Poetry. Women's Studies. LGBTQIA Studies. This book has multiple fire exits. This book has too many keys. You can climb through a window into this book. Some of these poems are not on the lease, and you are willing to take it all the way to the Residential Tenancies Authority. AFTER THE DEMOLITION is about rebuilding as much as it is about taking apart. It is about moving, and about moving on--what we leave behind, and what we attach more firmly to ourselves. When a place is gone--because we've given the keys back, or because the locks are lopped off--our attachment can drive us towards saudade, nostalgia, replication. We mythologise the flaws of our past haunts and past lives, and this determines the ways we start over when everything is air rights.

Flint, Michigan, is widely seen as Detroit s Detroit: the perfect embodiment of a ruined industrial economy and a shattered American dream. In this deeply researched book, Andrew Highsmith gives us the first full-scale history of Flint, showing that the Vehicle City has always seen demolition as a tool of progress. During the 1930s, officials hoped to renew the city by remaking its public schools into racially segregated community centers. After the war, federal officials and developers sought to strengthen the region by building subdivisions in Flint s segregated suburbs, while GM executives and municipal officials demolished urban factories and rebuilt them outside the city. City leaders later launched a plan to replace black neighborhoods with a freeway and new factories. Each of these campaigns, Highsmith argues, yielded an ever more impoverished city and a more racially divided metropolis. By intertwining histories of racial segregation, mass suburbanization, and industrial decline, Highsmith gives us a deeply unsettling look at urban-industrial America."

"This is all about as good as it gets for truck-obsessed preschoolers." — The Horn Book (starred review) Features an audio read-along! From the huge crane with a swinging ball (crack! ) to the toothy jaws that ram the walls (thwack! ), this rambunctious demolition, reverberating with sound words, is guaranteed to have small kids rapt. Bright spreads showcase the gargantuan machines in all their glory.

“Crais is at the top of his game, and Demolition Angel delivers the goods. With a bang. . . . It’s Silence of the Lambs meets Speed. . . . Crais knows how to press all the right buttons in keeping the story line taut and the action, well, explosive.”—San Francisco Chronicle Carol Starkey is struggling to pick up the pieces of her former life as L.A.’s finest bomb squad technician. Fueled with liberal doses of alcohol and Tagamet, she’s doing time as a Detective-2 with LAPD’s Criminal Conspiracy Section. Three years have passed since the event that still haunts her: a detonation that killed her partner and lover, scarred her body and soul, and ended her career as a bomb tech. When a seemingly innocuous bomb call explodes into a charred murder scene, Carol catches the case and embarks on an investigation of a series of explosions that reveal chilling intentions. The bombs are designed expressly to kill bomb technicians. Now, as the one tech who survived the deadliest of blasts, Carol is in for the most perilous fight of her life. . . . Praise for Demolition Angel “Terrific . . . explosive . . . [a] high powered thrill ride.”—The Wall Street Journal “Gripping . . . Crais piles on plot twists . . . gathering the separate threads at the end and igniting them like a string of fireworks.”—People “A powerful, self-contained novel of suspense that has the compactness, velocity, and effectiveness of a well-aimed bullet . . . This is a thriller that works on every level, a pivotal work from a crime novelist operating at the top of his game.”—Los Angeles Times “Fascinating and frighteningly believable . . . Starkey is one of the toughest characters to grace the crowded field of thriller books in a long time.”—USA Today “A flammable techno-thriller with the kind of force that knocks out windows.”—The New York Times Book Review "Packs an explosive punch. Though the pace of the book moves like a quick-burning fuse, Crais still takes the time in Demolition Angel to sketch out some memorable characters: Starkey, haunted and hollow-eyed, covering up her pain with a Bogart-tough demeanor; and John Michael Fowles (aka Mr. Red), a sociopath who gets all sorts of information from the Internet without breaking a sweat. . . . Crais keeps things wound so tight that readers will be getting paper cuts in their rush to finish this one.”—The Denver Post

Archaeology has become implicated in the Ayodhya controversy. It has been claimed that archaeological evidence provides irrefutable proof of the existence of a Rama Temple at the site of Babri Masjid, and of the destruction of this temple by Babur. The author uses standard archaeological procedures to question the claim. He examines the structural and artefactual evidence and analyses the stratigraphic information of B. B. Lal s excavations. Exploring possible alternative interpretations of the available data, he concludes that there was no temple of stone or brick lying below the mosque, and that there is no evidence of any act of destruction. The book is a defence of archaeology against its political misuse. A cautious examination of the archaeological evidence reveals a great deal about the working of communal politics. The archaeological discoveries which are supposed to prove the demolition of a Rama temple by Babur actually show no more than the logic of a politics which destroyed the Babri Masjid on 6 December 1992.

The Navy asks Recon Academy to tighten their security during an important building demolition, and the teens are eager to accept. After all, what's cooler than zooming around the desert in dune buggies while watching a giant building explode? But soon, a strange vehicle pops up on the horizon, and the Navy asks Recon to investigate. As they approach the truck, it suddenly disappears! When the team tries to track down the missing vehicle, they discover that Shadow Cell is behind the plot, and they're after the Navy's top-secret documents!

Tom Spotswood (aka William McGinty) is an insurance investigator who has lost his socks, his suitcase, his career, his ex-wife and, most importantly, his son Frank. He is being followed by Robert Valentine, the mysterious owner of the horse with no sperm; Alastair Shook and his van of teenage guards; and Spud, a demolition man who is using his wrecking ball to bring down the most beautiful movie theatre in town, the Century. To find his son, Tom will have to come to terms with his past – a past he ran away from. But first will have to find those socks. Praise for Two Little Boys 'Flight of the Conchords fans will take delight in this dark, twisted and idiotically funny novel.' The List (UK) 'Darkly comic.' Time Out (UK)