Ludmila Korabelnikova recounts the life and times of Alexander Tcherepnin, a prolific and often emulated composer who produced four operas, 13 ballets, four symphonies, numerous orchestral and chamber works, and more than 200 piano pieces. He was born in Russia in 1899 to a family of musicians and artists. However, Aaron Copland referred to him as "an honorary American composer" and Toru Takemitsu called him "a father figure of Japanese music." Korabelnikova focuses not only on the biographical elements of Tcherepnin's story, but also on his music and its technical innovations. She includes extended quotations by the composer himself and selective analytical commentary, based on primary sources and contemporaneous accounts.

A modern composer linked to the great Russian tradition of Rimsky-Korsakov and Mussorgsky, Alexander Tcherepnin produced a substantial body of work-both compositions and writings-that is of interest to music scholars as well as performers. Although his works are better known and more frequently performed in Europe, Tcherepnin made a unique contribution to the U.S. musical scene in the 1950s and 1960s as a teacher of composition at De Paul University in Chicago. This volume provides detailed information on his life and accomplishments, together with a catalogue of his works and performances and a complete bibliography. The first section offers an account of the composer's life and musical education in Russia and Paris and his subsequent career in the United States. It concludes with a critical analysis of his musical style. The catalogue is followed by separate alphabetical, chronological, and genre listings of the composer's works. The final sections are devoted to a discography of commercially available sound recordings and an annotated bibliography of writing by and about Tcherepnin. A series of appendixes contains valuable additional information on Tcherepnin's life and accomplishments, as well as data relating to the musicaal careers of his father, his two sons, and several of his composition students who have become recognized composers in their own right. This work, which incorporates the first detailed English-language biography of Alexander Tcherepnin, will be a valuable resource for scholars, music educators, and musicians with an interest in Russian music of the late nineteenth and early twentieth centuries.

Alexander Tcherepnin's (1899-1977) Bagatelles are among his finest and most popular keyboard works. The 10 miniatures each span only two to four pages, yet are filled with a variety of mildly contemporary techniques. The more brilliant pieces help to develop a rapid finger technique, while the lyrical works are studies in the balance of melody and accompaniment figures. Lynn Freeman Olson's edition is carefully researched and includes helpful study notes.

In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.

Identifies collections held by public and university libraries, historical societies, and other institutions, as well as private collections, with material relating to any subject and historical period, and to the widest geographical area under imperial or Soviet rule. Includes movements for example

This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.