This book examines the work of prominent South African geologist Alex Du Toit as a means of understanding the debate around continental drift both in segregation-era South Africa and internationally. It contextualises Du Toit’s work within a particularly formative period of South African science, from the paleoanthropological discoveries that sparked debates about the origins of humankind to Jan Smuts’ own theory of holism. Beyond South African scientific discoveries, the book sets Du Toit’s work against a backdrop of ideological struggles over space, both domestically in terms of segregation and nationalism, as well as internationally as South Africa sought to assert its position within the Commonwealth. These debates were embodied by Du Toit’s work on the theory of continental drift, which put Africa – and South Africa – at the centre geologically and geographically. The author also focuses on the divisions in geology caused by drift theory, tracing the vigorous intellectual debate and dissent indicative of the ideological milieu within which scientific thought is constructed. It traces the history of continental drift from its inception in the nineteenth century and later work of Alfred Wegener, which was both elaborated upon and substantiated by Du Toit. The study further focuses on Du Toit’s research on continental drift in South African and South America, and the geological, fossil and climatological evidence used to bolster this theory.

This book examines the work of prominent South African geologist Alex Du Toit as a means of understanding the debate around continental drift both in segregation-era South Africa and internationally. It contextualises Du Toit's work within a particularly formative period of South African science, from the paleoanthropological discoveries that sparked debates about the origins of humankind to Jan Smuts' own theory of holism. Beyond South African scientific discoveries, the book sets Du Toit's work against a backdrop of ideological struggles over space, both domestically in terms of segregation and nationalism, as well as internationally as South Africa sought to assert its position within the Commonwealth. These debates were embodied by Du Toit's work on the theory of continental drift, which put Africa - and South Africa - at the centre geologically and geographically. The author also focuses on the divisions in geology caused by drift theory, tracing the vigorous intellectual debate and dissent indicative of the ideological milieu within which scientific thought is constructed. It traces the history of continental drift from its inception in the nineteenth century and later work of Alfred Wegener, which was both elaborated upon and substantiated by Du Toit. The study further focuses on Du Toit's research on continental drift in South African and South America, and the geological, fossil and climatological evidence used to bolster this theory. .

This book examines the work of prominent South African geologist Alex Du Toit as a means of understanding the debate around continental drift both in segregation-era South Africa and internationally. It contextualises Du Toit’s work within a particularly formative period of South African science, from the paleoanthropological discoveries that sparked debates about the origins of humankind to Jan Smuts’ own theory of holism. Beyond South African scientific discoveries, the book sets Du Toit’s work against a backdrop of ideological struggles over space, both domestically in terms of segregation and nationalism, as well as internationally as South Africa sought to assert its position within the Commonwealth. These debates were embodied by Du Toit’s work on the theory of continental drift, which put Africa – and South Africa – at the centre geologically and geographically. The author also focuses on the divisions in geology caused by drift theory, tracing the vigorous intellectual debate and dissent indicative of the ideological milieu within which scientific thought is constructed. It traces the history of continental drift from its inception in the nineteenth century and later work of Alfred Wegener, which was both elaborated upon and substantiated by Du Toit. The study further focuses on Du Toit’s research on continental drift in South African and South America, and the geological, fossil and climatological evidence used to bolster this theory.

Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day. “Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

List of members in v. 1, 3-6, 9-11, 14-16, 18.

This book is designed for the general reader of gospel music, as well as those who incorporate gospel into their lesson plans on the academic level. "Gospel Music: An African American Art Form" provides music information on the heritage of gospel from its African roots, Negro spirituals, traditional and contemporary gospel music trends. The mission and purpose of this book is to provide a framework of study of gospel music, which is in the mainstream of other music genres. There are 8 detailed sections, appendices and resources on gospel music which include African Roots and Characteristics and history, Negro Spirituals, Black Congregational Singing, Gospel history and Movement, Gripping effects: Cross Over Artists, Youth in Gospel, and Gospel Music in the Academic Curriculum with lesson plans. There is a wealth of knowledge on the cultural heritage of "Gospel Music As An Art Form."

An essential A-Z guide to the full range of sociological thought, Sociology: The Key Concepts is an important addition to the established and successful Key Concepts series. Fully cross-referenced with an extensive glossary, this accessible text also includes: alphabetical listings of key concepts for ease of use suggestions for further reading to enhance understanding of areas covered entries on ‘traditionalism’ ‘race and racialization’ and ‘modernity’. Bringing together an international range of highly regarded contributors from the full spectrum of disciplines, this useful reference guide is the ideal resource for those studying or interested in this popular area.