Year 817. After an unexpected jump in time, the stellar Ark Magonia orbits the Earth of our ancestors. Damaged, it lost a graviton tank, which crashed in the Alps... A first mission is organized to recover the precious fuel. Indispensable to the intergalactic journey of the Ark, it is the only chance to reach their new planet. Enzo and his family then discover that their return to the past is not an accident, but a willful diversion, and the plotters have just left for Earth. Enzo and his family decide to go find the lost tank themselves. How will our ancestors, and the prelate Agobard of Lyon, react to these beings from Magonia?

« ELON » is a short story, prequel to the series AFTER THE COLLAPSE A seven-year-old boy follows his parents into the mountains in search of refuge. He was born during the collapse of civilization in France. His family was denied boarding the Ark which will leave Earth for good in seven days, hours before the impact of the killer comet. Hope is stronger than fear, but until when?

2101. A comet will annihilate life on Earth. Humanity has had 75 years to prepare for it. The ruling classes have together built stellar Arks capable of colonizing a new planet. A damning truth quickly emerges: we cannot save everyone. Only select few elites will soar into space. One by one, the Arches took off. Humanity was going to be able to leave the Earth. Humanity yes, but not all humans. 4 days before impact. One of the gigantic Arches has not yet taken off. Outside its fortified base, civilization has already collapsed for fifty years. Aelys is one of the elites. She was born inside the base, 23 years ago. Convinced that she must help the survivors after the impact, she flees. Her family has only 72 hours to find her before the final departure. The last Ark will not wait for them. IMAGINARY PRIZE discovery "The Little Words of Booksellers" 2020

Sunday May 8th Reelected French President dies Erwan is a parliamentary assistant. He is the only one who knows that this was an assassination sponsored by the highest state bodies. Claire, his wife, is pregnant and they are expecting their first child. The couple will have to unite to foil the plot. Will she have to choose between saving her family or the French Republic?

British UFO researcher Nigel Graddon takes us to that magical land of Magonia—the land of the Fairies—a place from which some people return while others go there and never come back. Graddon discusses fairies, the wee folk, elves, fairy pathways, Welsh folklore, the Tuatha de Dannan, UFO occupants, the Little Blue Man of Studham, the implications of Mars, psychic connections with UFOs and fairies. He also recounts many of the strange tales of fairies, UFOs and Magonia. Chapters include: The Little Blue Man of Studham; The Wee Folk; UFOlk; What the Folk; Grimm Tales; The Welsh Triangle; The Implicate Order; Mars—an Atlantean Outpost; Psi-Fi; High Spirits; “Once Upon a Time...”; more.

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.