Exhibition catalog.

Exhibition catalog.

In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages. Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.

Art and Architecture in Ladakh shows how the region’s cultural development has been influenced by its location across the great communications routes linking India with Tibet and Central Asia. Edited by Erberto Lo Bue and John Bray, the collection contains 17 research papers by experienced international art historians and architectural conservationists, as well as emerging scholars from Ladakh itself. Their topics range widely over time, from prehistoric rock art to mediaeval Buddhist stupas and wall paintings, as well as early modern castle architecture, the inter-regional trade in silk brocades, and the challenges of 21st century conservation. Taken together, these studies complement each other to provide a detailed view of Ladakh’s varied cultural inheritance in the light of the latest research. Contributors include: Monisha Ahmed, Marjo Alafouzo, André Alexander, Chiara Bellini, Kristin Blancke, John Bray, Laurianne Bruneau, Andreas Catanese, Philip Denwood, Quentin Devers, Phuntsog Dorjay, Hubert Feiglstorfer, John Harrison, Neil and Kath Howard, Gerald Kozicz, Erberto Lo Bue, Filippo Lunardo, Kacho Mumtaz Ali Khan, Heinrich Poell, Tashi Ldawa Thsangspa and Martin Vernier.

In the spring of 2004, David Lascelles invited a group of monks from Bhutan to build a stupa in the gardens of Harewood House in Yorkshire. It was a step into the unknown for the Bhutanese. They didn’t speak any English, had never travelled outside their own culture, had never flown in an airplane or seen the ocean. Theirs was one kind of journey, but the project was also another kind of voyage for David. It was an attempt to reconcile a deep interest in Buddhism with the 250 years that his family has lived at Harewood, the country house and estate – with its links to one of the darkest chapters in Britain’s colonial past – that he has loved, rejected, tried to make sense of and been haunted by all his life. In Buddhist thought, one of the functions of a stupa is to harmonise the environment in which it is built and subdue the chaotic forces at work there. Would this stupa have a similar effect, quelling the forces of Harewood’s past and harmonising the contradictions of its present? A Hare-Marked Moon tells the story behind the extraordinary meeting of cultures that resulted in the Harewood Stupa, interspersed with accounts of David’s travels in the Himalayas which delve into the rich and turbulent history of the region, and the beliefs that have shaped it.

How can the complexities of ancient India be comprehended? This book draws on a vast array of texts, inscriptions, archaeology, archival sources and art to delve into themes such as the history of regions and religions, archaeologists and the modern histories of ancient sites, the interface between political ideas and practice, violence and resistance, and the interactions between the Indian subcontinent and the wider world. It highlights recent approaches and challenges in reconstructing South Asia's early history, and in doing so, brings out the exciting complexities of ancient India. Authoritative and incisive, this revised Penguin edition-with two new chapters-is essential reading for students and scholars of ancient Indian history and for all those interested in India's past.