Rage Against The LightPlace: Sydney CBD. Or a city anywhere. Time: Mostly daytime yet feels like night.Era: Early 21st century. Mood: Dark but hopeful.Light: Dramatic. Sydney is a city in the midst of a development boom. Skyscrapers. Cranes. Man-made environment. Concrete. Few trees. Mirrored surfaces. Windows magnifying light. Consumer advertising expressing people's desires. Impersonal at heart.There are signs of life amid the cold abstractions of architecture. People scurry about being literally exposed by light. They are struck by shafts between buildings like insects coming out for food. Solitary male figures appear as different identities. A man in a suit, dragging on a cigarette is lost in thought.Street photography is a genre with a long history (Garry Winogrand, Daido Moriyama, Trent Parke). The CBD is a favorite haunt. Some photographers seek out people or emphasize a sense of isolation in the crowd. Others evoke a haunting mood empty of human presence. Markus Andersen does both, loving the tradition of black and white (high contrast), square format and abstraction. With very deliberate cropping and enterprising juxtapositions he reveals his skill for graphic design. He aligns the elements of people and place to make a wryly humourous visual haiku. The Leunig of photography.Markus Andersen's photographs describe an experience familiar to us. It is exciting and full of promise to go to the CBD and yet it can leave us feeling empty. We go home only temporarily satiated. This essay is rich with worldly wisdom. There is satisfaction in the vision shared. It celebrates the humanity of the self and its endless creative ability to interpret. This is the role of the artist. It casts light on our experience by speaking from the heart. Markus Anderson sheds light on our love of life and our love of light.

It's the year 2087, and all Issac Miller wants to do is win the next baseball game. But when his mother drags him off to see a baseball game, ... Issac must learn how to survive in the past... and maybe even save all of time itself

"Printed in Spanish with facing English translations, the poems are supplemented by an introduction with an ecocritical focus and by complete notes on botanical, historical, mythological, and sociopolitical references."--BOOK JACKET.

Light Against Darkness is comprised of articles that put on display the power and pervasiveness of dualistic thought. Dualism has proved a potent cultural tool for clarifying and ordering reality. Particularly in times of social stress and psychological insecurity, it can offer a valuable conceptual grid that provides orientation to the world and a clear sense of identity. At the same time, though, there are important questions to be asked about the social effects of binary thinking. As history amply illustrates, dualistic notions can readily be deployed to legitimate cultural demonization and to rationalize violence. At a deeper level, a dualist worldview can also obscure the possibilities to be found in multiplicity.The articles in this volume treat Dualism across a wide historical spectrum and from multiple methodological perspectives. The studies are organized around the religious and cultural contexts of Ancient Judaism and they include contributions from leading voices on ancient Persia, Israel, Greece, and Egypt.Experts on modern religious and philosophical thought not only lend context to concepts applied to the ancient world, but engage recent European and American experiments in binary thought. All of the studies contribute to a richer and more complete portrait of dualism in ancient Judaism.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Argues that human freedom is threatened by systems of intelligent persuasion developed by tech giants who compete for our time and attention. This title is also available as Open Access.