The international acclaim of audiences and critics alike established Laurindo Almeida as one of the world's truly great concert guitarists. with these transcriptions of Isaac Albeniz' unique piano compositions, he takes the guitar to new heights. These pieces illustrate Almeida's skill as a transcriber and arranger for the guitar. Each work is presented first in standard notation followed by a tablature version. Technical notes addressing specific problem areas accompany each piece. Selections include: Sevilla; Danza Espanola No. 3 (Serenata Andaluza); Leyenda; Malaguena; Tango; Cadiz (from Suite Espanola); and Zambra Granadina. Text is in English and Spanish.

Walter Aaron Clark here presents, for the first time in English, a detailed and accurate account of one of the most intriguing figures in the Romantic period. Isaac Albeniz (1860-1909), a renowned concert pianist, created a national style of Spanish piano music and also fostered the growth of the concerto, orchestral music, and opera in Spain. As a touring child prodigy who supposedly stowed away on a steamer to the New World, later studied with Liszt, and eventually got ensnared in a "Faustian pact" with the wealthy English librettist, Frances Burdett Money-Coutts, Albeniz has become somewhat of a legend. Based on a wealth of new and previously overlooked documentary evidence, this biography debunks the mythology surrounding his career, much of it spun by the composer himself.

Twelve classic pieces from one of Spain's most significant composers, Isaac Albeniz.

This comprehensive edition brings together all of the standard pieces in the adopted Albeniz guitar repertoire along with additional pieces that complete many of the suites and other groupings as published during the composer's lifetime. These solo arrangements were made while consulting the earliest editions of the piano originals, and are faithful to Albeniz tempo indications, dynamics, phrasing slurs, and other expression markings. the selections are: Pavana-Capriccio, Op. 12 (1992); Suite espanola, Op. 47 (1886); Recuerdos de viaje, Op. 92 (1888); Doce piezas espanolas, Op. 164 (1889); Espana, seis hojas de album, Op. 165 (1890); Serenata espanola (Cadiz, cancion), Op. 181 (1890); Mallorca, barcarola, Op. 202 (1890); Zambra granadina, danse orientale, WoO (1891); Cadiz-gaditana, WoO (1891); and Chants d'Espagne, Op. 232 (1891-1894). Carefully researched and meticulously fingered in the scholarly manner one would expect from Stanley Yates.

This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.

Expertly arranged piano solo from our Kalmus Edition.

(Music Sales America). An outstanding repertoire collection for solo guitar, featuring some of the best-known and loved pieces by Granados, Albeniz, Dowland, Granados, and others.