How tales we tell impact our day-to-day lives

Without question, this is a classic by one of the most exciting new authors in the UFO field today. After reading it, your view of reality will never be the same.The owl has held a place of reverence and mystique throughout history. And as strange as this might seem, owls are also showing up in conjunction with the UFO experience.Mike Clelland has collected a wealth of first-hand accounts in which owls manifest in the highly charged moments that surround alien contact. There is a strangeness to these accounts that defy simple explanations. This book explores implications that go far beyond what more conservative researchers would dare consider.But the owl connection encompasses more than the UFO experience. It also includes profound synchronicities, ancient archetypes, dreams, shamanistic experiences, personal transformation, and death. From the mythic legends of our ancient past to the first-hand accounts of the UFO abductee, owls are playing some vital role.This is also a deeply personal story. It is an odyssey of self-discovery as the author grapples with his own owl and UFO encounters. What plays out is a story of transformation with the owl at the heart of this journey.

Offers lucid, scientifically based explanations for a wide range of unexplained and paranormal phenomena, including alien abduction, zombies, hauntings, telekinesis, and multiple dimensions. Original.

The first comprehensive study of fantasy's uses of myth, this book offers insights into the genre's popularity and cultural importance. Combining history, folklore, and narrative theory, Attebery's study explores familiar and forgotten fantasies and shows how the genre is also an arena for negotiating new relationships with traditional tales.

Despite their centuries-old history and traditions, witchcraft and magic are still very much a part of modern Anglo-American culture. In Lucifer Ascending, Bill Ellis looks at modern practices that are universally defined as "occult," from commonplace habits such as carrying a rabbit's foot for good luck or using a Ouija board, to more esoteric traditions, such as the use of spell books. In particular, Ellis shows how the occult has been a common element in youth culture for hundreds of years. Using materials from little known publications and archives, Lucifer Ascending details the true social function of individuals' dabbling with the occult. In his survey of what Ellis terms "vernacular occultism," the author is poised on a middle ground between a skeptical point of view that defines belief in witchcraft and Satan as irrational and an interpretation of witchcraft as an underground religion opposing Christianity. Lucifer Ascending examines the occult not as an alternative to religion but rather as a means for ordinary people to participate directly in the mythic realm.

Narrative Cultures and the Aesthetics of Religion presents the aesthetics of narrativity in religious contexts by approaching narrative acts as situated modes of engaging with reality, equally shaped by the immersive character of the stories told and the sensory qualities of their performances. Introducing narrative cultures as an integrative framework of analysis, the volume builds a bridge between classical content-based approaches to narrative sources and the aesthetic study of religions as constituted by sensory and mediated practices. Studying stories in conjunction with the role that performative acts of storytelling play in the cultivation of the senses, the contributors explore the efficacy of storytelling formats in narrative cultures from ancient times until today, in regions and cultures across the globe. Contributors are: Stefan Binder, Arianna Borrelli, Markus Altena Davidsen, Laura Feldt, Ingvild Sælid Gilhus, Dirk Johannsen, Jens Kreinath, Isabel Laack, Martin Lehnert, Brigitte Luchesi, Bastiaan van Rijn, Caroline Widmer, Annette Wilke, Katharina Wilkens.