It was called the trial of the century in a century whose end is now a decade in the past. But its impact has reverberated well into this one, as its subject continues to make headlines. In Simpson Agonistes, author Robert Metcalfe offers an original angle on the O. J. Simpson murder case and trial using Herodotus's lost perspective as a guide. Simpson Agonistes revisits the Brentwood murders and their aftermath from two opposite perspectives. One is a modern, fact-based reinterpretation of pieces of the key evidence the uncut left-hand glove and the thumps on Kato Kaelin's guesthouse wall that have never been satisfactorily explained. The other perspective discusses what Herodotus would have had to say about this case as Metcalfe begins a study in nemesis or retributive justice. He applies both methodologies to an analysis of what went wrong that fatal night to spoil an almost perfect crime, as well as changes to Simpson's story since. Simpson Agonistes presents a scenario that often reads like a tragedy or psychodrama, complete with a catharsis at its close.

With a new preface: A “stunning” analysis of the troubled Republican president by the Pulitzer Prize–winning author of Lincoln at Gettysburg (The New York Times Book Review). In this acclaimed biography that earned him a spot on Nixon’s infamous “enemies list,” Garry Wills takes a thoughtful, in-depth, and often “very amusing” look at the thirty-seventh US president, and draws some surprising conclusions about a man whose name has become synonymous with scandal and the abuse of power (Kirkus Reviews). Arguing that Nixon was a reflection of the country that elected him, Wills examines not only the psychology of the man himself and his relationships with others—from his wife, Pat, to his vice-president, Spiro Agnew—but also the state of the nation at the time, mired in the Vietnam War and experiencing a cultural rift that pitted the young against the old. Putting his findings into moral, economic, intellectual, and political contexts, he ultimately “paints a broad and provocative landscape of the nation’s—and Nixon’s—travails” (The New York Times). Simultaneously compassionate and critical, and raising interesting perspectives on the shifting definitions of terms like “conservative” and “liberal” over recent decades, Nixon Agonistes is a brilliant and indispensable book from one of America’s most acclaimed historians.

In this path-breaking new work, Gregory Jusdanis asks why literature matters. Why are we afraid to admit our pleasures of reading, to defend the arts to the school board, to discuss the importance of literature in life? Drawing on a wealth of references from Aristophanes to Eudora Welty, from Fernando Pessoa to Orhan Pamuk, from Cavafy to hypertext stories, Jusdanis reminds us that the arts have always been under attack. Instead of despair, however, he offers a pragmatic defense of literature, arguing that it performs a social function in dramatizing the break between illusion and reality, life and the life-like, permanence and metamorphosis. The ability to distinguish between the actual and the imaginary is essential to human beings. Our capacity to imagine something new, to project ourselves into the mind of another person, and to fight for a new world is based on this distinction. Literature allows us to imagine alternate possibilities of human relationships and political institutions, even in the watery world of the Internet. At once daring and lucid, Fiction Agonistes considers the place of art today with passion and optimism.

The endurance of a work of art such as Samson Agonistes, this book suggests, derives from its incorporation of the principle of change as the very foundation of its permanence. In a deft and perceptive analysis, Mary Ann Radzinowicz shows how the poem embodies the principle of change, reveals Milton's perpetual concerns, and illuminates the course of his poetic and intellectual development. The author holds that Samson Agonistes represents the culmination of Milton's poetic œuvre. Its subject is growth, and the tragedy imitates a Biblical story of movement from self-destruction to self-transcendence. In each section of her book, the author considers the poem in a different context or area of Milton's thought. Each new aspect suggests a widening circle of implication as the discussion moves from Milton's dialectic to the representation of tragic failure, from change and growth as themes to the discovery of history as tragic design. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.