“Slippery, provoking and very timely.” —Wall Street Journal When an old flame accuses him of sexual assault, expat English journalist Marco Rosedale is brought rapidly to the brink of ruin. Marco confides in a close friend, the unnamed narrator, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth—until the question of his own complicity becomes impossible to avoid.

(Amadeus). Claude Debussy was the father of the modern era in classical music. His innovations liberated Stravinsky, Schoenberg, and Bartok to write their iconoclastic works, and his harmonic inventions are still heard in American jazz. Though he was among the most compelling figures of the Belle Epoque, his life is little known to all but scholars; and of his considerable musical output, only Prelude to the Afternoon of a Faun , La mer , and Clair de lune are widely known. Harvey Lee Snyder addresses this cultural neglect by presenting the composer and his music, without jargon or biographical trivia, in a richly detailed, accurate narrative that reads like a novel. Here is the story of a poor, unschooled Parisian boy swept by odd coincidences to the Paris Conservatory at age ten. Here is a brilliant man struggling to invent a tonal language capable of expressing his unique musical vision, finding inspiration not in Bach and Beethoven but in Mallarme's poetry and the paintings of Whistler and Turner; a man determined to end two centuries of Germanic domination of European music. Here is a reclusive, gentle man whose misguided love affairs ended in scandal and scorn. His hard work failed to end decades of poverty and debt, but when he died in 1918, he was and has remained the foremost French composer of the twentieth century.

**SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2020** Two timely novellas exploring male sexual violence, power and corruption ‘Victory makes a convincing case for James Lasdun as one of the most incisive investigators of the human heart writing in English today... An instant masterpiece’ Johanna Thomas-Corr, Observer Love and hate, desire and guilt, friendship and betrayal – these are the coordinates that drive James Lasdun’s two intensely gripping, darkly comic novellas of men and women caught between their irrational passions and the urge for control. In Feathered Glory the seemingly happy marriage of a school principal and his artist wife reveals dangerous fault-lines as an old lover reappears in the husband’s life. The past also haunts the present in Afternoon of a Faun, where an accusation of historic sexual assault plunges Marco Rosedale, an English journalist in New York, into a series of deepening crises. Together these stories offer a sharply observed vision that will resonate with anyone interested in the clash of power and desire in our embattled contemporary lives.

In this taut psychological thriller, a couple and their houseguest find themselves caught in a deadly web of secrets, obsession, and revenge. It is summer, 2012. Charlie, a wealthy banker with an uneasy conscience, invites his troubled cousin Matthew to visit him and his wife in their idyllic mountaintop house. As the days grow hotter, the friendship between the three begins to reveal its fault lines, and with the arrival of a fourth character, the household finds itself suddenly in the grip of uncontrollable passions. As readers of James Lasdun’s acclaimed fiction can expect, The Fall Guy is a complex moral tale as well as a gripping suspense story, probing questions of guilt and betrayal with ruthless incisiveness. Who is the real victim here? Who is the perpetrator? And who, ultimately, is the fall guy? Darkly vivid, with an atmosphere of erotic danger, The Fall Guy is Lasdun’s most entertaining novel yet.

“Superb. . . . Every page of this narration bears examples of Lasdun’s own poetic mastery. . . . Shockingly vivid.”—Time Out Part political thriller, part meditation on the nature of desire and betrayal, Seven Lies tells the story of Stefan Vogel, a young East German, whose yearnings for love, glory, and freedom express themselves in a lifelong fantasy of going to America. By a series of increasingly dangerous maneuvers, he makes this fantasy come true, his past seemingly locked behind the Berlin Wall and a new life of unbounded bliss ahead of him. But then his world begins to fall apart.

“Compulsively readable.”-New York Times Book Review "A significant literary achievement that also happens to be a terrific page-turner."- Jonathan Lee "Elegantly written, darkly entertaining."- John Banville "An extraordinary writer of great compassion . . . Stunning."- Denise Mina In the aftermath of Brexit, the body of a young woman is found by the river Thames, and a neighbor, a retired teacher from Chapleton College, is arrested. An eccentric loner-intellectual, shy, a fastidious dresser with expensive tastes-he is the perfect candidate for a media monstering. In custody he is interviewed by two detectives: the circumspect Ander, and his workaday foil, Gary. Ander is particularly watchful now, because the man across the table is someone he knows-someone he hasn't seen in nearly thirty years. Determined to salvage the truth as ex-pupils and colleagues line up against the accused, he must face a story from decades back, from his own time as a Chapleton student, at the peak of anti-Irish sentiment. With the momentum of classic crime fiction, Throw Me to the Wolves follows two mysteries-one unfolding in the media-saturated present, and the other bubbling up from the abusive past of the 1980s English school system. Beautifully written and psychologically acute, it is a novel about memory and childhood, prescient and piercingly funny, as wise as it is tragic.

A true story of obsessive love turning to obsessive hate in the crucible of the digital age. Give Me Everything You Have chronicles author James Lasdun's strange and harrowing ordeal at the hands of a former student, a self-styled "verbal terrorist," who began trying, in her words, to "ruin him." Hate mail, online postings, and public accusations of plagiarism and sexual misconduct were her weapons of choice and, as with more conventional terrorist weapons, proved remarkably difficult to combat. James Lasdun's account, while terrifying, is told with compassion and humor, and brilliantly succeeds in turning a highly personal story into a profound meditation on subjects as varied as madness, race, Middle East politics, and the meaning of honor and reputation in the Internet age.