With his new historical novel, ALL MAN'S LAND, D. Laszlo Conhaim mounts a vigorous tribute to Paul Robeson-singer, actor, activist, lawyer, athlete, author. A controversial renaissance man who for five decades sang and spoke to the world, today this titan of the 20th century is all but forgotten.Mostly fiction, but combining elements of memoir and biography, in ALL MAN'S LAND Conhaim rediscovers his own manuscript of thirty years ago that speaks volumes to today's America. It's the story of Benjamin Neill, a former slave and decorated Civil War hero who rides into a frontier town with a sack of books, a gift for song, and a powerful message.Here is a modern take on the singing cowboy-only Benjamin Neill is as able with a spiritual as he is with a Hebrew chant. Those who don't know him, fear him. Those who know him, fear him even more. By his trials, we will know him. ALL MAN'S LAND is a uniquely American story about the fight for racial and social justice.

The Great War gave birth to some of the twentieth century's most celebrated writing; from D. H. Lawrence to Siegfried Sassoon, the literature generated by the war is etched into collective memory. But it is in fiction that we find some of the most profound insights into the war's individual and communal tragedies, the horror of life in the trenches, and the grand farce of the first industrial war.Featuring forty-seven writers from twenty different nations, representing all the main participants in the conflict, No Man's Land is a truly international anthology of World War I fiction.Work by Siegfried Sassoon, Erich Maria Remarque, Willa Cather, William Faulkner, and Rose Macaulay sits alongside forgotten masterpieces such as Stratis Myrivilis's Life in the Tomb, Raymond Escholier's Mahmadou Fofana, and Mary Borden's The Forbidden Zone. No Man's Land is a brilliant memorial to the twentieth century's most cataclysmic event.

In this powerful, panoramic novel set in the late 1890s, in a sliver of rugged western wilderness, a fourteen-year-old girl named Davey—too young to be given a chance at creating her own life—finds herself raised by a group of eccentrics, hostile misfits who rescued her as an infant on a bloody battlefield. She roams the countryside with them, led by Reverend Brown, a charismatic false prophet, hosting revivals for unsuspecting believers while lingering on the cusp of unimaginable events. Davey tries to locate a semblance of peace in this harrowing, beautiful place, but what she finds instead is an astonishing panoply of falsehoods and depravity, a vicious world comprised of murderers, thieves, and dancing bears. And in this unforgiving landscape of craggy beauty and singular resoluteness, she wages a fight against truth while traversing the delicate line between destiny and fate as she comes to understand the role Reverend Brown plays in her life. No Man’s Land is part classic coming-of-age story, part unwavering portrait of the bloody price of power, a raw and bold novel about the search for family, and a grand story about an education in the pull of predestination and the responsibility of freewill. Haunting on every page, filled with sorrow and awe, and stunning in the tonality of its vision, No Man’s Land is an unflinching meditation on the legacy of violence, its senseless destructiveness, and the fearless dignity and tenderness required to rise above it. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

FBI handler Meg Jennings and her search-and-rescue dog, Hawk, are on the trail of a killer hiding where others fear to tread . . . For Meg Jennings and her K-9 companion, Hawk, exploring a deserted building is an exciting way to sharpen their skills without the life-or-death stakes they face as part of the FBI’s Human Scent Evidence Team. But deep in an abandoned asylum, Hawk finds the body of an elderly woman. Soon, Meg learns of more elders found dead in neglected urban structures. Meg is sure a murderer is on the hunt, and she can prove it if she can just find a connection. It will take the expert coordination of her whole team, along with help from Clay McCord and Todd Webb, to uncover the means, let alone a motive. And to stop someone who has operated in the dark for so long, Meg will need to risk more than she has to give . . . “This is the sort of crime novel that gives readers a little bit of everything: it’s a thriller, a procedural, and a detective story—and a good yarn, too.” —Booklist

“An oblique comedy of menace, unsettling, exquisitely wrought and written . . . a complex excursion into the by now familiar Pinter world of mixed reality and fantasy, of human worth and human degradation.” —New York Times Set against the decayed elegance of a house in London’s Hampstead Heath, in No Man’s Land two men face each other over a drink. Do they know each other, or is each performing an elaborate character of recognition? Their ambiguity—and the comedy—intensify with the arrival of two younger men, the one ostensibly a manservant, the other a male secretary. All four inhabit a no man’s land between time present and time remembered, between reality and imagination—a territory which Pinter explores with his characteristic mixture of biting wit, aggression, and anarchic sexuality.

Winner of the National Book Critics Circle Award for Criticism Winner of the Graywolf Press Nonfiction Prize A frank and fascinating exploration of race and racial identity Notes from No Man's Land: American Essays begins with a series of lynchings and ends with a series of apologies. Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays -- teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago's most diverse neighborhood. As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman's schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows. These spare, sometimes lyric essays explore the legacy of race in America, artfully revealing in intimate detail how families, schools, and neighborhoods participate in preserving racial privilege. Faced with a disturbing past and an unsettling present, Biss still remains hopeful about the possibilities of American diversity, "not the sun-shininess of it, or the quota-making politics of it, but the real complexity of it."

A thirty~ something couple after a traumatic year move to a new home near to the wifes parents home. The wife begins to experience strange episodes relating to a ten year old murder in the vicinity. A mysterious plot of land adjacent to their new home seems to have some effect on the wifes problems. The husband tries to solve the mystery of who owns this plot but he becomes convinced that his wife is still suffering from her illness and does not believe what she tells him of the young girl she sees sometimes. His wife thinks of this girl as a ghost, a ghost telling her that the young man accused of her murder is not guilty. In investigating the story of the murder she meets a young newspaper reporter who offers to help her fi nd out more. Together and with the help of the ghost`, they unmask the real killer and solve some outstanding missing persons cases.