A dark, surreally funny novel from the bestselling Booker Prize-shortlisted author 'Hilariously surreal. It's a bit like the Coen Brothers directing an Alan Bennett play... Fantastic' Daily Mirror 'Understatedly surreal, deadpan gothic, Mills is a master of the uncanny ... Such a fresh fictional voice' Esquire It is the end of the summer. The tourists have already gone, and now the sun is abandoning the Lake District's damp valleys. Only a lone camper remains, enjoying the quiet. He plans to stay just long enough to prepare for a trip to the East. But then the owner of the campsite asks him to paint a fence and he innocently obliges. Soon other odd jobs pile up until little by little he becomes ensnared in the ominous 'out-of-season'...

'A heaving cauldron of black humour ... You'll never look at a stretch of high-tensile agricultural fencing in quite the same way ever again' Time Out 'Extremely unusual, finely crafted and funny' Observer 'Tam and I took hold of Mr McCrindle and lowered him into the hole, feet first. We decided to leave his cap on.' Fencers Tam, Richie and their ever-exasperated English foreman are forced to move from rural Scotland to England for work. After a disastrous start involving a botched fence and an accidental murder, the three move to a damp caravan in Upper Bowland and soon find themselves in direct competition with the sinister Hall Brothers whose business enterprises seem to combine fencing, butchering and sausage-making... The Restraint of Beasts introduced readers to the now much-loved unique voice of Magnus Mills and his surreally comic world.

The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.

From the Booker-shortlisted author acclaimed as having "no literary precedent" (Independent) comes a gently absurd examination of the systems that trap and frustrate us daily. Fans of dry humor will enjoy this tale of mishap and folly, told from the point of view of a bus driver who's been charged to maintain a precise distance between himself and other buses--a directive that leads him to ignore the very passengers he's meant to serve. Witty, allegorical, and intelligent, this is a novel for all those who have ever run for a bus, only to have it pull away as they reach its doors. Showcasing all of Mills' strengths, it is the perfect reintroduction for American readers to an incomparable talent.

'He has no literary precedent, and he also appears to have no imitators. He mines a seam that no one else touches on, every sentence in every book having a Magnus Mills ring to it that no other writer could produce' Independent

A novel rich in comic menace from the author of The Restraint of Beasts In a setting Samuel Beckett might have found homey lives a man in a house made of tin. He is content. The tin house is well constructed and located miles from the tin houses of his nearest neighbors. Though he seems to have escaped society, however, society finds him. One day, a woman arrives and moves in. Soon a neighbor comes to visit, and then another. Soon, moving figures silhouette the horizon. People dismantling their tin houses and setting off to find a master builder with a revolutionary message. The gravitational pull cannot be resisted. Nor can this novel. Part mystery, part parable, Three to See the King stalks the reader’s imagination and grows inexorably and irresistibly in the telling.