Volume 15 is dedicated to Prof David Bradshaw (Oxford University), who died on 13 September 2016 after a long illness. His last article is published at the beginning of this issue, to be followed by Uwe Rasch's essay on Huxley's 1912 sketchbook (with over 30 unpublished images) and a new selection of unpublished Huxley letters by James Sexton. The volume continues with several articles on Huxley in the 1920s and 1930s and is rounded off with an essay on Huxley's stance as social ecologistt.

Throughout his writing career, and especially in the last thirty years of his life, Aldous Huxley exhibited a deep interest in human potentialities, which he often described as our greatest unused natural resource. The present volume is the first book to focus on this Huxleyan core concern. It is based on presentations given at the Sixth International Aldous Huxley Symposium held in 2017 at the University of Almería (Spain). This volume collects essays by eleven scholars from eight countries that discuss Huxley's concept of human potentialities from an interdisciplinary perspective. This is another innovative feature of this book, since today Huxley is mainly remembered as a novelist, although only eleven of his fifty published works belong to that genre. The topics of this volume span Huxley's mature philosophy, including his theories relating to the expansion of consciousness, the development of nonverbal humanities, the need to improve bio-ethics, the role of nature, the role of beliefs and prejudice, and other subjects. These essays review Huxley's various positions, shedding light on their possible significance for today. Huxley marshalled his remarkable intellect to the project of improving the human condition, and here we find an up-to-date report card of his theories and their efficacy.

Volume 17/18 begins with a section containing original Huxley documents: Below the Equator, an unpublished film story collaboration by Isherwood and Huxley, edited by James Sexton and Bernfried Nugel, to be followed by two pieces rediscovered and edited by James Sexton, viz. The Heroes, William R. Cox's screenplay adaptation of a lost Huxley story, and the translation of a 1960 interview held in French by the Canadian writer Hubert Aquin. Then Huxley nephew Piero Ferrucci kindly opens his family archives of original Huxley letters and photographs and contributes a remarkable essay on his coming of age with Aldous Huxley. Rounding off this section, Peter Wood introduces an unknown 1934 letter Huxley wrote to Ren'e Schickele, a forgotten German author in the writers' community at Sanary. The second section presents a further selection of papers from the Sixth International Aldous Huxley Symposium held at Almer'a in April 2017 as well as other critical articles.

Aldous Huxley and Alternative Spirituality offers an incisive analysis of the full range of Huxley’s spiritual interests, spanning both mysticism (neo-Vedanta, Taoism, Mahayana and Zen Buddhism) and Western esotericism (mesmerism, spiritualism, the paranormal). Jake Poller examines how Huxley’s shifting spiritual convictions influenced his fiction, such as his depiction of the body and sex, and reveals how Huxley’s use of psychedelic substances affected his spiritual convictions, resulting in a Tantric turn in his work. Poller demonstrates how Huxley’s vision of a new alternative spirituality in Island, in which the Palanese select their beliefs from different religious traditions, anticipates the New Age spiritual supermarket and traces the profound influence of Huxley’s ideas on the spiritual seekers of the twentieth century and beyond.

Tells the compelling story of Dartington Hall - a far-reaching social, cultural and education experiment in Devon in the interwar years.

Volume 16 presents a miscellany of uncollected Huxley essays, edited by James Sexton, to be followed by a first selection of papers from the Sixth International Aldous Huxley Symposium held at Almeria in April 2017. This section opens with an essay that fills a blank spot on the map of Huxley criticism, James Sexton's study of Huxley and architecture. The volume continues with several articles (including one not from Almeria) on Brave New World and its wider context and closes with essays on Huxley's lifelong struggle with his deficient eyesight and on his view of the art of dying. (Series: Aldous Huxley Annual, Vol. 16) [Subject: Literary Studies, Aldous Huxley, Literary Criticism]