Alfred Hitchcock is one of the most revered filmmakers of the 20th century. Not only was he the "Master of Suspense," he was also an innovator of storyboarding, directing, framing, editing, and marketing. Hitchcock regularly engaged with his audiences and gave lectures at film institutes, universities, and film schools across the country. Now in this Movie Making Master Class, Hitchcock author and aficionado Tony Lee Moral takes you through the process of making a ?motion picture, Hitchcock-style.

Hitchcock's 1964 psychological thriller 'Marnie' generated wider critical controversy than any other film of his career. This study details the film from conception to postproduction and marketing, showing the film-making process in action, with production details and participants' oral history.

Hitchcock is still one of the most instantly recognizable film directors. These conversations dramatize his wit, intelligence, sophistication, serious contemplation, and even the playful manipulation of the interviewer.

Alfred Hitchcock is one of the most revered filmmakers of the 20th century. Now to mark the 100th anniversary of his directorial debut in 1922, this updated edition of "The Young Alfred Hitchcock's Movie Making Masterclass" shows the influences upon the young Alfred Hitchcock as he launched his directing career and how he ultimately made a lasting impression upon cinema. The "Master of Suspense" was also an innovator of storyboarding, directing, framing, editing, and marketing. Hitchcock regularly engaged with his audiences and gave lectures at film institutes, universities, and film schools across the country. Hitchcock author and aficionado Tony Lee Moral takes you through the process of making a motion picture, Hitchcock style.

In his most innovative and technically challenging film, The Birds, Alfred Hitchcock follows the success of Psycho with a modernist, avant garde horror-thriller, which has spawned many imitators and triggered the cycle for disaster and man versus nature films. Now to mark The Birds' 50th anniversary in 2013 and the digitally restored Blu-Ray release, The Making of Hitchcock's The Birds is the first book-length treatment on the production of this modernist masterpiece. Featuring new interviews with stars Rod Taylor, Tippi Hedren and Veronica Cartwright, as well as sketches and storyboards from Hitchcock's A-List technical team, Robert Boyle, Albert Whitlock and Harold Michelson, the book charts every aspect of the film's production all set against the tumultuous backdrop of the 1962 Cuban missile crisis and JFK's presidency. Using unpublished material from the Alfred Hitchcock Collection, Evan Hunter files, Peggy Robertson papers and Robert Boyle's artwork, this book will be the ultimate guide to Hitchcock's most ambitious film.

Publisher Description

Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.