This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.

Through a textual analysis of six filmmakers (Alejandro González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book brings a new perspective to the films of Latin America's transnational auteurs.

Sur les lieux du tournage avec Inarritu : la réalisation de Babel. Le cinéaste mexicain Alejandro Gonzâlez Inarritu et les grands photographes qui l'accompagnent, Mary Ellen Mark, Patrick Bard, Graciela Iturbide et Miguel Rio Branco, mettent en commun leurs visions infiniment sensibles de la diversité culturelle dans un livre qui associe images passionnantes et commentaires de première main du réalisateur sur l'expérience unique du tournage de Babel. Prix de la meilleure mise en scène au 59e Festival de Cannes 2006, Babel est le troisième volet de la trilogie du metteur en scène, dont les premiers sont Amours chiennes et 21 Grammes. Le présent ouvrage est un recueil visuel des histoires parallèles et des personnages de la vie réelle qui ont jalonné le tournage du film. Tourné au Maroc, au Mexique et au japon, Babel a bénéficié d'une distribution incluant notamment Brad Pitt, Cate Blanchett, Gael Garcia Bernal et Koji Yakusho, ainsi que des acteurs non professionnels de ces trois pays. Préfacé par l'écrivain Eliseo Alberta et accompagné d'une interview d'Inarritu par le cinéaste Rodrigo Garcia, le résultat est un livre attachant qui vient compléter le puissant message de Babel sur les barrières culturelles et émotionnelles que tout être humain construit en lui-même, tout en révélant la fascinante réalité des hommes et des lieux qui ont inspiré le film.

This is the first academic book dedicated to the filmmaking of the Mexican born directors Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. The book examines the career trajectories of the directors and presents a detailed analysis of their most significant films. These include studies on del Toro's Cronos/Chronos, El laberinto del fauno/Pan's Labyrinth, Hellboy II: The Golden Army; Iñárritu's Amores Perros, 21 Grams and Babel; and Cuarón's Sólo con tu pareja/Love in the Time of Hysteria, Y tu mamá también, and Children of Men. All three have worked in diverse industrial contexts, and between them they have made key films that have changed the nature of filmmaking in Mexico, Hollywood blockbusters, US independent films, 'European' art films, and films that defy easy classification. They have had unprecedented international success and have crossed linguistic, national and generic borders, cutting through traditional divisions created by film markets. As a result, this book challenges the ways both markets and critics have created clear-cut distinctions between mainstream commercial and independent art cinema, and the ways they have conceptualised US, Latin American and European cinema as discrete entities. The work of the three directors creates new hybrid formations and makes us rethink ways in which we have understood the auteur label. The main theoretical approaches applied in this book to analyse the directors' working practices and texts centre on new readings of auteurism and transnational film theories. This book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, and general cinema enthusiasts who are interested in the films of the three directors.

Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema. Elena Lahr-Vivaz artfully portrays the dominant conventions of historical and contemporary Mexican cinema, showing how new-wave directors draw from a previous generation to produce meaning in the present.

Best known of the globally acclaimed new wave of Mexican cinema.

Winner of 3 OSCARS including BEST DIRECTOR and BEST ACTOR Winner of 5 BAFTAS including Best Actor, Best Director and Best Film Winner of the 2016 Golden Globes for Best Motion Picture – Drama, Best Actor – Drama, and Best Director