African American Consciousness focuses on ideas of culture, race, and class within the interdisciplinary matrix of Africana Studies. Even more important, it uses a methodology that emphasizes interpretation and the necessity of interdisciplinary research and writing in a global society. Worldview, culture, analytic thinking, and historiography can all be used as tools of analysis, and in the process of discovery, use pedagogy, and survey research of Africana history. Advancing the idea of Africana Studies, mixed methodology, and triangulation, the contributors provide alternative approaches toward examining this phenomena, with regard to place, space, and time. The essays in this volume include Reynaldo Anderson, “Black History dot.com”; Greg Carr, “Black Consciousness, Pan-Africanism and the African World History Project”; Karanja Carroll, “A Genealogical Review of the Worldview Concept and Framework in Africana Studies”; Denise Martin, “Reflections on African Celestial Culture”; Serie McDougal “Teaching Black Males”; Demetrius Pearson, “Cowboys of Color”; Pamela Reed, “Heirs to Disparity”; and Andrew Smallwood, “Malcolm X’s Leadership and Legacy.” The researchers in this volume investigate, explore, and review patterns of functional, normative, and expressive behavior. The past and present of Africana culture is represented, showing how reflexivity can be an adjustable concept to organize, process, and interpret data. Moreover, humanism and social science demonstrate how researchers establish, extract, and identify the limitations and alternative approaches to research of the historic conditions of black Americans.

Surveys the oral cultural heritage of black Americans as manifested in music, folk tales and heroes, and humor.

African American spirituality plays a central role in the formation and practice of Black freedom in America. This freedom is primarily spiritual and cultural and has a significant role in shaping Black consciousness, behavior and belief.It has created a cultural archive or black culture soul, which shapes the colors, content, timber and texture of the African American communities.Unlike other paradigms which posit the social, political and economic imperatives of freedom, the African American model stipulates the vital role of Black spirituality. This spirituality embodies the creation and sustenance of Black culture, establishes psychological and spiritual relocation in response to oppression, and equips African Americans with the spiritual tools for their physical, vocational and institutional survival.A central thesis of the book is that African American spirituality, by the way it shapes and informs black life, creates a unique praxis of freedom. Most importantly is the way Black spirituality is expressed in Black culture, the Black church and Black life values.Creativity is, therefore, essential to freedom. That freedom is manifested in everything from the development of jazz as a sui generis and indigenous art form, to the ways Black people walk, talk, interpret and oppositionally express themselves in the world.Such creativity is indispensable to the formation and preservation of Black life. It has been used by African Americans as a powerful weapon in maintaining identity and creating a spirituality of culture and a culture of spirituality, which have largely thwarted their complete psychological and physical annihilatio

The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.

'Important . . . powerful . . . . an explanation of why Black protest is such a dangerous prospect to the white power structure' Kehinde Andrews, Guardian Where is the path to racial justice? In this ground-breaking book, philosopher Lewis R. Gordon ranges over history, art and pop culture - from ancient African languages to the film Get Out - to show why the answer lies not just in freeing Black bodies from the fraud of white supremacy, but in freeing all of our minds. Building on the influential work of Frantz Fanon and W. E. B. Du Bois, Fear of Black Consciousness is a vital contribution to our conversations on racial politics, identity and culture. 'Expansive . . . reminds us that the ultimate aim of Black freedom quests is, indeed, universal liberation' Angela Y. Davis

An account of the location of black intellectuals in the modern world following the end of racial slavery. The lives and writings of key African Americans such as Martin Delany, W.E.B. Dubois, Frederick Douglas and Richard Wright are examined in the light of their experiences in Europe and Africa.

Introduces key terms, interdisciplinary research, debates, and histories for African American Studies As the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field. Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world.