'African Cry' is liberation theology with African content and original method--in short, a model of African liberation theology. Its translation into the English language is a big contribution to the corpus of literature on African liberation theology available to the English-speaking public. For those who are not already familiar with its French version, it provides a new dimension in African theology. The book is a must for all students of African theology."" --Justin S. Ukpong, Catholic Institute of West Africa, Nigeria 'African Cry' is fundamentally a challenge to all who claim adherence to the Christian faith. It explores the Scriptures, particularly the Gospels, in the light of what passes for Christianity and Mission on the part of European and Caucasian thinking, attitudes, and behavior on the continent of Africa. The book is a magnificent presentation of the problems that the African and African-American have with the behavior and attitudes of Church people from the highest to the lowest levels. This book should be read by as many Christians as possible, and, above all, bishops, particularly European and American."" --Lawrence E. Lucas, author of 'Black Priest/White Church' 'African Cry' shatters the self-censorship of sub-Saharan African theologians on political-economic issues while retaining their deep concern for cultural liberation. It is now impossible to discuss African theology without reference to Ela."" --Marie Giblin, Associate Professor of Theology, Xavier University A vigorous, frank, and uncompromising series of essays by a young, rural-based Cameroonian priest. The stress is on the interrelatedness of inculturation, liberation, and authenticity. The cry is for the right to be different. A superb example of the strongly-felt anguish of committed African priests for a church at once credible and rooted in reality."" --Simon E. Smith, SJ, former Coordinator of the Jesuit Refugee Service in Africa Jean-Marc Ela is a Cameroonian theologian. He is also the author of 'My Faith as an African.'

NAMED A MOST ANTICIPATED BOOK IN ESSENCE MAGAZINE, THE MILLIONS AND BOOKISH "Don't Cry for Me is a perfect song."—Jesmyn Ward A Black father makes amends with his gay son through letters written on his deathbed in this wise and penetrating novel of empathy and forgiveness, for fans of Ta-Nehisi Coates, Robert Jones Jr. and Alice Walker As Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob's tumultuous relationship with Isaac's mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob's role as a father and his reaction to Isaac's being gay. But most of all, Jacob must share with Isaac the unspoken truths that reside in his heart. He must give voice to the trauma that Isaac has inherited. And he must create a space for the two to find peace. With piercing insight and profound empathy, acclaimed author Daniel Black illuminates the lived experiences of Black fathers and queer sons, offering an authentic and ultimately hopeful portrait of reckoning and reconciliation. Spare as it is sweeping, poetic as it is compulsively readable, Don't Cry for Me is a monumental novel about one family grappling with love's hard edges and the unexpected places where hope and healing take flight.

Uncover the lives of thirteen African-Americans who fought during the Revolutionary War. Even as American Patriots fought for independence from British rule during the Revolutionary War, oppressive conditions remained in place for the thousands of enslaved and free African Americans living in this country. But African Americans took up their own fight for freedom by joining the British and American armies; preaching, speaking out, and writing about the evils of slavery; and establishing settlements in Nova Scotia and Africa. The thirteen stories featured in this collection spotlight charismatic individuals who answered the cry for freedom, focusing on the choices they made and how they changed America both then and now. These individuals include: Boston King, Agrippa Hull, James Armistead Lafayette, Phillis Wheatley, Elizabeth "Mumbet" Freeman, Prince Hall, Mary Perth, Ona Judge, Sally Hemings, Paul Cuffe, John Kizell, Richard Allen, and Jarena Lee. Includes individual bibliographies and timelines, author note, and source notes.

The Communist Party was the only political movement on the left in the late 1920s and 1930s to place racial justice and equality at the top of its agenda and to seek, and ultimately win, sympathy among African Americans. This historic effort to fuse red and black offers a rich vein of experience and constitutes the theme of The Cry Was Unity. Utilizing for the first time materials related to African Americans from the Moscow archives of the Communist Inter-national (Comintern), The Cry Was Unity traces the trajectory of the black-red relationship from the end of World War I to the tumultuous 1930s. From the just-recovered transcript of the pivotal debate on African Americans at the 6th Comintern Congress in 1928, the book assesses the impact of the Congress's declaration that blacks in the rural South constituted a nation within a nation, entitled to the right of self-determination. Despite the theory's serious flaws, it fused the black struggle for freedom and revolutionary content and demanded that white labor recognize blacks as indispensable allies. As the Great Depression unfolded, the Communists launched intensive campaigns against lynching, evictions, and discrimination in jobs and relief and opened within their own ranks a searing assault on racism. While the Party was never able to win a majority of white workers to the struggle for Negro rights, or to achieve the unqualified support of the black majority, it helped to lay the foundations for the freedom struggle of the 1950s and 1960s. The Cry Was Unity underscores the successes and failures of the Communist-led left and the ways in which it fought against racism and inequality. This struggle comprises an important missing page that needs to be returned to the nation's history.

From the terrible slave identity to the growing racism, marginalization and criticism in the educational, social, health, family and criminal justice systems, African American males have many reasons to shed their tears.

At a time when Africans, like other peoples, are facing the shock of technological and cultural modernity, liberation of the oppressed must be the primary condition for an authentic inculturation of the Christian message. This is the central axis of the papers in this book, which begins with the questions of faith posed by cultural variables, an internal dimension of the African's condition. In order to understand what is at stake, we need to place these matters in the overall context of a society and a history marked by conflicts-which lead to a rereading of our African memory. The basic issue of the Credibility of Christianity is being raised from with in the dynamic which allows Africans to escape from the inhumanity of the destiny to which certain factors would condemn them. So critical reflection on the relevance of an African Christianity requires us to identify the structures or strategies of exploitation and impoverishment against which Africans have always struggled, finding their own specific forms of resistance within their cultures.

Groundbreaking and heartbreaking, this triumphant novel by two of America's most acclaimed storytellers follows a family of women from enslavement to the dawn of the twenty-first century. From Reconstruction to both world wars, from the Harlem Renaissance to Vietnam, from spirituals and arias to torch songs and the blues, Some Sing, Some Cry brings to life the monumental story of one American family's journey from slavery into freedom, from country into city, from the past to the future, bright and blazing ahead. Real-life sisters, Ntozake Shange, award-winning author of for colored girls who have considered suicide/when the rainbow is enuf and Ifa Bayeza, award-winning playwright of The Ballad of Emmett Till, achieve nothing less than a modern classic in this story of seven generations of women, and the men and music in their lives. Opening dramatically at a sprawling plantation just off the South Carolina coast, recently emancipated slave Bette Mayfield quickly says her goodbyes before fleeing for Charleston with her granddaughter, Eudora, in tow. She and Eudora carve out lives for themselves in the bustling port city as seamstress and fortune-teller. Eudora marries, the Mayfield lines grows and becomes an incredibly strong, musically gifted family, a family that is led, protected, and inspired by its women. Some Sing, Some Cry chronicles their astonishing passage through the watershed events of American history.