Synopsis: "Alice in Black and White" brings a true American legend to her rightful place in history. The play tells the story of the first female photo-journalist, Alice Austen, from the late 1800s until a year before her death in 1952. During a time when social conventions for women demanded marriage and child rearing, Alice pursued her passion for photography, found love with life partner Gertrude Tate, and struggled mightily through the Great Depression as her family lost everything. Interwoven with Alice's story is the search of publisher Oliver Jensen for Alice and her photographs in 1951. Cast Size: 5 Females, 2-3 Males (with doubling) WINNER - StageWrite Women’s Theatre Initiative, Great Plains Theatre Conference “an extraordinary testimony to Alice Austen’s work, her lifestyle and her legacy.” —Broadway World “sentimental without being mushy, lovely without being contrived, funny at times, heartbreaking at others.” —Theatre Louisville

"The original picture book text for this story has been modified by the author to be an early reader"--Publisher.

Alice Neel's remarkable drawings are intimate explorations of her personal life: her loves and her family, her friends, people she met in New York and the art world. Spontaneous and dynamic, the works on paper in Black and White provide insight into her environments, exterior and interior. In them she positions universal themes -- motherhood, death, longing -- within the sphere of her private existence and her social unconscious. While a handful of the drawings are urban cityscapes and others are domestic settings, the majority are portraits. And when Neel, the self-named Collector of Souls, composed a portrait, she never posed her sitters. Instead, she studied and spoke intimately with her subjects as they unconsciously assumed their most natural attitude, which she believed exhorted all their character and life experience. The images she created, full of distinctly innate gestures, stemmed from her succinct understanding and assembled memory, and coalesced into a unique impression of a person.

Drawing on papers, letters, journals, and extensive interviews with Walker, her family, friends, and colleagues, and with leading American cultural figures including Gloria Steinem, Quincy Jones, and Oprah Winfrey, White assesses one of the most influential writers of modern time.

"A Blade So Black is the fantasy book I've been waiting for my whole life." —Angie Thomas, #1 New York Times-bestselling author of The Hate U Give For fans of Marissa Meyer, L.L. McKinney's A Blade So Black delivers an irresistible urban fantasy retelling of Alice in Wonderland... but it's not the Wonderland you remember. The first time the Nightmares came, it nearly cost Alice her life. Now she's trained to battle monstrous creatures in the dark dream realm known as Wonderland with magic weapons and hardcore fighting skills. Yet even warriors have a curfew. Life in real-world Atlanta isn't always so simple, as Alice juggles an overprotective mom, a high-maintenance best friend, and a slipping GPA. Keeping the Nightmares at bay is turning into a full-time job. But when Alice's handsome and mysterious mentor is poisoned, she has to find the antidote by venturing deeper into Wonderland than she’s ever gone before. And she'll need to use everything she's learned in both worlds to keep from losing her head... literally. Debut author L.L. McKinney delivers an action-packed twist on an old classic, full of romance and otherworldly intrigue. And don't miss the thrilling sequel, A Dream So Dark! An Imprint Book "Mixing elements of Alice in Wonderland and Buffy the Vampire Slayer... Delectable." —Entertainment Weekly

Recommended by Entertainment Weekly The hilarious, uncompromising novel about African American domestic workers—from a trailblazer in Black women’s literature and now featuring a foreword by Roxane Gay First published in Paul Robeson’s newspaper, Freedom, and composed of a series of conversations between Mildred, a black domestic, and her friend Marge, Like One of the Family is a wry, incisive portrait of working women in Harlem in the 1950s. Rippling with satire and humor, Mildred’s outspoken accounts vividly capture her white employers’ complacency and condescension—and their startled reactions to a maid who speaks her mind and refuses to exchange dignity for pay. Upon publication the book sparked a critique of working conditions, laying the groundwork for the contemporary domestic worker movement. Although she was critically praised, Childress’s uncompromising politics and unflinching depictions of racism, classism, and sexism relegated her to the fringe of American literature. Like One of the Family has been long overlooked, but this new edition, featuring a foreword by best-selling author Roxane Gay, will introduce Childress to a new generation.