Stranded by a South Island storm, six people usurp the stillness of an old house. As they tell the fragments of their story, a seventh voice responds: a young New Zealand serviceman who died in 1920, soon after his return from France. As the storm deepens, the hauntings of the mind and the hauntings of the house become one. First published on Armistice Day 1987, After Z-Hour won the PEN Award for Best First Book of Prose.

In a land caught between the sea and cloud, where the natural landscape still refuses civilization, there are those; the composers of words, tellers of tales, that help shape the minds of the people that live on its shores. They are spiritcarvers. New Zealand writing today is engaging in an intent struggle to subvert multiple shapes into voices. These interviews, as a record of biographical orature, are shaped into presenting the figure of the storyteller through memory and language; explorations of how we imagine and create ourselves with and into words. Here we encounter the dichotomy of fiction and non-fiction, myth and consensual reality, imagination and truth: do we live within our own selected fictions? Identity is shaped by the authors' sense of displacement as well as of belonging - meeting otherness with dispossession, discovering connection through isolation. Among the focal points of the interviews are the role of women's writing, Maori writing, interrelations among different cultures, and the influence of literary and oral tradition within New Zealand.

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