This tribute collection reflects the wide range and diversity of James Gibbs’s academic interests. The focus is on Africa, but comparative studies of other literatures also receive attention. Fiction, drama, and poetry by writers from Nigeria, Ghana, Sierra Leone, Eritrea, Malawi, Zimbabwe, South Africa, Ireland, England, Germany, India, and the Caribbean are surveyed alongside significant missionaries, scientists, performers, and scholars. The writers discussed include Wole Soyinka, Chinua Achebe, Kobina Sekyi, Raphael Armattoe, J.E. Casely Hayford, Michael Dei-Anang, Kofi Awoonor, Ayi Kwei Armah, John Kolosa Kargbo, Dele Charley, Ngugi wa Thiong’o, Okot p’Bitek, Jonathan Sajiwandani, Samuel E. Krune Mqhayi, A.S. Mopeli–Paulus, Kelwyn Sole, Anna Seghers, Raja Rao, and Arundhati Roy. Other essays treat the black presence in Ireland, anonymous rap artists in Chicago, the Jamaican missionary Joseph Jackson Fuller in the Cameroons, the African-American actor Ira Aldridge in Sweden, the Swedish naturalist Anders Sparrman in South Africa, and the literary scholar and editor Eldred Durosimi Jones in Sierra Leone. Interviews with the Afro-German Africanist Theodor Wonja Michael and the Irish-Nigerian dramatist Gabriel Gbadamosi are also included. Also offered are poems by Jack Mapanje and Kofi Anyidoho, short stories by Charles R. Larson and Robert Fraser, plays by Femi Osofisan and Martin Banham, and an account of a dramatic reading of a script written and co-performed by James Gibbs. Contributors: Anne Adams, Sola Adeyemi, Kofi Anyidoho, Awo Mana Asiedu, Martin Banham, Eckhard Breitinger, Gordon Collier, James Currey, Geoffrey V. Davis, Chris Dunton, Robert Fraser, Raoul J. Granqvist, Gareth Griffiths, C.L. Innes, Charles R. Larson, Bernth Lindfors, Leif Lorentzon, Jack Mapanje, Christine Matzke, Mpalive–Hangson Msiska, Femi Osofisan, Eustace Palmer, Jane Plastow, Lynn Taylor, and Pia Thielmann. Geoffrey V. Davis co-edits the series Cross/Cultures and the African studies journal Matatu. Recent publications include Narrating Nomadism and African Literatures: Post¬colonial Literatures in English: Sources and Resources (both co-ed. 2013). Bernth Lindfors, founding editor of the journal Research in African Literatures, is writing a bio¬graphy of Ira Aldridge (two volumes have so far appeared: The Early Years, 1807–1833 and The Vagabond Years, 1833–1852, both 2011).

African identities have been written and rewritten about in both British and African literature for decades. These revisions have opened up new formulations of what it really means to be British or African. By comparing texts by authors from African and British backgrounds across a wide variety of political orientations, the book analyzes the deeper relationships between colonizer and colonized. It brings issues of race, gender, class, and sexuality into the analysis, providing new ways for cultural scholars to think about how empire and colony have impacted one another from the late eighteenth century through the decades following World War II. In these comparisons, the book focuses on commonalities rather than differences. By examining the work of writers including Chinua Achebe, Wole Soyinka, T. S. Eliot, Abdulrazak Gurnah, Zoe Wicomb, Yvette Christianse, and Chris van Wyk, the book demonstrates how Britain's former African colonies influence British culture just as much as African culture was influenced by British colonization. The book brings a uniquely informed perspective to the topic, having lived in South Africa, Tanzania, and Great Britain, and having taught African literature for over a decade. The book demonstrates expert knowledge of local cultural history from 1945 to the present, in both Africa and Britain.

Even in the best of times, the artist is constantly reaching beyond the present; the severity of Africa's present situation of crisis must urge our artists even farther into their version of a new life. In Beyond Survival, some of the best interpreters of African Literature focus on the role of the creative artist as a critical assessor, confidence builder and inspirer to excellence.The central theme of this important collection of essays in inspired by the belief that given the severity of the current crisis of life for African peoples, and given the intuitive and cultivated ability of the creative artist to monitor and accurately capture the complexities of any human institution, close attention to the world of African and African-heritage writers should provide not only important insights into various dimensions of the problem, but also and perhaps even more crucial, subtle but reliable pointers to probable solutions. More than any other group of people, it is perhaps to the artists we must turn for a creative but ultimately realizable vision of the future.The contributors fall under five broad headings, beginning with an introductory section featuring three important addresses delivered during the 1994 ALA annual conference in Accra, Ghana, at which these papers were first presented, as well a specially commissioned essay in memory of the late Flora Nwapa, one of Africa's best known pioneer women writers. The four other sections present a total of twenty essays focussing on: Shifting Paradigms; New Life: Language and Artistic Tradition; New Life: Language, Literature & National Policy; and Resistance Strategies.

The impact of nationalism on the emergence and development of African literature is now well documented. Globalization or the postnational state it seems to herald, the emblematic phenomenon of our era, has not received much attention. Using a cultural studies approach, Beyond Empire and Nation is a fascinating account of the process of globalization in African Literature. The book starts with an analysis of nationalist rhetoric and ideology as exemplified by works such as Things Fall Apart. Thereafter, it dedicates a chapter each to B. Kojo Laing's novels and Nuruddin Farah's Trilogy (Maps, Gifts, and Secrets) as articulations of a globalized, postnational reality. At the heart o the book is an analysis of a nuanced and complex experience of global modernity as Africans reassess the constants of nationalist discourse: culture, identity, locality, and territoriality. Ngaboh-Smart does not believe that the postnational phenomenon is necessarily detrimental to the national-state and argues that it may well be capable of generating a new form of individual agency, although he is critical of those writers who ignore the new power dynamic inherent in globalization. Moving beyond the "clash of cultures" paradigm, Ngaboh-Smart's account of the renegotiation of national identity and ideology is a significant contribution to the criticism of African literature and its link to global social processes.

A fresh, innovative, and powerful case for African literature on its own terms. "Erudite, well executed, and politically committed....A magnificent and masterful critical reading."--V. Y. Mudimbe, Duke University.

This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalisation; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.

A fresh, innovative, and powerful case for African literature on its own terms. Erudite, well executed, and politically committed....A magnificent and masterful critical reading. V. Y. Mudimbe, Duke University