Ajanta:Year by Year is planned as a biography of this remarkable site, starting with the earliest caves, dating from some two thousand years, to its startling renaissance in the brief period between approximately 462 and 480. Concentrating on the excavations of the later period, during the reign of the Vakataka emperor Harisena, it attempts to show how, after a surprising gap of some three hundred years, Ajanta’s proud and pious courtly patrons and its increasingly committed workmen created not only the greatest but the latest monument of India’s Golden Age. Nearly three hundred illustrations, in color and black and white, reveal the exuberant flowering of Ajanta and related Vakataka monuments, as well as the manner of their sudden demise.

This book offers a new scholarly exploration of the rock-cut Ajanta Caves located in the modern-day Aurangabad district of Maharashtra, India, their sculpture and paintings. The book meticulously traces the rise, transformation, and legacy of these architectural marvels from the late third century BC to around AD 480.

The Rediscovery of Vedic and Ancient Bharat unfolds the profound roots of India's cultural heritage. Spanning from 1500 BCE to 1000 CE, this epoch witnessed a renaissance in Mathematics, Science, Astronomy, Yoga, Literature, and Architecture that resonates through the ages. Embark on a journey through the corridors of intellect, where luminaries like Aryabhata, Charaka and Patanjali carved indelible marks on the pages of time. Within the covers of this book, thirty chapters unveil the brilliance of Bharat's scholars, exploring the contributions of Pingala, Baudhayana, Varahamihira, Brahmagupta and others. Delve into the realms of Science, Yoga and Astronomy, where Aryabhatta, Varahamihira, and Sushruta stand as beacons of enlightenment. Literary marvels by Kalidasa, Shudraka, and Bhavabhuti, among others, paint a vivid canvas of ancient Bharat's literary grandeur. The final chapters stand as monuments to architectural splendors—the timeless Ajanta & Ellora Caves, the majestic Sanchi Stupa, and the awe-inspiring Pattadakal monuments. A treasure trove of knowledge, this work is a testament to the enduring legacy of India's intellectual and cultural brilliance, a legacy that continues to shape the nation's identity and resonate across time.

This pioneering book is the first full-length study of the matha, or Hindu monastery, which developed in India at the turn of the first millennium. Rendered monumentally in stone, the matha represented more than just an architectural innovation: it signaled the institutionalization of asceticism into a formalized monastic practice, as well as the emergence of the guru as an influential public figure. With entirely new primary research, Tamara I. Sears examines the architectural and archaeological histories of six little-known monasteries in Central India and reveals the relationships between political power, religion, and the production of sacred space. This important work of scholarship features scrupulous original measured drawings, providing a vast amount of new material and a much-needed contribution to the fields of Asian art, religious studies, and cultural history. In introducing new categories of architecture, this book illuminates the potential of buildings to reconfigure not only social and ritual relationships but also the fundamental ontology of the world.

This book considers Gandhāran art in relation to its religious contexts and meanings within ancient Buddhism. Addressing the responses of patrons and worshippers at the monasteries and shrines of Gandhāra, papers seek to understand more about why Gandhāran art was made and what its iconographical repertoire meant to ancient viewers.

This volume in Brill’s renowned Ajanta series discusses contentious views on Ajanta’s development, the often-dramatic changes in patronage, and the intriguing problem of why Ajanta’s original (Hinayana) caves were not refurbished by the Vakataka. A comprehensive appendix on Ajanta inscriptions is also included.