Why do Agatha Christie’s novels continue to inspire each generation? The answer is the quality and range of her puzzles: her rich and varied structures of deception. Christie broke the mould of detective fiction and rewrote the implicit rules of the whodunnit. Agatha Christie: Plots, Clues and Misdirections examines Christie’s skills as a whodunnit writer. It analyses her methods in setting her puzzles. It shows how she uses a combination of diverse plots, cunning clues and subtle misdirections. In the sheer variety and profusion of each of these elements Christie is without peer, and her combining genuine puzzles with entertaining narratives has never been surpassed. In this unique analysis of how Christie sets her puzzles, two medical professionals and enthusiastic Christie fans explore the greatest of Christie’s deceptions – the impression that her writing is simple.

Why do Agatha Christie's novels continue to inspire each generation? The answer is the quality and range of her puzzles: her rich and varied structures of deception.

In Agatha Christie’s classic murder mystery Sad Cypress, a woman damned by overwhelming evidence stands accused of murdering her romantic rival, and only Hercule Poirot stands between her and the gallows. Beautiful young Elinor Carlisle stood serenely in the dock, accused of the murder of Mary Gerrard, her rival in love. The evidence was damning: only Elinor had the motive, the opportunity, and the means to administer the fatal poison. Yet, inside the hostile courtroom, only one man still presumed Elinor was innocent until proven guilty. Hercule Poirot was all that stood between Elinor and the gallows.…

A History Today Best Book of the Year A Choice Outstanding Academic Title of the Year Virgil, Ovid, Cicero, Horace, and other authors of ancient Rome are so firmly established in the Western canon today that the birth of Latin literature seems inevitable. Yet, Denis Feeney boldly argues, the beginnings of Latin literature were anything but inevitable. The cultural flourishing that in time produced the Aeneid, the Metamorphoses, and other Latin classics was one of the strangest events in history. “Feeney is to be congratulated on his willingness to put Roman literary history in a big comparative context...It is a powerful testimony to the importance of Denis Feeney’s work that the old chestnuts of classical literary history—how the Romans got themselves Hellenized, and whether those jack-booted thugs felt anxiously belated or smugly domineering in their appropriation of Greek culture for their own purposes—feel fresh and urgent again.” —Emily Wilson, Times Literary Supplement “[Feeney’s] bold theme and vigorous writing render Beyond Greek of interest to anyone intrigued by the history and literature of the classical world.” —The Economist

Note from a killer "This is Prakash writing. I am the murderer of Padma Manepally. I am attaching photos of her dead body taken in her apartment today to prove that I am indeed the killer. Old ladies make nice soft targets. OK I think I will wipe off an old lady next. ...Catch me if you can." 1st April, 11:30 am Charminar: A housewife is strangled to death. 15th April 5:30 am Begumpet: A reputed doctor is bludgeoned to death near Begumpet Station while out on her morning walk. A ruthless killer is on the loose. He has openly challenged the Hyderabad Police to catch him. The reputation of the Hyderabad Police is in tatters. The psychopath is roaming freely across Hyderabad killing indiscriminately. Or is there a method in this madness? Who are these victims and why they have been selected by the murderer? He ropes in good friend Vikram Rana to help him. As Gopi Reddy admits, 'Random killers are the hardest criminals to catch.' But to Vikram Rana something about these brutal incidences does not ring true and these crimes seem to be related.... Will Vikram and ACP Reddy be able to prevent another murder in this race against time before this monster strikes again?

New York Times bestseller “Swanson rips us from one startling plot twist to the next… A true tour de force.” —Lisa Gardner “[A] multilayered mystery that brims with duplicity, betrayal and revenge.” —USA Today From the hugely talented author of The Kind Worth Killing comes a chilling tale of psychological suspense and an homage to the thriller genre tailor-made for fans: the story of a bookseller who finds himself at the center of an FBI investigation because a very clever killer has started using his list of fiction’s most ingenious murders. Years ago, bookseller and mystery aficionado Malcolm Kershaw compiled a list of the genre’s most unsolvable murders, those that are almost impossible to crack—which he titled “Eight Perfect Murders”—chosen from among the best of the best including Agatha Christie’s A. B. C. Murders, Patricia Highsmith’s Strangers on a Train, Ira Levin’s Deathtrap, A. A. Milne's The Red House Mystery, Anthony Berkeley Cox's Malice Aforethought, James M. Cain's Double Indemnity, John D. MacDonald's The Drowner, and Donna Tartt's The Secret History. But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list. And the FBI agent isn’t the only one interested in this bookseller who spends almost every night at home reading. The killer is out there, watching his every move—a diabolical threat who knows way too much about Mal’s personal history, especially the secrets he’s never told anyone, even his recently deceased wife. To protect himself, Mal begins looking into possible suspects . . . and sees a killer in everyone around him. But Mal doesn’t count on the investigation leaving a trail of death in its wake. Suddenly, a series of shocking twists leaves more victims dead—and the noose around Mal’s neck grows so tight he might never escape.