In African Somaesthetics: Cultures, Feminisms, Politics, Catherine F. Botha brings together original research on the body in African cultures, interrogating the possible contribution of a somaesthetic approach in the context of colonization, decolonization, and globalization in Africa.

The book argues that women's perspectives and gender issues must be mainstreamed across African philosophy in order for the discipline to truly represent the thoughts of Africans across the continent. It will be an essential resource for students and researchers of African philosophy and gender studies.

"This book is the best thing I've seen on the question--not only of 'feminism' in its African articulation but also, more generally, on the question of how feminism emerges and what it means to those who espouse it."--Joan Scott, Institute for Advanced Study, Princeton

Charts new trends in gender studies through a compelling analysis of Igbo society.

This book examines the underexplored notion of epistemic marginalization of women in the African intellectual place. Women's issues are still very much neglected by governments, corporate bodies and academics in sub-Saharan Africa. The entrenched traditional world-views which privilege men over women make it difficult for the modern day challenges posed by the neglect of the feminine epistemic perspective, to become obvious. Contributors address these issues from both theoretical and practical perspectives, demonstrating what philosophy could do to ameliorate the epistemic marginalization of women, as well as ways in which African philosphy exacerbates this marginalization. Philosophy is supposed to teach us how to lead the good life in all its ramifications; why is it failing in this duty in Africa where the issue of women’s epistemic vision is concerned? The chapters raise feminist agitations to a new level; beginning from the regular campaigns for various women’s rights and reaching a climax in an epistemic struggle in which the knowledge-controlling power to create, acquire, evaluate, regulate and disseminate is proposed as the last frontier of feminism.

This work examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere. This body of work has already generated a significant number of critical responses, including readings that draw on gender politics and colonialism, but it is still very much a minor literature, and most mainstream western feminism has not sufficiently processed it. The purpose of this book is three-fold. First, it draws together some of the most important and influential African women writers of the post-war period and looks at their work, separately and together, in terms of a series of themes and issues, including marriage, family, polygamy, religion, childhood, and education. Second, it demonstrates how African literature produced by women writers is explicitly and polemically engaged with urgent political issues that have both local and global resonance: the veil, Islamophobia and a distinctively African brand of feminist critique. Third, it revisits Fredric Jameson’s claim that all third-world texts are “national allegories” and considers these novels by African women in relation to Jameson’s claim, arguing that their work has complicated Jameson’s assumptions.

This book calls for the institution of an African feminist philosophy of language, challenging existing debates and encouraging a move away from the Western gaze. The book begins with an analysis of the philosophical context of African feminism, and a call for the decolonization of epistemological discourse. Oyeleye then goes on to consider how indigenous patriarchies play out in the cultural reality of the Yorùbá in particular, ontologically unpacking the nature of woman as expressed in language, especially in myths and proverbs. Challenging the derogatory language found in proverbs which entrench patriarchal oppression, the author advocates for feminist postproverbials: new proverbs which draw on old traditions but reconstruct the space of woman in a new, egalitarian rhetorical tradition. The author concludes by outlining the conditions necessary for African feminist philosophers to consider language as a decolonizing space which can help to push through the agenda of social change. This book will be an important resource for researchers from across the fields of gender and women studies, feminist philosophy, philosophy of language, cultural studies, and African studies.