When Reschers Process Metaphysics (1996) was published, it was widely acclaimed as a major step towards the academic recognition of a mode of thought that has otherwise been confined within sharp scholarly boundaries. Of course it is not an easy book: despite its stylistic clarity, it remains the complex outcome of a lifes work in most areas of philosophy. The goal of the present volume is to systematically unfold the vices and virtues of Process Metaphysics, and thereby to specify the contemporary state of affairs in process thought. To do so, the editor has gathered one focused contribution per chapter, each paper addressing specifically and explicitly its assigned chapter and seeking to promote a dialogue with Rescher. In addition, the volume features Reschers replies to the papers.

Lambda Literary Award winner This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

NATIONAL BESTSELLER • PEN/FAULKNER AWARD FINALIST • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys: a hilarious and supremely original novel set in the Hamptons in the 1980s, "a tenderhearted coming-of-age story fused with a sharp look at the intersections of race and class” (The New York Times). Benji Cooper is one of the few Black students at an elite prep school in Manhattan. But every summer, Benji escapes to the Hamptons, to Sag Harbor, where a small community of Black professionals have built a world of their own. The summer of ’85 won’t be without its usual trials and tribulations, of course. There will be complicated new handshakes to fumble through and state-of-the-art profanity to master. Benji will be tested by contests big and small, by his misshapen haircut (which seems to have a will of its own), by the New Coke Tragedy, and by his secret Lite FM addiction. But maybe, just maybe, this summer might be one for the ages. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon!

"Lucas' book competently brings Whitehead's philosophy into dialogue with "analytic" philosophy. This is a topic of great originality and considerable potential importance for the field of philosophy. The writing is forceful, concise, and clear." -- George L. Kline, Bryn Mawr College Lucas treats Whitehead within the framework of major themes in current Anglo-American "analytic" philosophy, viewed against the backdrop of significant historical trends in European and American thought since the Enlightenment. This most misunderstood of twentieth-century philosophers is critically interpreted here. Whitehead had developed 50 years ago some ideas only now emerging in analytic philosophy. Lucas examines the significance of Whitehead's thought for current epistemology of science, for the anti-foundationalism debate, and more generally, for modal logic, action, theory, philosophical psychology, and the philosophy of mind. He shows how some recent analytic philosophy is now developing ideas concerning language, personal identity, and other topics that are found in Whitehead. Lucas concludes with recent problems in relativity theory and quantum mechanics, indicating how these bear on the philosophy of science and on the task of forging a comprehensive understanding of nature. He examines the debates concerning Einstein and Whitehead on relativity and analyzes the work of Bohm, Prigogine, and others who have found Whitehead's categories useful for their own success. Whitehead is shown to be a historical figure of great importance, not an idiosyncratic thinker, isolated along with a few enthusiastic followers from the mainstream of contemporary philosophy. With Russell, Whitehead participated in the same philosophical world that gave rise to analytic philosophy.

Featuring discussions and dialogue by prominent scientists and philosophers, this book explores the rich interface of contemporary physics and Whitehead-inspired process thought. The contributors share the conviction that quantum physics not only corroborates many of Whitehead's philosophical theses, but is also illuminated by them. Thus, though differing in perspective or emphasis, the contributions by Geoffrey Chew, David Finkelstein, Henry Stapp and other scientists conceptually dovetail with those of Philip Clayton, Jorge Nobo, Yutaka Tanaka and other process philosophers.

A breathtaking detective story, this book charts the adventure of Whitehead's ideas in a remarkably detailed and careful reconstruction of his metaphysical views. Incorporating heretofore unpublished material from students' notes and correspondence, Professor Ford analyzes the order of composition of various portions of Whitehead's books, principally Science and the Modern World, Religion in the Making, and Process and Reality. Ford's reconstructive method is perfectly tailored to his subject, for Whitehead revised by inserting new material rather than altering or deleting the old. Thus Ford is able to date the sequence of the composition of many passages. In distinguishing these layers of articulation, he has pushed the techniques of "higher criticism" beyond anything the French structuralists and deconstructionists have dreamed of and chronicled an extraordinary intellectual biography.

This book discusses the problems raised by Whitehead's metaphysics of creativity—metaphysics focused on dynamic becoming rather than on static being—and the proposed solutions to those problems. Whitehead adds a new dimension to the issues of traditional metaphysics by taking into account the world view of our civilization and the results of modern science. His all-embracing speculative cosmology provides a synthesis which goes far beyond the details considered in modern analytic philosophy. To him, the principle of novelty is the universal of universals, and in his system of categories, he aims at avoiding the bifurcation of nature into a physical and mental pole.