Compiled by QuinRose, the minds behind the bestselling Alice in the Country of franchise, this Alice in the Country of Diamonds Official Visual Fan Book immerses readers in the world of the original romantic fantasy adventure PSP video game! Follow Alice and company through this lush volume packed with illustrations, manga, character profiles, creator interviews, and even a detailed guide to every route Alice can take in the Country of Diamonds! What's more, the volume contains a never-before-published manga double feature focusing on Sidney Black and Tweedledee & Tweedledum, making it a must-have for every fan of the franchise!

"Alice's comfort level in Wonderland continues to grow, but something very strange is happening. Confusion, memory loss and sudden pain become associated with thoughts of home. Meanwhile, Peter cunningly finds a way into Alice's bedroom, and Vivaldi reveals a peculiar secret! And what will Alice do when she is suddenly attacked by Blood Dupre?!"--P. [4] of cover.

Dee and Dum, the twin gatekeepers, are hopelessly in love with an ambivalent Alice. The boys can transform into children or adults at the drop of a mad hat. The twins may be darling in front of Alice, but their sly ruthlessness knows no bounds... Scary yet sweet. A typical Wonderland love story.

Alice's Adventures in Wonderland is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knewscholars disagree about the extent to which the character was based upon her.

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

Alice has been whisked to the Country of Clover, but at least her home--Hatter Mansion--came along for the move. Her intimate friendship with Elliot gives her strength to face the new challenges, but he's a man of contradictions, and she's uneasy about his hard mobster interior lurking behind the grinning goofball exterior. When she starts to fall for him, however, memories of her past world resurface that begin to sway her. Clover is a dangerous place for hesitation. Beware the talking doors!

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.