When asked in an interview what he most liked about rodeo, three-time world champion saddle-bronc rider “Cody” Bill Smith said simply, “Horses that buck.” Smith redefined the image of America’s iconic cowboy. Determined as a boy to escape a miner’s life in Montana, he fantasized a life in rodeo and went on to earn thirteen trips to the national finals, becoming one of the greatest of all riders. This biography puts readers in the saddle to experience the life of a champion rider in his quest for the gold buckle. Drawing on interviews with Smith and his family and friends, Margot Kahn recreates the days in the late 1960s and early 1970s when rodeo first became a major sports enterprise. She captures the realities of that world: winning enough money to get to the next competition, and competing even when in pain. She also tells how, in his career’s second phase, Smith married cowgirl Carole O’Rourke and went into business raising horses, gaining notoriety for his gentle hand with animals and winning acclaim for his and Carole’s Circle 7 brand. Inducted into the Pro Rodeo Hall of Fame in 1979 and the National Cowboy & Western Heritage Museum’s Rodeo Hall of Fame in 2000, Smith was a legend in his own time. His story is a genuine slice of rodeo life—a life of magic for those good enough to win. This book will delight rodeo and cowboy enthusiasts alike.

"Much of this book is about loneliness. Yet its pages are bracingly companionable. It is one of the friendliest books ever written. It is a superb piece of autobiography, testimony that cannot be impeached. While it is a statement of an American tragedy, it has laughter, brevity, style; as a book to pass the time away with, it is in a class with the best fiction." — Carl Sandburg, New York World "Nothing half as rewarding has come down the highway of books about thieves, tramps, murderers, bootleggers and crooks in years " — New Republic "I believe Jack Black has written a remarkable book; it is vivid and picturesque; it is not fiction; it is a book that was needed and it should be widely read." — Clarence Darrow, New York Herald Tribune A major influence on William S. Burroughs and other Beat writers, this lost classic was written by Jack Black, a drifter and small-time criminal. Born in 1872, Black hit the road at the age of 16 and spent most of his life as a vagabond. In this plainspoken but colorful memoir, he recaptures a hobo underworld of the early twentieth century, a time when it was possible to pass anonymously from town to town. Black's firsthand accounts of hopping trains, burglaries, prison, and drug addiction offer a compelling portrait of life outside the law and honor among thieves.

When it comes to creating unforgettable criminal characters, nobody does it better than Emmy Award winner Stephen J. Cannell, the force behind such acclaimed TV hits as "The Rockford Files," "The Commish," "Wiseguy," and "The A-Team." Now come Cannell's most engaging characters yet—a spirited assortment of clever con artists.King Con vs. The Don Raised in a world of flimflams, come-ons and con-jobs, Beano Bates has done so well he's earned a spot on the FBI's Ten Most Wanted List. But his lucky streak vanishes after a card game in which he scams a cool eighty grand from a notorious Mafia don—who retaliates by having Beano nearly beaten to death. For the first time in his legendary career, Beano wants more than a big score—he wants justice. Aided by a beautiful, no-nonsense female prosecutor and a legion of crafty cousins, all accomplished grifters, Beano, the king of the cons, puts together the ultimate swindle—a well-planned sting of strategy, skill and deception. The target is America's most feared mob kingpin and his psychopathic brother. And in this game, winner takes all!

As the Klondike gold rush peaked in spring 1898, adventurers and gamblers rubbed shoulders with town-builders and gold-panners in Skagway, Alaska. The flow of riches lured confidence men, too—among them Jefferson Randolph “Soapy” Smith (1860–98), who with an entourage of “bunco-men” conned and robbed the stampeders. Soapy, though, a common enough criminal, would go down in legend as the Robin Hood of Alaska, the “uncrowned king of Skagway,” remembered for his charm and generosity, even for calming a lynch mob. When the Fourth of July was celebrated in ’98, he supposedly led the parade. Then, a few days later, he was dead, killed in a shootout over a card game. With Smith’s death, Skagway rid itself of crime forever. Or at least, so the story goes. Journalists immediately cast him as a martyr whose death redeemed a violent town. In fact, he was just a petty criminal and card shark, as Catherine Holder Spude proves definitively in “That Fiend in Hell”: Soapy Smith in Legend, a tour de force of historical debunking that documents Smith’s elevation to western hero. In sorting out the facts about this man and his death from fiction, Spude concludes that the actual Soapy was not the legendary “boss of Skagway,” nor was he killed by Frank Reid, as early historians supposed. She shows that even eyewitnesses who knew the truth later changed their stories to fit the myth. But why? Tracking down some hundred retellings of the Soapy Smith story, Spude traces the efforts of Skagway’s boosters to reinforce a morality tale at the expense of a complex story of town-building and government formation. The idea that Smith’s death had made a lawless town safe served Skagway’s economic interests. Spude’s engaging deconstruction of Soapy’s story models deep research and skepticism crucial to understanding the history of the American frontier.