total disgust for most human beings. Heavy-set, picked-on Riley has a home life Harry Potter wouldn’t trade for. Mouse and Mattheson are skateboard slackers with a keen interest in tacos and in building a model volcano that looks like a butt. With zero chemistry between them, Charlie can’t see how he’s going to pass this class. Will he be stuck, suffering, in eighth grade forever? The earth shifts. It seems impossible. A ghost girl reaches out to Charlie through the terrified skater boys. She’s being stalked by a vengeful spirit that shares a past with Charlie’s family. It soon becomes clear that the spirit is coming for him. He has to save the ghost girl and save himself. His only hope? The nerd Wiz, the loser Riley, the skaters Mouse and Mattheson who want to hook-up with the girl. But, seriously, she’s a ghost. Strange Times indeed...

“I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs.” —Flannery O’Connor When she was young, the writer Flannery O’Connor was captivated by the chickens in her yard. She’d watch their wings flap, their beaks peck, and their eyes glint. At age six, her life was forever changed when she and a chicken she had been training to walk forwards and backwards were featured in the Pathé News, and she realized that people want to see what is odd and strange in life. But while she loved birds of all varieties and kept several species around the house, it was the peacocks that came to dominate her life. Written by Amy Alznauer with devotional attention to all things odd and illustrated in radiant paint by Ping Zhu, The Strange Birds of Flannery O’Connor explores the beginnings of one author’s lifelong obsession. Amy Alznauer lives in Chicago with her husband, two children, a dog, a parakeet, sometimes chicks, and a part-time fish, but, as of today, no elephants or peacocks. Ping Zhu is a freelance illustrator who has worked with clients big and small, won some awards based on the work she did for aforementioned clients, attracted new clients with shiny awards, and is hoping to maintain her livelihood in Brooklyn by repeating that cycle.