Focusing on two Arizona towns that had their origins in mining bonanzas—Tombstone and Jerome—historian Eric L. Clements offers a rare study dissecting the process of bust itself—the reasons and manners in which these towns declined as the mining booms ended. Tombstone was the site of one of the great silver bonanzas of the nineteenth century, a boom that started in the late 1870s and was over by 1890. Jerome’s copper deposits were mined for much longer, beginning in the 1880s and enduring until the 1930s. But when the mining booms ended, each town faced its decline in similar ways. The process of decline was more complex than superficial histories have indicated, and Clements discusses the role of labor unions in trying to stave off collapse, the changing demography of decline, the nature and expression of social tensions, the impact on institutions such as churches and schools, and the human responses to continued economic depression. But bust involved more than a steady decline into ghost-town status, Clements discovers: the towns' remaining residents employed numerous strategies to survive and reduce household expenses. In the end, both towns reinvented themselves as late-twentieth-century tourist attractions.

“Are you an American, or are you not?” This was the question Harry Wheeler, sheriff of Cochise County, Arizona, used to choose his targets in one of the most remarkable vigilante actions ever carried out on U.S. soil. And this is the question at the heart of Katherine Benton-Cohen’s provocative history, which ties that seemingly remote corner of the country to one of America’s central concerns: the historical creation of racial boundaries. It was in Cochise County that the Earps and Clantons fought, Geronimo surrendered, and Wheeler led the infamous Bisbee Deportation, and it is where private militias patrol for undocumented migrants today. These dramatic events animate the rich story of the Arizona borderlands, where people of nearly every nationality—drawn by “free” land or by jobs in the copper mines—grappled with questions of race and national identity. Benton-Cohen explores the daily lives and shifting racial boundaries between groups as disparate as Apache resistance fighters, Chinese merchants, Mexican-American homesteaders, Midwestern dry farmers, Mormon polygamists, Serbian miners, New York mine managers, and Anglo women reformers. Racial categories once blurry grew sharper as industrial mining dominated the region. Ideas about home, family, work and wages, manhood and womanhood all shaped how people thought about race. Mexicans were legally white, but were they suitable marriage partners for “Americans”? Why were Italian miners described as living “as no white man can”? By showing the multiple possibilities for racial meanings in America, Benton-Cohen’s insightful and informative work challenges our assumptions about race and national identity.

Hailed as a model state history thanks to Thomas E. Sheridan's thoughtful analysis and lively interpretation of the people and events shaping the Grand Canyon State, Arizona has become a standard in the field. Now, just in time for Arizona's centennial, Sheridan has revised and expanded this already top-tier state history to incorporate events and changes that have taken place in recent years. Addressing contemporary issues like land use, water rights, dramatic population increases, suburban sprawl, and the US-Mexico border, the new material makes the book more essential than ever. It successfully places the forty-eighth state's history within the context of national and global events. No other book on Arizona history is as integrative or comprehensive. From stone spear points more than 10,000 years old to the boom and bust of the housing market in the first decade of this century, Arizona: A History explores the ways in which Native Americans, Hispanics, African Americans, Asians, and Anglos have inhabited and exploited Arizona. Sheridan, a life-long resident of the state, puts forth new ideas about what a history should be, embracing a holistic view of the region and shattering the artificial line between prehistory and history. Other works on Arizona's history focus on government, business, or natural resources, but this is the only book to meld the ethnic and cultural complexities of the state's history into the main flow of the story. A must read for anyone interested in Arizona's past or present, this extensive revision of the classic work will appeal to students, scholars, and general readers alike.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

Hidden Out in the Open is the first English-language volume on Spanish migration to the United States in the late nineteenth and early twentieth centuries. This panoramic study covers a period defined by the crucial transformations of the Progressive Era in the United States, and by similarly momentous changes in Spain following the Restoration of the Bourbon monarchy under Alfonso XII. The chapters in this volume are geographically wide-ranging, reflecting the transnational nature of the Spanish diaspora in the Americas, encompassing networks that connected Spain, Cuba, Latin American countries, the United States, and American-controlled territories in Hawai’i and Panama. The geographic diversity reveals the different jobs immigrants engaged in, from construction gangs in the Panama Canal to mining crews in Arizona and West Virginia. Contributors analyze the Spanish experience in the United States from a variety of perspectives, discussing rural and urban enclaves, the role of the state, and the political mobilization of migrants, using a range of methodological approaches that examine ethnicity, race, gender, and cultural practices through the lenses of sociology, history, and cultural studies. The mention of the Spanish influence in the United States often conjures up images of conquistadores and padres of old. Forgotten in this account are the Spanish immigrants who reached American shores in the late nineteenth and early twentieth centuries. Hidden Out in the Open reveals the role of the modern migration of Spaniards in this "land of immigrants" and rectifies the erasure of Spain in the American narrative. The book will be of interest to scholars and students of US history and the history of modern Spain and Europe, as well as those interested ethnic and migration/diaspora studies, Hispanic/Latino studies, and the study of working class and radicalism. Contributors: Brian D. Bunk, Christopher J. Castañeda, Thomas Hidalgo, Beverly Lozano, Phylis Cancilla Martinelli, Gary R. Mormino, George E. Pozzetta†, Ana Varela-Lago.

To read some sample entries, or to view the Readers Guide click on "Sample Chapters/Additional Materials" in the left column under "About This Book" Immigration from foreign countries was a small part of the peopling of the American West but an important aspect in building western infrastructure, cities, and neighborhoods. The Encyclopedia of Immigration and Migration in the American West provides much more than ethnic groups crossing the plains, landing at ports, or crossing borders; this two-volume work makes the history of the American West an important part of the American experience. Through sweeping entries, focused biographies, community histories, economic enterprise analysis, and demographic studies, this Encyclopedia presents the tapestry of the West and its population during various periods of migration. The two volumes examine the settling of the West and include coverage of movements of American Indians, African Americans, and the often-forgotten role of women in the West′s development. Key Features Represents many of the American Indian tribes and bands that constitute our native heritage in an attempt to reintegrate the significance of their migrations with those of later arrivals Examines how African Americans and countless other ethnic groups moved west for new opportunities to better their lives Looks at specific economic opportunities such as mineral exploration and the development of instant cities Provides specific entries on immigration law to give readers a sense of how immigration and migration have been involved in the public sphere Includes biographies of certain individuals who represent the ordinary, as well as extraordinary, efforts it took to populate the region Key Themes American Indians Biographies Cities and Towns Economic Change and War Ethnic and Racial Groups Immigration Laws and Policies Libraries Natural Resources Events and Laws The Way West The Encyclopedia of Immigration and Migration in the American West brings new insight on this region, stimulates research ideas, and invites scholars to raise new questions. It is a must-have reference for any academic library.

How Hollywood biopics both showcase and modify various notions of what it means to be an American. Biopics—films that chronicle the lives of famous and notorious figures from our national history—have long been one of Hollywood’s most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character. “A provocative, critically astute study, this collection examines the biopic as a reflexive, refractive modernist film genre. Admirably researched essays provide close, compelling readings of chosen films, while exploring the multilayered matrices of historical fact, biographical and autobiographical literature, popular media representations, and cultural histories—shaping not only the lives and narratives of the performers, artists, and political/historical figures represented but also the practices of the filmmakers as they worked within or on the margins of the Hollywood industry.” — Cynthia Lucia, Rider University “The volume’s greatest strengths include its range, its variety of ideas on the significance of the biopic, and its research—definitive in several cases—into the relation between historical figures and their cinematic counterparts.” — James Morrison, author of Passport to Hollywood: Hollywood Films, European Directors