With this title the author believes he has finally rached the end of his long philosophical journey, spanning some five decades, in what he regards as the 'apotheosis' of his metaphysically-oriented philosophy, the 'top rung' of the tall ladder that he has climbed, 'rung by rung', in the process of overhauling one book after another with intent to nailing his ethical and logical and ontological and eschatological colours to the mast of what has guided him in his quest for the definitive realization and presentation of his philosophy. But be warned: this is not a prose text, so don't expect the going to be easy, because it won't be, even if an analogy with 'Finnegans Wake' as the arcane end-product of a long literary career would not be altogether fanciful!

 Much of the material included in each superbook (of supernotational aphorisms/maxims) in this volume is, of course, complementary, since their author's structural and thematic integrity has remained fairly consistent throughout. But if that were only the case he could have settled for one such superbook instead of two, the latter of which gradually emerged in its own right with a thematic and stylistic integrity of its own that, in many instances, not only went beyond but corrected and even contradicted some of the material already broached, thereby justifying its inclusion as a separate superbook that, nonetheless, was not unrelated, in most respects, to its predecessor. Some incidental material in the four supernotebooks of the first superbook and two of the second was not used or could not, for various reasons, be used, but what has been extracted from them has undergone sufficient rewriting and revision, not to say expansion, as to justify the concept of 'superbook', the intent of which is to draw a firm line under the biconical criteria which characterize not only this volume but other recent titles by John O'Loughlin, and all in the interests of a fresh approach to both logic and civilization that should enhance, rather than diminish, the capacity of the human mind to embrace morality and the complexities of moral issues to a degree and in a way arguably never before broached in the history of serious theoretical, or philosophical, endeavour. Every light of faith is dogged by a shadow of doubt, and it would be strange to the point of absurd if that were not the case with John O'Loughlin, even here in what should be a definitive account of his philosophical evolution. But such a shadow is actually complementary to the light and in no way a hindrance to the faith but, rather, a means of questioning and modifying one's approach to it so that the end-product, if end-product there be, will serve to enhance one's concept of truth and make one's faith in it all the more justifiably credible.– A Centretruths editorial

With this anthology of his 'sequentially structured maxims', free thinker John O'Loughlin has finally arrived at the ne plus ultra of his philosophical oeuvre, which combines all the most logically consistent material from the last twelve original titles (2014 – 2019) in one definitive volume that, on account of the comprehensively exacting nature of his quadripartite structures and the way their theorizing evolves, must rank as the 'bible' of his philosophy, if not of all philosophy of a metaphysical persuasion, that yet allows for other categories, both atomic and pseudo-atomic, to be accounted for in such fashion that everything is, as it were, nailed into place the better to support the overall morphology of unrelenting logic.

Eyes Like Hell is the thrilling first chapter in the All Hallows' Eve series. Something is lurking in the mountains of North Georgia. A handful of locals have been missing for weeks, and a group of unwary travelers are about to discover Appalachia's hideous secret.