In a very real sense, Albert Dorne's life was a literal manifestation of the Horatio Alger tale and a model of the American Dream come true. Born into abject poverty at the dawn of the 20th Century, Albert Dorne rose to prominence and privilege through the application of sheer determination, an instinctive grasp of solid business practices and a keen understanding of human nature combined with a native talent for drawing. Despite dropping out of school as a teen, he was and known as one of the more erudite men in his field and widely recognized as the founder of the Famous Artists School. A self-taught artist, by the time of his death in 1965, Dorne had established himself as perhaps the preeminent, highest paid illustrator of his day-one whose services were sought after by the biggest companies and best magazines for his memorable advertizing art and dynamic illustrations. A self-made man, he enjoyed the finest things that his millions could buy, and yet he never forgot his roots and remained a champion of the handicapped and the working man to the end. Now, for the first time, the entire career of this complex titan of education, industry and illustration is presented in the pages of one book. Featuring an informative essay by David Apatoff, an insightful introduction by author-illustrator Howard Munce, who knew the artist, and a graphic foreword by celebrated Mad magazine artist, Jack Davis, this volume captures the scope and breadth of Albert Dorne's many accomplishments. Key points: This is the first and only career-spanning survey of Albert Dorne's career and his prodigious artistic output. Featuring hundreds of full color images of the artist's work, many reproduced from the original art, almost every page teems with the colorful, lively illustrations of this master craftsman. Showcases examples from every stage of Dorne's professional life, including advertising art, editorial illustrations, and posters created to support the armed services during World War II. Albert Dorne consorted with the best and brightest, with presidents and starlets, and yet he never lost touch with the common man and woman, whose concerns infuse his artwork. One of the most important and influential artists of his era, almost forgotten today, is brought to vibrant life on the page.

A comprehensive reference covering over 140 years and 650 artists from the Civil War through the entire 20th century, The Illustrator in America includes a biographical sketch on each artist along with a time-line chart that provides the various influences of styles and schools needed to understand the artists and their work. First published in 1964 and revised in 1984, this third edition is now offered in paperback for the first time. Included in this incredible compendium are the works of Winslow Homer, Norman Rockwell, Jessie Wilcox Smith, J.C. Leyendecker, Milton Glase, Chris Van Allsberg and many more.

Learn to draw from the work of amazing artists such as Albert Dorne and Norman Rockwell, the founding artists of the Famous Artists School. The artwork presented in Drawing Lessons from the Famous Artists Schoolis gleaned from the amazing collection of more than 5,000 artworks and hundreds of thousands of other documents found in the Norman Rockwell Museum. Organized as a series of lessons in classic drawing technique, each chapter offers both process and finished works by the founding artists and other instructors of the Famous Artists School, allowing readers to see a wide variety of approaches to learning how to draw and styles of rendering. Enriched throughout with fascinating sidebars and photographs documenting the working methods of master realists, Drawing Lessons from the Famous Artists School is an invaluable trove of inspiration and information on how to draw.

In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.

In his own words, Rockwell retraces the steps by which he creates his famous paintings, from the moment of inspiration, through the search for perfect models, locations, props, and costumes, to the finished work

Robert Fawcett who was known by his peers as 'The illustrator's illustrator', is recently chronicled in a book by Auad publishing, a well known publisher for quality books on artists from the turn of the century to the 'Golden Age of Illustration'. Walt Reed who is a legend in his own time as an artist and a purveyor of famous artists for almost a century was a personal friend of Robert Fawcett wrote the introduction for the book. The book will contain more than a hundred color illustrations and numerous black and white drawings. These are images which have long been out of circulation and are largely unavailable today. Many of the images from the book were made from the originals which have been hidden away for decades by private collectors so the quality will be superior to the images published in magazines decades ago. The book will measure 9X12", Hardcover with a dust jacket, 182 pages plus a fold-out. Best of all, the 12 Fawcett Sherlock Holmes illustrations will be together in a book for the first time, some taken from the original paintings.

Text juxtaposed with various single page illustrations.