Though most famous for his engravings, Albrecht Durer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. This overview of Durer's entire oeuvre is an ideal introduction to his work.

"Durer's drawings and watercolours show the artist at his most accessible, revealing his techniques and the masterly use of his media. No woodcut engravers, printers or apprentices come between Durer and the viewer. This contributes to the particular fascination of such sheets as The Large Piece of Turf or Hare. The introductory essay, portraying Durer as a passionate observer of his surroundings and an exceptionally gifted artist, is followed by thirty-five, high-quality reproductions of his most popular drawings and watercolours."--Jaquette

Issued in connection with an exhibition held March 24-June 9, 2013, National Gallery of Art, Washington.

A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.

Eighty-one plates show development from youth to full style. Many favorites, many are new. Introduction by Alfred Werner. "The fascination of the drawings is inexhaustible; the skill incredible; the upshot — delight." — Boston Globe.

All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

- 2020 marks the 500th anniversary of Albrecht Dürer's year-long journey to the Low Countries from 1520 to 1521 - Dürer is one of the most important artists of the Northern Renaissance - Stunningly large close-up details reveal his paintings, drawings and graphic work as never before Albrecht Dürer (1471-1528) is one of the most important and influential artists of the Northern Renaissance. He was a painter, printmaker and theorist and knew the major Italian artists of his time, such as Raphael, Bellini and Leonardo da Vinci. His enormous talent and skills as a draughtsman revealed themselves at a very young age: they can already be seen in the silverpoint Self-Portrait made in 1484 when he was barely 13 years old. Patronized from 1512 by the Emperor Maximilian I, Dürer realized numerous engravings, altarpieces, portrait and self-portraits, watercolors and books. His introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, secured his reputation as the most important figure of German Renaissance. Dürer in Detail reveals the work of the German master as never before, in breathtaking, full-page details. Till-Holger Borchert, German art historian and director of the Bruges Museums, describes Dürer's paintings, drawings and graphic masterpieces detail by detail, while offering original insights in clear and accessible language. The book is organized thematically and includes a biography, an annotated list of works and a suggested reading list.