An old vendetta. A persecuted race. The fight for survival in a world ruled by hatred. In an alternate universe, history has been shaped by the rise and fall of the hemomancers – individuals born with the frightening power to manipulate blood. Encumbered by the crimes of their ancestors, the hemomancers now fight to survive the vengeful human society of the 21st century. Some seek revenge for those who were slaughtered for the profit of hemotech corporations; some wish to return the balance of power to the twelve bloodlines that once ruled over all of Europe; others long only to live a peaceful life among the humans in secret, and leave behind the politics and bloodshed of their brethren. In All Bleeds Through, ten tales of hemomancer persecution intertwine, telling a greater story of an ancient feud and century-long war that threatens to wipe out hemomancy and envelope the world with darkness. As two ancient bloodlines wrestle for triumph, will justice prevail?

As the last heiress of the House of North, Alissa knows that striking up a secret friendship with a half-vampire enforcer is dangerous, but Merrick is a temptation she can't resist. But when Alissa is kidnapped, Merrick proves that he will do anything to protect the woman who tempts him with her very existence.

What does a doctor do when he thinks his best is not good enough? Matthew Barrett, thirty-one years old and fresh out of residency, is drafted and sent to Vietnam as a combat surgeon in 1967 at the heightof the Vietnam War. Compassionate and sensitive to a fault, he is determined to make a difference but quickly finds his idealism crushed by the pain, suffering, and indifference that surround him. Shamed by his inexperience and tormented by his failures, he slowly unravels. Only the love of Therese Hopkins, a nurse, keeps him from falling apart. But will their love survive the grinding horror of war? Matthew’s journey of redemption takes him from combat surgeon in Vietnam to transplant doctor in Ohio and, finally, to physician in a relief camp in Biafra, exploring how the caring and compassion that draws young people to pursue the healing arts can also sow the seeds of their own destruction, and how love may be the only thing that can finally make all bleeding stop.

The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe). Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.

Literary Nonfiction. Art. Mandy-Suzanne Wong does something far beyond 'giving voice' to animals and the artists that record them. She listens: quietly, carefully, truthfully. And the animals speak for themselves. Listen, we all bleed is a powerful and much needed book for our times. Now more than ever, we need to listen to the voices of all beings. And collectively, hopefully, we can save our beautiful Earth.--Kathryn Eddy In this beautifully subtle, intricately woven text, Mandy-Suzanne Wong entreats you to listen, to really listen, to the nonhuman. And even if this listening makes you feel uncomfortable, ashamed, guilty, she dares you to persist. Moving seamlessly among the works of artists devoted to nonhuman voices, she manages to relay a myriad of worlds beyond our own, each with its own infinite complexity and beauty. Reading this book, hearing and loving the nonhuman, should prompt you to be passionate about saving this world that we have so thoroughly ravaged.--Tracy McDonald Haunting, vivid, confrontational, unafraid--a new beat to penetrate our hearts and lead an awakening dance in which we stop refusing to see. Wong's descriptions call up Sue Coe in prose. To read about my own work this way--alchemized from sounds in the air and projections on walls and embroidered onto the page--is pure and powerful magic.--Colleen Plumb LISTEN, WE ALL BLEED is both an informative and invigorating shock to the system...with striking and evocative prose...Wong's text compels the reader to brave the often ignored sounds of nonhumans and endure the raw emotion behind them. Whether the bleating sheep now turned leg of lamb or the symphonic wanderings of lost snails, in that moment the reader doesn't just listen--we become. As we hurt alongside the torment of nonhumans, Wong gently exposes our very hand in causing it. This book is a heart-wrenching albeit imperative rattling of the human soul. A must read for any Earth-goer.--Rich Andrew

The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today's society the uneasy relations between Indians and white's is still fueled by mistrust, stereo-types and casual violence.

Over the course of a single summer day, ten teenagers in Salem, Massachusetts, will discover important truths about themselves and each other. There is Nicole, whose decision to betray her best friend will shock everyone, most of all herself; Kelly, who meets the convicted felon she has been writing to for years; Maria, whose definition of a true friend is someone who will cut her. Then there is Sadie, a chubby eleven-year-old whose mother forces her to wear a "please don't feed me" sign stapled to her shirt; while Joy, a fifteen-year-old waitress hoping for true intimacy narrowly escapes a very dark fate. Derik discovers that his usual good looks and charm won't help him hold onto the girl he wants, while nineteen-year-old drifter, Mearl, is desperately looking for a place to call home. Sean is torn between his loyalty to his girlfriend and the possibility of finding something more with her friend, while Ginger's single-minded pursuit to bring down her nemesis only proves that they may be more alike than she thought. Seamlessly woven together, this incredibly powerful and compelling collection of stories chronicles the very real trials of today's teen experience.