Amelia Westlake meets My Favorite Murder in this debut from a terrific new voice in Australian YA. Combines a realistic story about high school drama and toxic friendship with true crime - the endlessly fascinating Somerton Man or Taman Shud mystery. 15-year-old Lara Laylor feels like supporting character in her own life. She's Ashley's best friend, she's Hannah's sister-she's never just Lara. When new history teacher Mr. Grant gives her an unusual assignment: investigating the mystery of the Somerton Man. Found dead in on an Adelaide beach in 1948, a half-smoked cigarette still in his mouth and the labels cut out of his clothes, the Somerton Man has intrigued people for years. Was he a spy? A criminal? Year 10 has plenty of mysteries of its own: boys, drama queen friends, and enigmatic new students. When they seem just as unsolvable as a 60-year-old cold case, Lara finds herself spending more and more time on the assignment. But Mr Grant himself may be the biggest mystery of all... Interspersed with fictionalised snapshots of the Somerton Man investigation, ALL THAT IMPOSSIBLE SPACE is a coming of age novel exploring toxic friendships and the balance of power between teacher and student, perfect for fans of Cath Crowley and Fiona Wood.

CBCA NOTABLE BOOK 2020 Amelia Westlake meets My Favorite Murder in this debut from a terrific new voice in Australian YA. Combines a realistic story about high school drama and toxic friendship with true crime - the endlessly fascinating Somerton Man or Tamam Shud mystery. 15-year-old Lara Laylor feels like supporting character in her own life. She's Ashley's best friend, she's Hannah's sister-she's never just Lara. When new history teacher Mr. Grant gives her an unusual assignment: investigating the mystery of the Somerton Man. Found dead in on an Adelaide beach in 1948, a half-smoked cigarette still in his mouth and the labels cut out of his clothes, the Somerton Man has intrigued people for years. Was he a spy? A criminal? Year 10 has plenty of mysteries of its own: boys, drama queen friends, and enigmatic new students. When they seem just as unsolvable as a 60-year-old cold case, Lara finds herself spending more and more time on the assignment. But Mr Grant himself may be the biggest mystery of all... Interspersed with fictionalised snapshots of the Somerton Man investigation, ALL THAT IMPOSSIBLE SPACE is a coming of age novel exploring toxic friendships and the balance of power between teacher and student, perfect for fans of Cath Crowley and Fiona Wood.

A bit of magic, a sprinkling of adventure, and a whole lot of heart collide in All the Impossible Things, Lindsay Lackey's extraordinary middle-grade novel about a young girl navigating the foster care system in search of where she belongs. "Wise and wondrous, this is truly a novel to cherish.” —Katherine Applegate, New York Times–bestselling author of Wishtree An Indies Introduce Selection Red’s inexplicable power over the wind comes from her mother. Whenever Ruby “Red” Byrd is scared or angry, the wind picks up. And being placed in foster care, moving from family to family, tends to keep her skies stormy. Red knows she has to learn to control it, but can’t figure out how. This time, the wind blows Red into the home of the Grooves, a quirky couple who run a petting zoo, complete with a dancing donkey and a giant tortoise. With their own curious gifts, Celine and Jackson Groove seem to fit like a puzzle piece into Red’s heart. But just when Red starts to settle into her new life, a fresh storm rolls in, one she knows all too well: her mother. For so long, Red has longed to have her mom back in her life, and she’s quickly swept up in the vortex of her mother’s chaos. Now Red must discover the possible in the impossible if she wants to overcome her own tornadoes and find the family she needs.

Fleeting human moments memorialized by Oberto Gili's camera translate formally into beautifully balanced classical images. His camera, like his personality, is whimsical questioning, non-judgemental and tenderly objective. Gili's images of interiors capture fundamental moments of human existence, quiet moments and basic needs, wether it's a man on sitting on his coach surrounded by his dogs, a young couple getting into bed, a woman watching herself getting dressed in the mirror or a girl swimming alone in a pool, we experience narrative, isolation, intrusion through Gili's lens. Gili shows us different perspectives of home: color, happiness, sex, depression, arrogance, creativity, simplicity, boredom. These images in this stunning volume are a diairy of the interiors and situations that have, over the last thirty years, strung Gili's curiosity and fantasy the most. Simple, still and understated, Gili's images of interiors all have possibility as their subtext. Illustrated

Mr 101 tells the story of an eccentric magician, chocolatier and thinker, driven to solitude because of his hatred of the sun. Mr 101’s secluded world is turned upside-down when Daffodil enters his reality-defying house and is made to stay there by her father. Her presence alters the atmosphere in this strange house and causes some strange events to stir. Daffodil’s indoor expeditions lead her to find evidence of horrifying murders, along with fragmented pieces of a photograph that links to Mr 101’s hidden past. She knows it is only a matter of time until she must come across some terrible fate. Meanwhile, a female ghost, whom Mr 101 knows is related to his past, torments him. Numerous questions come to light. Who is the ghost? What does she want? Will Mr 101 ever come to terms with his past? Will Daffodil manage to escape the grisly fate that awaits her? In between passages, Mr 101 has seventy-two thoughts that emerge from the narrative. The novel is sprinkled with magic, thought-provoking philosophy and humour, all stirred into one intriguing mixture.

Die erste englischsprachige Untersuchung der Prosa von Albert Drach (1902-1995) arbeitet die Originalität von Drachs Autobiografie im Kontext gegenwärtiger Holocaust-Diskurse heraus. Dabei geht es um das Verhältnis zwischen Drachs komisch-grotesker Sprache und dem melancholischen Darstellungsmodus in der Holocaust-Autobiografie. Drachs Prosa legt die totalitären Mechanismen seiner Zeit zugleich leidenschaftlich und kritisch bloß.